1 00:00:01,590 --> 00:00:02,133 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME VIDEO 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:02,133 --> 00:00:04,135 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME VIDEO 4 00:00:04,135 --> 00:00:05,344 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME VIDEO 5 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 6 00:03:18,912 --> 00:03:20,122 [LAUGHTER] 7 00:03:20,164 --> 00:03:20,331 Man: HERE WE ARE. UH-OH. 8 00:03:20,331 --> 00:03:22,333 Man: HERE WE ARE. UH-OH. 9 00:03:22,333 --> 00:03:22,624 Man: HERE WE ARE. UH-OH. 10 00:03:22,666 --> 00:03:23,167 COME ON. 11 00:03:23,208 --> 00:03:24,335 Second man: I AM. I'M RIGHT BEHIND YOU. 12 00:03:24,335 --> 00:03:25,461 Second man: I AM. I'M RIGHT BEHIND YOU. 13 00:03:25,502 --> 00:03:26,337 I'LL BE UP IN A SECOND. 14 00:03:26,337 --> 00:03:26,795 I'LL BE UP IN A SECOND. 15 00:03:26,837 --> 00:03:27,838 [PIANO PLAYING THROUGHOUT] 16 00:03:27,880 --> 00:03:28,339 [LAUGHTER AND CONVERSATIONS] 17 00:03:28,339 --> 00:03:30,341 [LAUGHTER AND CONVERSATIONS] 18 00:03:30,341 --> 00:03:30,716 [LAUGHTER AND CONVERSATIONS] 19 00:03:37,848 --> 00:03:38,349 Man: YOU GO ON AHEAD. 20 00:03:38,349 --> 00:03:40,351 Man: YOU GO ON AHEAD. 21 00:03:40,351 --> 00:03:40,934 Man: YOU GO ON AHEAD. 22 00:03:47,691 --> 00:03:48,359 [LAUGHTER] 23 00:03:48,359 --> 00:03:50,027 [LAUGHTER] 24 00:03:50,069 --> 00:03:50,361 [DOORBELL RINGING] 25 00:03:50,361 --> 00:03:52,363 [DOORBELL RINGING] 26 00:03:52,363 --> 00:03:52,905 [DOORBELL RINGING] 27 00:04:07,628 --> 00:04:08,379 [ALL CHATTERING AT ONCE] 28 00:04:08,379 --> 00:04:09,797 [ALL CHATTERING AT ONCE] 29 00:04:15,844 --> 00:04:16,387 THE LADIES' DRESSING ROOM IS UPSTAIRS, MISS. 30 00:04:16,387 --> 00:04:18,055 THE LADIES' DRESSING ROOM IS UPSTAIRS, MISS. 31 00:04:18,097 --> 00:04:18,389 MISS KATE AND MISS JULIA ARE WAITING FOR YOU. 32 00:04:18,389 --> 00:04:20,307 MISS KATE AND MISS JULIA ARE WAITING FOR YOU. 33 00:04:20,349 --> 00:04:20,391 THANK YOU, LILY. 34 00:04:20,391 --> 00:04:20,724 THANK YOU, LILY. 35 00:04:20,766 --> 00:04:22,393 WE'LL SEE YOU UPSTAIRS THEN. 36 00:04:22,393 --> 00:04:22,851 WE'LL SEE YOU UPSTAIRS THEN. 37 00:04:22,893 --> 00:04:23,310 RIGHT. 38 00:04:23,352 --> 00:04:23,852 MISS FURLONG, MISS O'CALLAGHAN, 39 00:04:23,852 --> 00:04:24,395 AND MISS HIGGINS COMING UP, MISS KATE. 40 00:04:24,395 --> 00:04:26,397 AND MISS HIGGINS COMING UP, MISS KATE. 41 00:04:26,397 --> 00:04:26,480 AND MISS HIGGINS COMING UP, MISS KATE. 42 00:04:26,522 --> 00:04:28,399 IS THERE NO SIGN OF MY NEPHEW YET? 43 00:04:28,399 --> 00:04:28,524 IS THERE NO SIGN OF MY NEPHEW YET? 44 00:04:28,565 --> 00:04:29,400 NO, MA'AM. 45 00:04:29,441 --> 00:04:30,401 OH, GABRIEL, I JUST PRAY TO HEAVENS HE GETS HERE BEFORE FREDDY MALINS. 46 00:04:30,401 --> 00:04:32,403 OH, GABRIEL, I JUST PRAY TO HEAVENS HE GETS HERE BEFORE FREDDY MALINS. 47 00:04:32,403 --> 00:04:34,405 OH, GABRIEL, I JUST PRAY TO HEAVENS HE GETS HERE BEFORE FREDDY MALINS. 48 00:04:34,405 --> 00:04:34,488 OH, GABRIEL, I JUST PRAY TO HEAVENS HE GETS HERE BEFORE FREDDY MALINS. 49 00:04:34,530 --> 00:04:35,531 AH, MISS O'CALLAGHAN. 50 00:04:35,572 --> 00:04:36,407 HOW DELIGHTED I AM TO SEE YOU. 51 00:04:36,407 --> 00:04:38,409 HOW DELIGHTED I AM TO SEE YOU. 52 00:04:38,409 --> 00:04:39,034 HOW DELIGHTED I AM TO SEE YOU. 53 00:04:39,076 --> 00:04:40,411 AND YOU, MISS FURLONG. 54 00:04:40,411 --> 00:04:41,537 AND YOU, MISS FURLONG. 55 00:04:41,578 --> 00:04:42,413 AND YOU, MISS HIGGINS. 56 00:04:42,413 --> 00:04:43,455 AND YOU, MISS HIGGINS. 57 00:04:43,497 --> 00:04:44,206 OH, WHAT A SURPRISE 58 00:04:44,206 --> 00:04:44,415 TO HAVE MARY JANE'S THREE FAVORITE PUPILS ALL TOGETHER. 59 00:04:44,415 --> 00:04:46,417 TO HAVE MARY JANE'S THREE FAVORITE PUPILS ALL TOGETHER. 60 00:04:46,417 --> 00:04:48,168 TO HAVE MARY JANE'S THREE FAVORITE PUPILS ALL TOGETHER. 61 00:04:48,210 --> 00:04:48,419 LET'S COME ALONG. 62 00:04:48,419 --> 00:04:49,169 LET'S COME ALONG. 63 00:04:49,211 --> 00:04:49,711 WHERE'S MARY JANE? 64 00:04:49,753 --> 00:04:50,421 I HAVE A PRESENT FOR HER FROM CHRISTMAS. 65 00:04:50,421 --> 00:04:52,172 I HAVE A PRESENT FOR HER FROM CHRISTMAS. 66 00:04:52,214 --> 00:04:52,423 OH, YES. OF COURSE. YOU MISSED YOUR LESSON. 67 00:04:52,423 --> 00:04:54,425 OH, YES. OF COURSE. YOU MISSED YOUR LESSON. 68 00:04:54,425 --> 00:04:54,758 OH, YES. OF COURSE. YOU MISSED YOUR LESSON. 69 00:04:54,800 --> 00:04:56,135 DID YOU ENJOY IT? 70 00:04:56,176 --> 00:04:56,427 IT WAS LOVELY. 71 00:04:56,427 --> 00:04:56,677 IT WAS LOVELY. 72 00:04:56,677 --> 00:04:58,429 WELL, MARY JANE WILL BE UP IN A MINUTE. 73 00:04:58,429 --> 00:04:58,762 WELL, MARY JANE WILL BE UP IN A MINUTE. 74 00:04:58,804 --> 00:05:00,431 TELL YOU THE TRUTH, SHE'S BASTING THE GOOSE. 75 00:05:00,431 --> 00:05:02,433 TELL YOU THE TRUTH, SHE'S BASTING THE GOOSE. 76 00:05:02,433 --> 00:05:02,766 TELL YOU THE TRUTH, SHE'S BASTING THE GOOSE. 77 00:05:09,064 --> 00:05:09,773 LILY, WHILE I'M UPSTAIRS, 78 00:05:09,773 --> 00:05:10,441 KEEP AN EYE ON THE POTATOES AND SEE THEY DON'T BOIL OVER. 79 00:05:10,441 --> 00:05:12,443 KEEP AN EYE ON THE POTATOES AND SEE THEY DON'T BOIL OVER. 80 00:05:12,443 --> 00:05:12,776 KEEP AN EYE ON THE POTATOES AND SEE THEY DON'T BOIL OVER. 81 00:05:12,818 --> 00:05:14,027 BUT WHO'LL ANSWER THE DOOR, MISS? 82 00:05:14,069 --> 00:05:14,445 I CAN'T HEAR THE BELL FROM THE KITCHEN. 83 00:05:14,445 --> 00:05:16,447 I CAN'T HEAR THE BELL FROM THE KITCHEN. 84 00:05:16,447 --> 00:05:16,530 I CAN'T HEAR THE BELL FROM THE KITCHEN. 85 00:05:16,572 --> 00:05:17,865 GOOD EVENING, MR. KERRIGAN. 86 00:05:17,906 --> 00:05:18,449 GOOD EVENING, MISS MORKAN, 87 00:05:18,449 --> 00:05:18,615 GOOD EVENING, MISS MORKAN, 88 00:05:18,615 --> 00:05:20,451 I'D LIKE YOU TO MEET A FRIEND OF MINE, MR. AIDAN BERGIN. 89 00:05:20,451 --> 00:05:20,784 I'D LIKE YOU TO MEET A FRIEND OF MINE, MR. AIDAN BERGIN. 90 00:05:20,826 --> 00:05:21,827 HOW DO YOU, MR. BERGIN? HOW DO YOU DO? 91 00:05:21,869 --> 00:05:22,453 I'M VERY GLAD YOU COULD COME. 92 00:05:22,453 --> 00:05:23,370 I'M VERY GLAD YOU COULD COME. 93 00:05:23,412 --> 00:05:24,455 DELIGHTED TO BE HERE. 94 00:05:24,455 --> 00:05:25,789 DELIGHTED TO BE HERE. 95 00:05:25,831 --> 00:05:26,457 WELL, JUST POP DOWN EVERY FEW MINUTES 96 00:05:26,457 --> 00:05:27,833 WELL, JUST POP DOWN EVERY FEW MINUTES 97 00:05:27,875 --> 00:05:28,459 AND COME STRAIGHT UP AGAIN LIKE A GOOD GIRL. 98 00:05:28,459 --> 00:05:29,835 AND COME STRAIGHT UP AGAIN LIKE A GOOD GIRL. 99 00:05:29,877 --> 00:05:30,461 I HAVE TO LAY THE TABLE, MISS. 100 00:05:30,461 --> 00:05:31,712 I HAVE TO LAY THE TABLE, MISS. 101 00:05:31,753 --> 00:05:32,463 WELL, DO YOUR BEST. 102 00:05:32,463 --> 00:05:32,671 WELL, DO YOUR BEST. 103 00:05:32,713 --> 00:05:34,465 WELL, I'LL TRY BUT... 104 00:05:34,465 --> 00:05:35,340 WELL, I'LL TRY BUT... 105 00:05:36,175 --> 00:05:36,467 GOOD EVENING. GOOD EVENING. 106 00:05:36,467 --> 00:05:38,469 GOOD EVENING. GOOD EVENING. 107 00:05:38,469 --> 00:05:38,927 GOOD EVENING. GOOD EVENING. 108 00:05:39,845 --> 00:05:40,471 MISS KATE, MISS JULIA, 109 00:05:40,471 --> 00:05:42,097 MISS KATE, MISS JULIA, 110 00:05:42,139 --> 00:05:42,473 MAY I PRESENT MR. AIDAN BERGIN, 111 00:05:42,473 --> 00:05:44,475 MAY I PRESENT MR. AIDAN BERGIN, 112 00:05:44,475 --> 00:05:44,558 MAY I PRESENT MR. AIDAN BERGIN, 113 00:05:44,600 --> 00:05:46,268 AND MR. JOSEPH KERRIGAN, 114 00:05:46,310 --> 00:05:46,477 WHO WERE SO GOOD AS TO ESCORT US HERE TONIGHT. 115 00:05:46,477 --> 00:05:48,479 WHO WERE SO GOOD AS TO ESCORT US HERE TONIGHT. 116 00:05:48,479 --> 00:05:49,146 WHO WERE SO GOOD AS TO ESCORT US HERE TONIGHT. 117 00:05:49,188 --> 00:05:49,646 HOW DO YOU DO? 118 00:05:49,646 --> 00:05:50,481 WELL, IT'S A GREAT PLEASURE TO MEET 119 00:05:50,481 --> 00:05:51,648 WELL, IT'S A GREAT PLEASURE TO MEET 120 00:05:51,690 --> 00:05:52,483 TO MEET ANY OF MARY JANE'S YOUNG LADIES. 121 00:05:52,483 --> 00:05:53,901 TO MEET ANY OF MARY JANE'S YOUNG LADIES. 122 00:05:53,942 --> 00:05:54,485 THANK YOU FOR HAVING US. 123 00:05:54,485 --> 00:05:55,402 THANK YOU FOR HAVING US. 124 00:05:55,444 --> 00:05:55,986 WE DO APPRECIATE IT. 125 00:05:56,028 --> 00:05:56,487 I REMEMBER YOU FROM LAST YEAR, MR. KERRIGAN. 126 00:05:56,487 --> 00:05:56,695 I REMEMBER YOU FROM LAST YEAR, MR. KERRIGAN. 127 00:05:56,695 --> 00:05:58,489 JULIA, DON'T YOU REMEMBER MR. KERRIGAN FROM LAST YEAR? 128 00:05:58,489 --> 00:06:00,491 JULIA, DON'T YOU REMEMBER MR. KERRIGAN FROM LAST YEAR? 129 00:06:00,491 --> 00:06:01,158 JULIA, DON'T YOU REMEMBER MR. KERRIGAN FROM LAST YEAR? 130 00:06:01,200 --> 00:06:02,493 YES, OF COURSE, OF COURSE. 131 00:06:02,493 --> 00:06:02,784 YES, OF COURSE, OF COURSE. 132 00:06:02,826 --> 00:06:04,495 ALL RIGHT. DO YOU WANT TO GO INTO THE DANCING FIRST 133 00:06:04,495 --> 00:06:05,704 ALL RIGHT. DO YOU WANT TO GO INTO THE DANCING FIRST 134 00:06:05,746 --> 00:06:06,497 OR DO YOU WANT TO HAVE A REFRESHMENT? 135 00:06:06,497 --> 00:06:08,040 OR DO YOU WANT TO HAVE A REFRESHMENT? 136 00:06:08,081 --> 00:06:08,499 DANCING, PLEASE. 137 00:06:08,499 --> 00:06:09,082 DANCING, PLEASE. 138 00:06:09,124 --> 00:06:09,625 TO WARM US UP. 139 00:06:09,625 --> 00:06:10,501 THAT'LL BE SURE AFTER YOUR COLD RIDE. 140 00:06:10,501 --> 00:06:11,251 THAT'LL BE SURE AFTER YOUR COLD RIDE. 141 00:06:11,293 --> 00:06:12,503 [DOORBELL RINGING] MISS O'CALLAGHAN. 142 00:06:12,503 --> 00:06:13,212 [DOORBELL RINGING] MISS O'CALLAGHAN. 143 00:06:13,253 --> 00:06:14,254 WHO'S THAT? 144 00:06:14,296 --> 00:06:14,505 Lily: MR. BROWNE. 145 00:06:14,505 --> 00:06:15,297 Lily: MR. BROWNE. 146 00:06:15,339 --> 00:06:15,923 JUST MR. BROWNE. 147 00:06:15,964 --> 00:06:16,507 Browne: IS THIS GOING TO BE ENOUGH FOR YOU? HUH! 148 00:06:16,507 --> 00:06:18,509 Browne: IS THIS GOING TO BE ENOUGH FOR YOU? HUH! 149 00:06:18,509 --> 00:06:18,634 Browne: IS THIS GOING TO BE ENOUGH FOR YOU? HUH! 150 00:06:18,675 --> 00:06:19,968 MORE THAN ENOUGH, DAN. 151 00:06:20,010 --> 00:06:20,511 I'M SURE FREDDY'S STEWED. 152 00:06:20,511 --> 00:06:22,262 I'M SURE FREDDY'S STEWED. 153 00:06:22,304 --> 00:06:22,513 OH, I'M SURE HE IS. 154 00:06:22,513 --> 00:06:22,888 OH, I'M SURE HE IS. 155 00:06:22,888 --> 00:06:24,515 AND WHEN HE'S STEWED, HE'S SO HARD TO MANAGE. 156 00:06:24,515 --> 00:06:26,517 AND WHEN HE'S STEWED, HE'S SO HARD TO MANAGE. 157 00:06:26,517 --> 00:06:26,642 AND WHEN HE'S STEWED, HE'S SO HARD TO MANAGE. 158 00:06:26,683 --> 00:06:28,393 YOU'RE QUITE IMPOSSIBLE. 159 00:06:28,435 --> 00:06:28,519 WHATEVER WILL WE DO? 160 00:06:28,519 --> 00:06:30,521 WHATEVER WILL WE DO? 161 00:06:30,521 --> 00:06:30,979 WHATEVER WILL WE DO? 162 00:06:31,021 --> 00:06:32,523 WELL, WHOEVER'S GIVING AWAY GIFTS 163 00:06:32,523 --> 00:06:32,856 WELL, WHOEVER'S GIVING AWAY GIFTS 164 00:06:32,898 --> 00:06:33,941 CHOSE THE RIGHT DAY FOR IT. 165 00:06:33,982 --> 00:06:34,525 TWAS THE FEAST OF THE EPIPHANY. 166 00:06:34,525 --> 00:06:35,943 TWAS THE FEAST OF THE EPIPHANY. 167 00:06:35,984 --> 00:06:36,527 THE THREE KINGS, THE STAR IN THE EAST. 168 00:06:36,527 --> 00:06:38,028 THE THREE KINGS, THE STAR IN THE EAST. 169 00:06:38,070 --> 00:06:38,529 BY RIGHTS HE SHOULD HAVE GOLD, FRANKINCENSE, AND MYRRH. 170 00:06:38,529 --> 00:06:40,531 BY RIGHTS HE SHOULD HAVE GOLD, FRANKINCENSE, AND MYRRH. 171 00:06:40,531 --> 00:06:42,157 BY RIGHTS HE SHOULD HAVE GOLD, FRANKINCENSE, AND MYRRH. 172 00:06:42,199 --> 00:06:42,533 WELL, WHATEVER IT IS, IT SMELLS NICE. 173 00:06:42,533 --> 00:06:43,867 WELL, WHATEVER IT IS, IT SMELLS NICE. 174 00:06:43,909 --> 00:06:44,535 IT'S SOME SPECIAL TOILET SOAP FROM BOND STREET. 175 00:06:44,535 --> 00:06:46,537 IT'S SOME SPECIAL TOILET SOAP FROM BOND STREET. 176 00:06:46,537 --> 00:06:47,162 IT'S SOME SPECIAL TOILET SOAP FROM BOND STREET. 177 00:06:47,204 --> 00:06:48,539 HOW THOUGHTFUL OF YOU. 178 00:06:48,580 --> 00:06:50,541 FRANKINCENSE AND MYRRH FROM LONDON'S WEST END. 179 00:06:50,541 --> 00:06:52,167 FRANKINCENSE AND MYRRH FROM LONDON'S WEST END. 180 00:06:52,209 --> 00:06:52,543 MISS JULIA. 181 00:06:52,543 --> 00:06:52,793 MISS JULIA. 182 00:06:52,834 --> 00:06:54,545 OH, HOW LOVELY. OH, THANK YOU, DAN. THANK YOU. 183 00:06:54,545 --> 00:06:56,046 OH, HOW LOVELY. OH, THANK YOU, DAN. THANK YOU. 184 00:06:56,088 --> 00:06:56,547 HOW ARE YOU, DAN? 185 00:06:56,547 --> 00:06:57,047 HOW ARE YOU, DAN? 186 00:06:57,089 --> 00:06:58,382 WELL, I'M QUITE PUT OUT. 187 00:06:58,423 --> 00:06:58,549 WHY? WHAT'S THE MATTER? 188 00:06:58,549 --> 00:06:58,882 WHY? WHAT'S THE MATTER? 189 00:06:58,924 --> 00:07:00,551 TO FIND OUT THAT YOU'VE BEEN WAITING 190 00:07:00,551 --> 00:07:00,968 TO FIND OUT THAT YOU'VE BEEN WAITING 191 00:07:01,009 --> 00:07:02,553 FOR SOMEBODY OTHER THAN ME TO ARRIVE. I ASK YOU. 192 00:07:02,553 --> 00:07:03,554 FOR SOMEBODY OTHER THAN ME TO ARRIVE. I ASK YOU. 193 00:07:03,595 --> 00:07:04,555 WE'RE WORRIED ABOUT FREDDY. 194 00:07:04,555 --> 00:07:05,055 WE'RE WORRIED ABOUT FREDDY. 195 00:07:05,097 --> 00:07:06,557 BUT HE'S TAKING THE PLEDGE. 196 00:07:06,557 --> 00:07:06,848 BUT HE'S TAKING THE PLEDGE. 197 00:07:06,890 --> 00:07:07,558 ARE YOU SURE? 198 00:07:07,558 --> 00:07:08,559 OF COURSE I AM. HIS MOTHER MADE HIM ON NEW YEAR'S EVE. 199 00:07:08,559 --> 00:07:09,851 OF COURSE I AM. HIS MOTHER MADE HIM ON NEW YEAR'S EVE. 200 00:07:09,893 --> 00:07:10,561 OH, THAT'S FUNNY. SHE NEVER SAID A WORD ABOUT IT. 201 00:07:10,561 --> 00:07:12,521 OH, THAT'S FUNNY. SHE NEVER SAID A WORD ABOUT IT. 202 00:07:12,563 --> 00:07:14,231 SHE ARRIVED HERE OVER AN HOUR AGO. 203 00:07:14,273 --> 00:07:14,565 WELL, HE MIGHT HAVE SUCCUMBED. 204 00:07:14,565 --> 00:07:15,482 WELL, HE MIGHT HAVE SUCCUMBED. 205 00:07:15,524 --> 00:07:16,567 OH, IF HE HAS, CAN I COUNT ON YOU? 206 00:07:16,567 --> 00:07:17,359 OH, IF HE HAS, CAN I COUNT ON YOU? 207 00:07:17,401 --> 00:07:18,569 YOU KNOW WHAT HE'S LIKE. 208 00:07:18,569 --> 00:07:18,777 YOU KNOW WHAT HE'S LIKE. 209 00:07:18,819 --> 00:07:19,778 OF COURSE YOU CAN. 210 00:07:19,820 --> 00:07:20,571 [DOORBELL RINGING] 211 00:07:20,571 --> 00:07:21,530 [DOORBELL RINGING] 212 00:07:21,572 --> 00:07:22,573 I'LL BET EVEN MONEY THAT'S HIM NOW. 213 00:07:22,573 --> 00:07:24,575 I'LL BET EVEN MONEY THAT'S HIM NOW. 214 00:07:24,575 --> 00:07:24,700 I'LL BET EVEN MONEY THAT'S HIM NOW. 215 00:07:24,741 --> 00:07:26,577 OH, MR. CONROY, MISS KATE AND MISS JULIA 216 00:07:26,577 --> 00:07:27,661 OH, MR. CONROY, MISS KATE AND MISS JULIA 217 00:07:27,703 --> 00:07:28,579 THOUGHT YOU WERE NEVER COMING. 218 00:07:28,579 --> 00:07:29,621 THOUGHT YOU WERE NEVER COMING. 219 00:07:29,663 --> 00:07:30,581 GOOD NIGHT, MRS. CONROY. 220 00:07:30,581 --> 00:07:30,998 GOOD NIGHT, MRS. CONROY. 221 00:07:31,039 --> 00:07:31,707 THANK YOU. 222 00:07:31,748 --> 00:07:32,583 MY WIFE HERE TAKES THREE MORTAL HOURS TO DRESS HERSELF. 223 00:07:32,583 --> 00:07:34,585 MY WIFE HERE TAKES THREE MORTAL HOURS TO DRESS HERSELF. 224 00:07:34,585 --> 00:07:36,587 MY WIFE HERE TAKES THREE MORTAL HOURS TO DRESS HERSELF. 225 00:07:36,587 --> 00:07:37,129 MY WIFE HERE TAKES THREE MORTAL HOURS TO DRESS HERSELF. 226 00:07:40,591 --> 00:07:42,050 Kate: WHO'S THAT NOW, LILY? 227 00:07:42,092 --> 00:07:42,593 MISS KATE, HERE'S MRS. CONROY. 228 00:07:42,593 --> 00:07:43,635 MISS KATE, HERE'S MRS. CONROY. 229 00:07:43,677 --> 00:07:44,595 THANK THE LORD YOU'VE ARRIVED. 230 00:07:44,595 --> 00:07:45,637 THANK THE LORD YOU'VE ARRIVED. 231 00:07:45,679 --> 00:07:46,597 YOU MUST BE PERISHED ALIVE. 232 00:07:46,597 --> 00:07:47,931 YOU MUST BE PERISHED ALIVE. 233 00:07:47,973 --> 00:07:48,599 AUNT KATE, AUNT JULIA. 234 00:07:48,599 --> 00:07:50,058 AUNT KATE, AUNT JULIA. 235 00:07:50,100 --> 00:07:50,517 IS GABRIEL WITH YOU? 236 00:07:50,517 --> 00:07:50,601 Gabriel: HERE I AM, AUNT KATE! 237 00:07:50,601 --> 00:07:52,603 Gabriel: HERE I AM, AUNT KATE! 238 00:07:52,603 --> 00:07:52,769 Gabriel: HERE I AM, AUNT KATE! 239 00:07:52,811 --> 00:07:54,605 I'LL GET THE MAIL. BE UP IN A MOMENT. 240 00:07:54,605 --> 00:07:54,896 I'LL GET THE MAIL. BE UP IN A MOMENT. 241 00:07:54,938 --> 00:07:56,440 QUITE THE BELLOWS HE HAS. 242 00:07:56,481 --> 00:07:56,607 HE'S A LAUGH, ALL RIGHT. 243 00:07:56,607 --> 00:07:57,941 HE'S A LAUGH, ALL RIGHT. 244 00:07:57,983 --> 00:07:58,609 [LAUGHTER] 245 00:07:58,609 --> 00:08:00,569 [LAUGHTER] 246 00:08:00,611 --> 00:08:01,236 IS IT SNOWING AGAIN, MR. CONROY? 247 00:08:01,278 --> 00:08:02,613 IT IS, LILY. I'M AFRAID WE'RE IN FOR A NIGHT OF IT. 248 00:08:02,613 --> 00:08:04,615 IT IS, LILY. I'M AFRAID WE'RE IN FOR A NIGHT OF IT. 249 00:08:04,615 --> 00:08:06,533 IT IS, LILY. I'M AFRAID WE'RE IN FOR A NIGHT OF IT. 250 00:08:07,367 --> 00:08:08,619 TELL ME, LILY, YOU STILL GOING TO SCHOOL? 251 00:08:08,619 --> 00:08:09,786 TELL ME, LILY, YOU STILL GOING TO SCHOOL? 252 00:08:09,828 --> 00:08:10,621 OH, NO, SIR. I'M DONE SCHOOLING THIS YEAR AND MORE. 253 00:08:10,621 --> 00:08:12,623 OH, NO, SIR. I'M DONE SCHOOLING THIS YEAR AND MORE. 254 00:08:12,623 --> 00:08:12,831 OH, NO, SIR. I'M DONE SCHOOLING THIS YEAR AND MORE. 255 00:08:12,873 --> 00:08:14,625 GOOD LORD. SEEMS LIKE ONLY YESTERDAY 256 00:08:14,625 --> 00:08:15,417 GOOD LORD. SEEMS LIKE ONLY YESTERDAY 257 00:08:15,459 --> 00:08:16,627 YOU WERE PLAYING WITH YOUR RAG DOLLS ON THE FRONT STEPS. 258 00:08:16,627 --> 00:08:18,629 YOU WERE PLAYING WITH YOUR RAG DOLLS ON THE FRONT STEPS. 259 00:08:18,670 --> 00:08:20,631 NOW, I SUPPOSE, WE'LL BE GOING TO YOUR WEDDING ONE OF THESE FINE DAYS. 260 00:08:20,631 --> 00:08:22,633 NOW, I SUPPOSE, WE'LL BE GOING TO YOUR WEDDING ONE OF THESE FINE DAYS. 261 00:08:22,633 --> 00:08:23,133 NOW, I SUPPOSE, WE'LL BE GOING TO YOUR WEDDING ONE OF THESE FINE DAYS. 262 00:08:23,175 --> 00:08:24,635 THE MEN THAT IS NOW IS ONLY OLD PALAVER 263 00:08:24,635 --> 00:08:25,302 THE MEN THAT IS NOW IS ONLY OLD PALAVER 264 00:08:25,344 --> 00:08:26,637 AND WHAT THEY CAN GET OUT OF YOU. 265 00:08:26,637 --> 00:08:26,845 AND WHAT THEY CAN GET OUT OF YOU. 266 00:08:26,887 --> 00:08:28,639 WELL, LILY, IT'S CHRISTMAS TIME, ISN'T IT? 267 00:08:28,639 --> 00:08:29,848 WELL, LILY, IT'S CHRISTMAS TIME, ISN'T IT? 268 00:08:29,890 --> 00:08:30,641 OH, NO, SIR. 269 00:08:30,641 --> 00:08:30,724 OH, NO, SIR. 270 00:08:30,766 --> 00:08:32,351 I WOULDN'T TAKE THAT, SIR. 271 00:08:32,392 --> 00:08:32,643 IT'S CHRISTMAS TIME. 272 00:08:32,643 --> 00:08:33,685 IT'S CHRISTMAS TIME. 273 00:08:33,727 --> 00:08:34,645 OH, REALLY, SIR! 274 00:08:34,645 --> 00:08:34,686 OH, REALLY, SIR! 275 00:08:34,728 --> 00:08:36,647 IT'S CHRISTMAS TIME! 276 00:08:36,647 --> 00:08:37,814 IT'S CHRISTMAS TIME! 277 00:08:37,856 --> 00:08:38,649 [PIANO PLAYING] 278 00:08:38,649 --> 00:08:39,733 [PIANO PLAYING] 279 00:09:01,713 --> 00:09:02,673 "ONE FEELS THAT ONE IS LISTENING TO A THOUGHT-TORMENTED MUSIC." 280 00:09:02,673 --> 00:09:04,675 "ONE FEELS THAT ONE IS LISTENING TO A THOUGHT-TORMENTED MUSIC." 281 00:09:04,675 --> 00:09:06,677 "ONE FEELS THAT ONE IS LISTENING TO A THOUGHT-TORMENTED MUSIC." 282 00:09:06,677 --> 00:09:08,345 "ONE FEELS THAT ONE IS LISTENING TO A THOUGHT-TORMENTED MUSIC." 283 00:09:10,389 --> 00:09:10,681 WE'VE TAKEN A ROOM AT THE GRECIAN. 284 00:09:10,681 --> 00:09:11,973 WE'VE TAKEN A ROOM AT THE GRECIAN. 285 00:09:12,015 --> 00:09:12,683 IT'S THE FIRST TIME I'VE STAYED IN A HOTEL IN FOUR YEARS. 286 00:09:12,683 --> 00:09:14,685 IT'S THE FIRST TIME I'VE STAYED IN A HOTEL IN FOUR YEARS. 287 00:09:14,685 --> 00:09:15,602 IT'S THE FIRST TIME I'VE STAYED IN A HOTEL IN FOUR YEARS. 288 00:09:15,644 --> 00:09:16,687 OH, SURE. BY FAR THE BEST THING TO DO. 289 00:09:16,687 --> 00:09:17,854 OH, SURE. BY FAR THE BEST THING TO DO. 290 00:09:17,896 --> 00:09:18,689 AND YOU'RE NOT ANXIOUS ABOUT THE CHILDREN, GRETTA? 291 00:09:18,689 --> 00:09:20,691 AND YOU'RE NOT ANXIOUS ABOUT THE CHILDREN, GRETTA? 292 00:09:20,691 --> 00:09:21,566 AND YOU'RE NOT ANXIOUS ABOUT THE CHILDREN, GRETTA? 293 00:09:21,608 --> 00:09:22,609 OH, FOR ONE NIGHT. 294 00:09:22,651 --> 00:09:22,693 BESIDES, BESSIE WILL LOOK AFTER THEM. 295 00:09:22,693 --> 00:09:24,695 BESIDES, BESSIE WILL LOOK AFTER THEM. 296 00:09:24,695 --> 00:09:25,696 BESIDES, BESSIE WILL LOOK AFTER THEM. 297 00:09:25,737 --> 00:09:26,321 AH, TO BE SURE. 298 00:09:26,321 --> 00:09:26,697 WHAT A COMFORT IT IS TO HAVE A GIRL LIKE THAT. 299 00:09:26,697 --> 00:09:28,699 WHAT A COMFORT IT IS TO HAVE A GIRL LIKE THAT. 300 00:09:28,699 --> 00:09:29,533 WHAT A COMFORT IT IS TO HAVE A GIRL LIKE THAT. 301 00:09:29,574 --> 00:09:30,701 ONE YOU CAN DEPEND ON. 302 00:09:30,701 --> 00:09:31,326 ONE YOU CAN DEPEND ON. 303 00:09:31,368 --> 00:09:31,910 AS THAT LILY. 304 00:09:31,910 --> 00:09:32,703 WE DON'T KNOW WHAT'S COME OVER HER LATELY. 305 00:09:32,703 --> 00:09:34,663 WE DON'T KNOW WHAT'S COME OVER HER LATELY. 306 00:09:34,705 --> 00:09:36,707 BUT SHE'S NOT THE GIRL SHE WAS BEFORE. 307 00:09:36,748 --> 00:09:38,709 OH, HERE HE IS, LURKING IN THE CORRIDOR. 308 00:09:38,709 --> 00:09:39,126 OH, HERE HE IS, LURKING IN THE CORRIDOR. 309 00:09:39,167 --> 00:09:40,711 LIKE A LITTLE BOY SENT OUT OF CLASS. 310 00:09:40,711 --> 00:09:41,336 LIKE A LITTLE BOY SENT OUT OF CLASS. 311 00:09:41,378 --> 00:09:42,713 WHAT'S UP WITH YOU AT ALL, GABRIEL? 312 00:09:42,713 --> 00:09:43,004 WHAT'S UP WITH YOU AT ALL, GABRIEL? 313 00:09:43,046 --> 00:09:44,715 HE'S ONLY CONCERNED ABOUT HIS SPEECH, AUNT KATE. 314 00:09:44,715 --> 00:09:46,049 HE'S ONLY CONCERNED ABOUT HIS SPEECH, AUNT KATE. 315 00:09:46,091 --> 00:09:46,717 HE'S BEEN FRETTING ABOUT IT FOR DAYS. 316 00:09:46,717 --> 00:09:47,926 HE'S BEEN FRETTING ABOUT IT FOR DAYS. 317 00:09:47,968 --> 00:09:48,719 NONSENSE. HE MADE A WONDERFUL JOB OF IT IN THE PAST. 318 00:09:48,719 --> 00:09:50,387 NONSENSE. HE MADE A WONDERFUL JOB OF IT IN THE PAST. 319 00:09:50,429 --> 00:09:50,721 IT'LL BE FINE, GABRIEL, JUST FINE. 320 00:09:50,721 --> 00:09:52,305 IT'LL BE FINE, GABRIEL, JUST FINE. 321 00:09:52,347 --> 00:09:52,723 I BET YOU'D BOTH LIKE A NICE, WARM GLASS OF PUNCH. 322 00:09:52,723 --> 00:09:54,725 I BET YOU'D BOTH LIKE A NICE, WARM GLASS OF PUNCH. 323 00:09:54,725 --> 00:09:55,517 I BET YOU'D BOTH LIKE A NICE, WARM GLASS OF PUNCH. 324 00:09:55,559 --> 00:09:56,059 AH, YES, PLEASE. 325 00:09:56,101 --> 00:09:56,727 YOU KNOW, IT'S-- IT'S REALLY BITTER OUT. 326 00:09:56,727 --> 00:09:56,893 YOU KNOW, IT'S-- IT'S REALLY BITTER OUT. 327 00:09:56,893 --> 00:09:58,729 GRETTA TELLS ME YOU'RE NOT GOING TO TAKE A CAB BACK TO MONSTONE. 328 00:09:58,729 --> 00:10:00,731 GRETTA TELLS ME YOU'RE NOT GOING TO TAKE A CAB BACK TO MONSTONE. 329 00:10:00,731 --> 00:10:02,315 GRETTA TELLS ME YOU'RE NOT GOING TO TAKE A CAB BACK TO MONSTONE. 330 00:10:02,357 --> 00:10:02,733 NO. WE HAD QUITE ENOUGH OF THAT LAST YEAR. 331 00:10:02,733 --> 00:10:04,735 NO. WE HAD QUITE ENOUGH OF THAT LAST YEAR. 332 00:10:04,735 --> 00:10:04,901 NO. WE HAD QUITE ENOUGH OF THAT LAST YEAR. 333 00:10:04,943 --> 00:10:05,861 HADN'T WE? HMM? 334 00:10:05,902 --> 00:10:06,737 CAB WINDOWS RATTLING ALL THE WAY 335 00:10:06,737 --> 00:10:07,863 CAB WINDOWS RATTLING ALL THE WAY 336 00:10:07,904 --> 00:10:08,739 AND AN EAST WIND BLOWING IN, 337 00:10:08,739 --> 00:10:09,531 AND AN EAST WIND BLOWING IN, 338 00:10:09,573 --> 00:10:10,741 ASSUMED WE WERE PAST MARIUM. 339 00:10:10,741 --> 00:10:11,158 ASSUMED WE WERE PAST MARIUM. 340 00:10:11,199 --> 00:10:12,409 VERY JOLLY IT WAS. 341 00:10:12,451 --> 00:10:12,743 AS FOR GRETTA HERE, 342 00:10:12,743 --> 00:10:13,118 AS FOR GRETTA HERE, 343 00:10:13,118 --> 00:10:14,745 SHE'D--SHE'D WALK HOME IN THE SNOW IF SHE WERE LEFT. 344 00:10:14,745 --> 00:10:16,580 SHE'D--SHE'D WALK HOME IN THE SNOW IF SHE WERE LEFT. 345 00:10:16,621 --> 00:10:16,747 OH, DON'T MIND HIM, AUNT KATE. 346 00:10:16,747 --> 00:10:18,290 OH, DON'T MIND HIM, AUNT KATE. 347 00:10:18,331 --> 00:10:18,749 HE'S REALLY AN AWFUL BOTHER. 348 00:10:18,749 --> 00:10:19,499 HE'S REALLY AN AWFUL BOTHER. 349 00:10:19,541 --> 00:10:20,751 BOTTLED GREEN SHADES FOR TONGUES AT NIGHT 350 00:10:20,751 --> 00:10:22,085 BOTTLED GREEN SHADES FOR TONGUES AT NIGHT 351 00:10:22,127 --> 00:10:22,753 AND MAKING HIM DO THE DUMBBELLS. 352 00:10:22,753 --> 00:10:23,754 AND MAKING HIM DO THE DUMBBELLS. 353 00:10:23,795 --> 00:10:24,755 I'M FORCING HIM TO EAT. THE POOR CHILD. 354 00:10:24,755 --> 00:10:26,548 I'M FORCING HIM TO EAT. THE POOR CHILD. 355 00:10:26,590 --> 00:10:26,757 SHE SIMPLY HATES THE SIGHT OF IT. 356 00:10:26,757 --> 00:10:28,258 SHE SIMPLY HATES THE SIGHT OF IT. 357 00:10:28,300 --> 00:10:28,759 YOU WOULD NEVER GUESS WHAT HE HAS ME WEARING NOW. 358 00:10:28,759 --> 00:10:30,761 YOU WOULD NEVER GUESS WHAT HE HAS ME WEARING NOW. 359 00:10:30,761 --> 00:10:31,470 YOU WOULD NEVER GUESS WHAT HE HAS ME WEARING NOW. 360 00:10:31,511 --> 00:10:32,763 GALOSHES. THAT'S THE LATEST. 361 00:10:32,763 --> 00:10:33,930 GALOSHES. THAT'S THE LATEST. 362 00:10:33,972 --> 00:10:34,765 WHENEVER IT IS WET UNDERFOOT, 363 00:10:34,765 --> 00:10:36,016 WHENEVER IT IS WET UNDERFOOT, 364 00:10:36,057 --> 00:10:36,767 I MUST PUT ON MY GALOSHES. 365 00:10:36,767 --> 00:10:37,851 I MUST PUT ON MY GALOSHES. 366 00:10:37,893 --> 00:10:38,769 TONIGHT, EVEN, HE WANTED ME TO PUT THEM ON, 367 00:10:38,769 --> 00:10:40,645 TONIGHT, EVEN, HE WANTED ME TO PUT THEM ON, 368 00:10:40,687 --> 00:10:40,771 BUT I WOULDN'T. 369 00:10:40,771 --> 00:10:41,313 BUT I WOULDN'T. 370 00:10:41,354 --> 00:10:42,773 THE NEXT THING HE'LL BUY ME WILL BE A DIVING SUIT. 371 00:10:42,773 --> 00:10:44,775 THE NEXT THING HE'LL BUY ME WILL BE A DIVING SUIT. 372 00:10:44,775 --> 00:10:45,692 THE NEXT THING HE'LL BUY ME WILL BE A DIVING SUIT. 373 00:10:46,109 --> 00:10:46,777 ISN'T THAT THE LIMIT? 374 00:10:46,777 --> 00:10:47,444 ISN'T THAT THE LIMIT? 375 00:10:47,486 --> 00:10:48,779 WHAT ARE GALOSHES, GABRIEL? 376 00:10:48,779 --> 00:10:50,280 WHAT ARE GALOSHES, GABRIEL? 377 00:10:50,322 --> 00:10:50,781 GOODNESS GRACIOUS, JULIA. 378 00:10:50,781 --> 00:10:51,782 GOODNESS GRACIOUS, JULIA. 379 00:10:51,823 --> 00:10:52,783 DON'T YOU KNOW WHAT GALOSHES ARE? 380 00:10:52,783 --> 00:10:54,326 DON'T YOU KNOW WHAT GALOSHES ARE? 381 00:10:54,367 --> 00:10:54,785 YOU WEAR THEM OVER YOUR, UH... 382 00:10:54,785 --> 00:10:56,787 YOU WEAR THEM OVER YOUR, UH... 383 00:10:56,828 --> 00:10:58,497 YOUR BOOTS, ISN'T IT, GRETTA? 384 00:10:58,538 --> 00:10:58,789 RIGHT. GOT TO PERCH AND THINGS. 385 00:10:58,789 --> 00:11:00,499 RIGHT. GOT TO PERCH AND THINGS. 386 00:11:00,540 --> 00:11:00,791 WE BOTH HAVE A PAIR NOW. 387 00:11:00,791 --> 00:11:01,166 WE BOTH HAVE A PAIR NOW. 388 00:11:01,208 --> 00:11:02,793 GABRIEL SAYS EVERYONE WEARS THEM ON THE CONTINENT. 389 00:11:02,793 --> 00:11:04,795 GABRIEL SAYS EVERYONE WEARS THEM ON THE CONTINENT. 390 00:11:04,795 --> 00:11:04,836 GABRIEL SAYS EVERYONE WEARS THEM ON THE CONTINENT. 391 00:11:04,878 --> 00:11:06,797 OH, ON THE CONTINENT. 392 00:11:06,797 --> 00:11:06,922 OH, ON THE CONTINENT. 393 00:11:06,963 --> 00:11:08,799 OH. 394 00:11:08,799 --> 00:11:09,090 OH. 395 00:11:09,758 --> 00:11:10,801 WHERE'S JULIA GOING? 396 00:11:10,801 --> 00:11:11,676 WHERE'S JULIA GOING? 397 00:11:11,718 --> 00:11:12,803 JULIA! 398 00:11:12,803 --> 00:11:13,512 JULIA! 399 00:11:13,553 --> 00:11:14,805 HERE'S FREDDY, KATE! 400 00:11:14,805 --> 00:11:14,930 HERE'S FREDDY, KATE! 401 00:11:14,971 --> 00:11:16,807 SKIP DOWN, GABRIEL, AND SEE IF HE'S ALL RIGHT. 402 00:11:16,807 --> 00:11:17,682 SKIP DOWN, GABRIEL, AND SEE IF HE'S ALL RIGHT. 403 00:11:17,724 --> 00:11:18,809 DON'T YOU LET HIM UP HERE IF HE'S STEWED. 404 00:11:18,809 --> 00:11:20,811 DON'T YOU LET HIM UP HERE IF HE'S STEWED. 405 00:11:20,811 --> 00:11:21,728 DON'T YOU LET HIM UP HERE IF HE'S STEWED. 406 00:11:22,020 --> 00:11:22,813 HE'S DRUNK. I'M CERTAIN OF IT. 407 00:11:22,813 --> 00:11:22,854 HE'S DRUNK. I'M CERTAIN OF IT. 408 00:11:22,896 --> 00:11:24,815 ALL NIGHT WE'VE BEEN DREADING HE WOULD ARRIVE HERE UNDER THE INFLUENCE. 409 00:11:24,815 --> 00:11:26,817 ALL NIGHT WE'VE BEEN DREADING HE WOULD ARRIVE HERE UNDER THE INFLUENCE. 410 00:11:26,817 --> 00:11:28,193 ALL NIGHT WE'VE BEEN DREADING HE WOULD ARRIVE HERE UNDER THE INFLUENCE. 411 00:11:28,235 --> 00:11:28,819 IT'S SUCH A RELIEF THAT GABRIEL'S HERE. 412 00:11:28,819 --> 00:11:30,821 IT'S SUCH A RELIEF THAT GABRIEL'S HERE. 413 00:11:30,821 --> 00:11:31,530 IT'S SUCH A RELIEF THAT GABRIEL'S HERE. 414 00:11:31,571 --> 00:11:32,823 I ALMOST FEEL HE'S HERE IN MY MIND. 415 00:11:32,823 --> 00:11:34,825 I ALMOST FEEL HE'S HERE IN MY MIND. 416 00:11:34,825 --> 00:11:36,701 I ALMOST FEEL HE'S HERE IN MY MIND. 417 00:11:44,125 --> 00:11:44,668 OH, MRS. CONROY. 418 00:11:44,668 --> 00:11:44,835 MAY I INTRODUCE YOU TO MR. BARTELL D'ARCY. 419 00:11:44,835 --> 00:11:46,837 MAY I INTRODUCE YOU TO MR. BARTELL D'ARCY. 420 00:11:46,837 --> 00:11:48,046 MAY I INTRODUCE YOU TO MR. BARTELL D'ARCY. 421 00:11:48,088 --> 00:11:48,839 OH, THE CELEBRATED TENOR. 422 00:11:48,839 --> 00:11:49,840 OH, THE CELEBRATED TENOR. 423 00:11:49,881 --> 00:11:50,841 WOULD YOU CARE TO DANCE, MRS. CONROY? 424 00:11:50,841 --> 00:11:52,008 WOULD YOU CARE TO DANCE, MRS. CONROY? 425 00:11:52,050 --> 00:11:52,843 I'D BE HONORED. 426 00:11:52,843 --> 00:11:54,135 I'D BE HONORED. 427 00:11:56,721 --> 00:11:56,847 [DIALOGUE DROWNED OUT BY PIANO] 428 00:11:56,847 --> 00:11:58,849 [DIALOGUE DROWNED OUT BY PIANO] 429 00:11:58,849 --> 00:12:00,141 [DIALOGUE DROWNED OUT BY PIANO] 430 00:12:36,011 --> 00:12:36,887 STEADY NOW, FREDDY. STEADY. 431 00:12:36,887 --> 00:12:37,637 STEADY NOW, FREDDY. STEADY. 432 00:12:37,679 --> 00:12:38,889 FINE. FINE, FINE, FINE. 433 00:12:38,889 --> 00:12:39,973 FINE. FINE, FINE, FINE. 434 00:12:40,015 --> 00:12:40,891 IS--IS MY MOTHER HERE? 435 00:12:40,891 --> 00:12:42,726 IS--IS MY MOTHER HERE? 436 00:12:42,767 --> 00:12:42,893 SHE IS. 437 00:12:42,893 --> 00:12:44,477 SHE IS. 438 00:12:44,519 --> 00:12:44,895 HOW DO I LOOK? DO I LOOK ALL RIGHT? 439 00:12:44,895 --> 00:12:46,897 HOW DO I LOOK? DO I LOOK ALL RIGHT? 440 00:12:46,897 --> 00:12:47,314 HOW DO I LOOK? DO I LOOK ALL RIGHT? 441 00:12:47,355 --> 00:12:48,899 YOU'RE DISHEVELED. 442 00:12:48,899 --> 00:12:49,858 YOU'RE DISHEVELED. 443 00:13:13,715 --> 00:13:14,925 NOW YOU'LL PASS MUSTER. 444 00:13:14,925 --> 00:13:16,593 NOW YOU'LL PASS MUSTER. 445 00:13:17,469 --> 00:13:18,929 OH, IF YOU'LL EXCUSE ME. 446 00:13:18,929 --> 00:13:19,387 OH, IF YOU'LL EXCUSE ME. 447 00:13:19,429 --> 00:13:20,931 SEE, I'VE NEVER BEEN ABLE TO RELIEVE MESELF 448 00:13:20,931 --> 00:13:22,807 SEE, I'VE NEVER BEEN ABLE TO RELIEVE MESELF 449 00:13:22,849 --> 00:13:22,933 IN THE PRESENCE OF ANOTHER. 450 00:13:22,933 --> 00:13:24,059 IN THE PRESENCE OF ANOTHER. 451 00:13:24,100 --> 00:13:24,935 OTHERWISE, I'D HAVE JOINED THE ARMY. 452 00:13:24,935 --> 00:13:26,144 OTHERWISE, I'D HAVE JOINED THE ARMY. 453 00:13:26,186 --> 00:13:26,937 EVEN AS A CHILD-- I UNDERSTAND, FREDDY. 454 00:13:26,937 --> 00:13:28,688 EVEN AS A CHILD-- I UNDERSTAND, FREDDY. 455 00:13:28,730 --> 00:13:28,939 THE SAME WAS TRUE OF MY FATHER BEFORE ME. 456 00:13:28,939 --> 00:13:30,941 THE SAME WAS TRUE OF MY FATHER BEFORE ME. 457 00:13:30,941 --> 00:13:31,316 THE SAME WAS TRUE OF MY FATHER BEFORE ME. 458 00:13:31,358 --> 00:13:32,943 WHEN HE WENT RACING, HE'D WAIT UNTIL THE HORSES WERE RUNNING 459 00:13:32,943 --> 00:13:34,945 WHEN HE WENT RACING, HE'D WAIT UNTIL THE HORSES WERE RUNNING 460 00:13:34,945 --> 00:13:35,528 WHEN HE WENT RACING, HE'D WAIT UNTIL THE HORSES WERE RUNNING 461 00:13:35,570 --> 00:13:36,154 TO GO TO THE LAVATORY. 462 00:13:36,196 --> 00:13:36,947 ANYTHING UNDER A MILE AND HE'D MISS THE FINISH. 463 00:13:36,947 --> 00:13:38,949 ANYTHING UNDER A MILE AND HE'D MISS THE FINISH. 464 00:13:38,949 --> 00:13:40,951 ANYTHING UNDER A MILE AND HE'D MISS THE FINISH. 465 00:13:40,951 --> 00:13:41,117 ANYTHING UNDER A MILE AND HE'D MISS THE FINISH. 466 00:13:45,080 --> 00:13:46,456 HE'S NOT SO BAD, IS HE? 467 00:13:46,498 --> 00:13:46,957 OH, NO, NO, NO. BARELY NOTICEABLE. 468 00:13:46,957 --> 00:13:48,959 OH, NO, NO, NO. BARELY NOTICEABLE. 469 00:13:48,959 --> 00:13:49,167 OH, NO, NO, NO. BARELY NOTICEABLE. 470 00:13:49,209 --> 00:13:50,001 ISN'T HE A TERRIBLE FELLOW? 471 00:13:50,001 --> 00:13:50,961 AFTER HIS POOR MOTHER MAKING HIM TAKE A PLEDGE ON NEW YEAR'S EVE. 472 00:13:50,961 --> 00:13:52,963 AFTER HIS POOR MOTHER MAKING HIM TAKE A PLEDGE ON NEW YEAR'S EVE. 473 00:13:52,963 --> 00:13:53,672 AFTER HIS POOR MOTHER MAKING HIM TAKE A PLEDGE ON NEW YEAR'S EVE. 474 00:13:53,713 --> 00:13:54,965 IT'S A WONDER HE LASTED THE SIX DAYS. 475 00:13:54,965 --> 00:13:56,091 IT'S A WONDER HE LASTED THE SIX DAYS. 476 00:13:56,132 --> 00:13:56,967 IF HE DID. 477 00:13:56,967 --> 00:13:57,634 IF HE DID. 478 00:13:57,676 --> 00:13:58,969 TELL ME, WHAT'S THAT LOVELY WALTZ YOU WERE PLAYING? 479 00:13:58,969 --> 00:14:00,971 TELL ME, WHAT'S THAT LOVELY WALTZ YOU WERE PLAYING? 480 00:14:00,971 --> 00:14:01,054 TELL ME, WHAT'S THAT LOVELY WALTZ YOU WERE PLAYING? 481 00:14:01,096 --> 00:14:02,764 IT'S BEAUTIFUL, ISN'T IT? 482 00:14:02,806 --> 00:14:02,973 IT'S ONE OF MOORE'S MELODIES. 483 00:14:02,973 --> 00:14:04,724 IT'S ONE OF MOORE'S MELODIES. 484 00:14:04,766 --> 00:14:04,975 I THOUGHT I RECOGNIZED IT. 485 00:14:04,975 --> 00:14:05,517 I THOUGHT I RECOGNIZED IT. 486 00:14:05,517 --> 00:14:06,977 THERE'S NO DOUBT THAT MOORE'S THE ONE GENIUS OF IRISH MUSIC. 487 00:14:06,977 --> 00:14:08,770 THERE'S NO DOUBT THAT MOORE'S THE ONE GENIUS OF IRISH MUSIC. 488 00:14:08,812 --> 00:14:08,979 WELL, SHOULD GOD HELP ME. IT'S THE DOCTOR'S ORDERS. 489 00:14:08,979 --> 00:14:10,981 WELL, SHOULD GOD HELP ME. IT'S THE DOCTOR'S ORDERS. 490 00:14:10,981 --> 00:14:12,857 WELL, SHOULD GOD HELP ME. IT'S THE DOCTOR'S ORDERS. 491 00:14:12,899 --> 00:14:12,983 OH, NO, MR. BROWNE. 492 00:14:12,983 --> 00:14:13,566 OH, NO, MR. BROWNE. 493 00:14:13,608 --> 00:14:14,985 I'M SURE THE DOCTOR NEVER ORDERED ANYTHING OF THE KIND. 494 00:14:14,985 --> 00:14:16,277 I'M SURE THE DOCTOR NEVER ORDERED ANYTHING OF THE KIND. 495 00:14:16,319 --> 00:14:16,987 I'M LIKE THE FAMOUS MRS. CASSIDY 496 00:14:16,987 --> 00:14:18,196 I'M LIKE THE FAMOUS MRS. CASSIDY 497 00:14:18,238 --> 00:14:18,989 WHO'S REPORTED TO HAVE SAID, 498 00:14:18,989 --> 00:14:20,073 WHO'S REPORTED TO HAVE SAID, 499 00:14:20,115 --> 00:14:20,573 "NOW, MARY GRIMES, 500 00:14:20,615 --> 00:14:20,991 "IF I DON'T TAKE IT, MAKE ME TAKE IT. 501 00:14:20,991 --> 00:14:22,659 "IF I DON'T TAKE IT, MAKE ME TAKE IT. 502 00:14:22,701 --> 00:14:22,993 FOR I FEEL I WANT IT." 503 00:14:22,993 --> 00:14:24,995 FOR I FEEL I WANT IT." 504 00:14:24,995 --> 00:14:25,662 FOR I FEEL I WANT IT." 505 00:14:26,538 --> 00:14:26,997 I DON'T SUPPOSE EITHER OF YOU TWO BUCKOS KNOW... 506 00:14:26,997 --> 00:14:28,999 I DON'T SUPPOSE EITHER OF YOU TWO BUCKOS KNOW... 507 00:14:28,999 --> 00:14:29,624 I DON'T SUPPOSE EITHER OF YOU TWO BUCKOS KNOW... 508 00:14:29,666 --> 00:14:31,001 WHAT WON THE BIG RACE? 509 00:14:31,001 --> 00:14:32,752 WHAT WON THE BIG RACE? 510 00:14:39,676 --> 00:14:41,011 HELLO, MRS. MALINS. 511 00:14:41,011 --> 00:14:41,970 HELLO, MRS. MALINS. 512 00:14:42,012 --> 00:14:43,013 HOW ARE YOU GETTING ALONG? 513 00:14:43,013 --> 00:14:43,430 HOW ARE YOU GETTING ALONG? 514 00:14:43,471 --> 00:14:45,015 FINE. THANKS, MR. CONROY. JUST FINE. 515 00:14:45,015 --> 00:14:46,599 FINE. THANKS, MR. CONROY. JUST FINE. 516 00:14:46,641 --> 00:14:47,017 ANYTHING I CAN GET YOU? 517 00:14:47,017 --> 00:14:47,642 ANYTHING I CAN GET YOU? 518 00:14:47,684 --> 00:14:49,019 NO, THANKS. I'M GRAND. 519 00:14:49,019 --> 00:14:50,729 NO, THANKS. I'M GRAND. 520 00:14:52,480 --> 00:14:53,023 MY BOY FREDDY HERE, IS HE? 521 00:14:53,023 --> 00:14:54,733 MY BOY FREDDY HERE, IS HE? 522 00:14:54,774 --> 00:14:55,025 YES. 523 00:14:55,025 --> 00:14:56,401 YES. 524 00:14:56,443 --> 00:14:57,027 HOW IS HE? 525 00:14:57,027 --> 00:14:57,485 HOW IS HE? 526 00:14:57,527 --> 00:14:59,029 IS HE ALL RIGHT? 527 00:14:59,029 --> 00:14:59,821 IS HE ALL RIGHT? 528 00:14:59,863 --> 00:15:01,031 HE'S NEARLY ALL RIGHT. 529 00:15:01,031 --> 00:15:02,532 HE'S NEARLY ALL RIGHT. 530 00:15:02,574 --> 00:15:03,033 THAT BAD? 531 00:15:03,033 --> 00:15:03,116 THAT BAD? 532 00:15:03,158 --> 00:15:05,035 OH, HE IS NOT TO BE TRUSTED, IS HE, MY SON? 533 00:15:05,035 --> 00:15:06,828 OH, HE IS NOT TO BE TRUSTED, IS HE, MY SON? 534 00:15:06,870 --> 00:15:07,037 TWO GENTLEMEN AND THREE LADIES. 535 00:15:07,037 --> 00:15:09,039 TWO GENTLEMEN AND THREE LADIES. 536 00:15:09,039 --> 00:15:09,831 TWO GENTLEMEN AND THREE LADIES. 537 00:15:09,873 --> 00:15:11,041 HERE'S MR. DUFFY AND MR. EGAN. 538 00:15:11,041 --> 00:15:12,042 HERE'S MR. DUFFY AND MR. EGAN. 539 00:15:12,083 --> 00:15:13,043 MR. EGAN, WOULD YOU TAKE MISS POWER? 540 00:15:13,043 --> 00:15:14,586 MR. EGAN, WOULD YOU TAKE MISS POWER? 541 00:15:14,627 --> 00:15:15,045 MISS FURLONG, MAY I GET YOU A PARTNER? 542 00:15:15,045 --> 00:15:17,047 MISS FURLONG, MAY I GET YOU A PARTNER? 543 00:15:17,047 --> 00:15:17,213 MISS FURLONG, MAY I GET YOU A PARTNER? 544 00:15:17,255 --> 00:15:18,048 MR. DUFFY? 545 00:15:18,089 --> 00:15:19,049 NOW IT'S JUST YOU NOW. 546 00:15:19,049 --> 00:15:19,758 NOW IT'S JUST YOU NOW. 547 00:15:19,799 --> 00:15:20,341 THREE LADIES. 548 00:15:20,341 --> 00:15:21,051 OH, MISS DALY, YOU'RE REALLY AWFULLY GOOD 549 00:15:21,051 --> 00:15:22,594 OH, MISS DALY, YOU'RE REALLY AWFULLY GOOD 550 00:15:22,635 --> 00:15:23,053 AFTER PLAYING FOR THE LAST TWO DANCES, 551 00:15:23,053 --> 00:15:24,179 AFTER PLAYING FOR THE LAST TWO DANCES, 552 00:15:24,220 --> 00:15:25,055 BUT REALLY WE'RE SO SHORT OF LADIES TONIGHT. 553 00:15:25,055 --> 00:15:27,057 BUT REALLY WE'RE SO SHORT OF LADIES TONIGHT. 554 00:15:27,098 --> 00:15:29,059 I SUPPOSE YOU ENJOY LIVING IN GLASGOW, NO? 555 00:15:29,059 --> 00:15:30,643 I SUPPOSE YOU ENJOY LIVING IN GLASGOW, NO? 556 00:15:30,685 --> 00:15:31,061 WHY WOULDN'T I? 557 00:15:31,061 --> 00:15:31,352 WHY WOULDN'T I? 558 00:15:31,352 --> 00:15:33,063 MY DAUGHTER HAS THE MOST LOVELY LITTLE HOUSE THERE. 559 00:15:33,063 --> 00:15:35,065 MY DAUGHTER HAS THE MOST LOVELY LITTLE HOUSE THERE. 560 00:15:35,065 --> 00:15:35,148 MY DAUGHTER HAS THE MOST LOVELY LITTLE HOUSE THERE. 561 00:15:35,190 --> 00:15:36,357 AT THE EDGE OF THE CITY. 562 00:15:36,399 --> 00:15:37,067 JUST WHERE THE TRAM STARTS. 563 00:15:37,067 --> 00:15:38,693 JUST WHERE THE TRAM STARTS. 564 00:15:38,735 --> 00:15:39,069 OH, IT'S A GREAT JOY TO ME TO BE-- 565 00:15:39,069 --> 00:15:40,904 OH, IT'S A GREAT JOY TO ME TO BE-- 566 00:15:40,945 --> 00:15:41,071 TO BE WITH THE CHILDREN. 567 00:15:41,071 --> 00:15:43,073 TO BE WITH THE CHILDREN. 568 00:15:43,073 --> 00:15:43,114 TO BE WITH THE CHILDREN. 569 00:15:43,156 --> 00:15:44,657 OH, HOW OLD ARE THEY NOW? 570 00:15:44,699 --> 00:15:45,075 WELL, LITTLE BANK'S JUST RISING 7. 571 00:15:45,075 --> 00:15:47,077 WELL, LITTLE BANK'S JUST RISING 7. 572 00:15:47,077 --> 00:15:47,827 WELL, LITTLE BANK'S JUST RISING 7. 573 00:15:47,869 --> 00:15:49,079 WHY, KAREN IS 5 AND A HALF. 574 00:15:49,079 --> 00:15:51,081 WHY, KAREN IS 5 AND A HALF. 575 00:15:51,081 --> 00:15:51,206 WHY, KAREN IS 5 AND A HALF. 576 00:15:51,247 --> 00:15:53,083 CHILDREN ARE PERFECT AT THAT AGE. 577 00:15:53,083 --> 00:15:54,292 CHILDREN ARE PERFECT AT THAT AGE. 578 00:15:54,334 --> 00:15:55,085 AS YOU KNOW. 579 00:15:55,085 --> 00:15:55,668 AS YOU KNOW. 580 00:15:55,710 --> 00:15:56,211 INDEED. 581 00:15:56,211 --> 00:15:57,087 AND I'VE GOT MY OWN LITTLE ROOM THERE 582 00:15:57,087 --> 00:15:59,089 AND I'VE GOT MY OWN LITTLE ROOM THERE 583 00:15:59,089 --> 00:15:59,756 AND I'VE GOT MY OWN LITTLE ROOM THERE 584 00:15:59,798 --> 00:16:01,091 ON THE GROUND FLOOR OVERLOOKING THE GARDEN, 585 00:16:01,091 --> 00:16:03,009 ON THE GROUND FLOOR OVERLOOKING THE GARDEN, 586 00:16:03,051 --> 00:16:03,093 SO I DON'T NEED TO BE CLIMBING THE STAIRS. 587 00:16:03,093 --> 00:16:05,095 SO I DON'T NEED TO BE CLIMBING THE STAIRS. 588 00:16:05,095 --> 00:16:06,679 SO I DON'T NEED TO BE CLIMBING THE STAIRS. 589 00:16:06,721 --> 00:16:07,097 HAVE--HAVE-- HAVE YOU HEARD... 590 00:16:07,097 --> 00:16:08,640 HAVE--HAVE-- HAVE YOU HEARD... 591 00:16:08,681 --> 00:16:09,099 THE LATEST ABOUT OLD MAN GALLAGHER AND THE YOUNG ONE? 592 00:16:09,099 --> 00:16:11,101 THE LATEST ABOUT OLD MAN GALLAGHER AND THE YOUNG ONE? 593 00:16:11,101 --> 00:16:13,103 THE LATEST ABOUT OLD MAN GALLAGHER AND THE YOUNG ONE? 594 00:16:13,103 --> 00:16:13,228 THE LATEST ABOUT OLD MAN GALLAGHER AND THE YOUNG ONE? 595 00:16:13,269 --> 00:16:14,771 OH, WHAT HAVE THEY BEEN UP TO NOW? 596 00:16:14,813 --> 00:16:15,105 YOU SEE, HER MOTHER CAME UP FROM THE FARM, 597 00:16:15,105 --> 00:16:17,107 YOU SEE, HER MOTHER CAME UP FROM THE FARM, 598 00:16:17,107 --> 00:16:18,691 YOU SEE, HER MOTHER CAME UP FROM THE FARM, 599 00:16:18,733 --> 00:16:19,109 NAMED SAGAL, 600 00:16:19,109 --> 00:16:19,275 NAMED SAGAL, 601 00:16:19,275 --> 00:16:21,111 SHE BROUGHT WITH HER THIS GREAT BIG BASKET. 602 00:16:21,111 --> 00:16:22,612 SHE BROUGHT WITH HER THIS GREAT BIG BASKET. 603 00:16:22,654 --> 00:16:23,113 YOU SEE? SHE--SHE--SHE LEFT IT ON THE KITCHEN TABLE 604 00:16:23,113 --> 00:16:25,115 YOU SEE? SHE--SHE--SHE LEFT IT ON THE KITCHEN TABLE 605 00:16:25,115 --> 00:16:26,699 YOU SEE? SHE--SHE--SHE LEFT IT ON THE KITCHEN TABLE 606 00:16:26,741 --> 00:16:27,117 AND WHEN GALLAGHER CAME IN BY HIMSELF, 607 00:16:27,117 --> 00:16:29,119 AND WHEN GALLAGHER CAME IN BY HIMSELF, 608 00:16:29,119 --> 00:16:30,203 AND WHEN GALLAGHER CAME IN BY HIMSELF, 609 00:16:30,245 --> 00:16:31,121 HE THOUGHT HE SAW IT MOVE. 610 00:16:31,121 --> 00:16:31,955 HE THOUGHT HE SAW IT MOVE. 611 00:16:31,996 --> 00:16:33,123 WHAT--WHAT DO YOU THINK SHE HAD IN IT? 612 00:16:33,123 --> 00:16:34,833 WHAT--WHAT DO YOU THINK SHE HAD IN IT? 613 00:16:34,874 --> 00:16:35,125 I'VE NO IDEA. 614 00:16:35,125 --> 00:16:35,458 I'VE NO IDEA. 615 00:16:35,458 --> 00:16:37,127 WELL, YOU SEE, SEE, THE SOW HAS ONLY FURROWED 616 00:16:37,127 --> 00:16:38,545 WELL, YOU SEE, SEE, THE SOW HAS ONLY FURROWED 617 00:16:38,586 --> 00:16:39,129 THE WEEK BEFORE AND IT WAS THE RUNT OF THE LITTER. 618 00:16:39,129 --> 00:16:41,131 THE WEEK BEFORE AND IT WAS THE RUNT OF THE LITTER. 619 00:16:41,131 --> 00:16:41,840 THE WEEK BEFORE AND IT WAS THE RUNT OF THE LITTER. 620 00:16:41,881 --> 00:16:43,133 AND--AND AS--AS THEY HADN'T HAD ANY CHILDREN, 621 00:16:43,133 --> 00:16:44,759 AND--AND AS--AS THEY HADN'T HAD ANY CHILDREN, 622 00:16:44,801 --> 00:16:45,135 SHE THOUGHT SHE'D BRING THEM A PIGLET FOR COMPANY, 623 00:16:45,135 --> 00:16:47,137 SHE THOUGHT SHE'D BRING THEM A PIGLET FOR COMPANY, 624 00:16:47,137 --> 00:16:47,804 SHE THOUGHT SHE'D BRING THEM A PIGLET FOR COMPANY, 625 00:16:47,846 --> 00:16:49,139 SAY FOR THE YOUNGEST ONE TO PRACTICE ON IN THE MEANTIME. 626 00:16:49,139 --> 00:16:51,141 SAY FOR THE YOUNGEST ONE TO PRACTICE ON IN THE MEANTIME. 627 00:16:51,141 --> 00:16:53,143 SAY FOR THE YOUNGEST ONE TO PRACTICE ON IN THE MEANTIME. 628 00:16:53,143 --> 00:16:53,601 SAY FOR THE YOUNGEST ONE TO PRACTICE ON IN THE MEANTIME. 629 00:16:54,352 --> 00:16:55,145 [INDISTINCT CONVERSATIONS] 630 00:16:55,145 --> 00:16:56,938 [INDISTINCT CONVERSATIONS] 631 00:17:01,860 --> 00:17:03,153 EVERY YEAR MY SON-IN-LAW TAKES US ALL ON HOLIDAY 632 00:17:03,153 --> 00:17:05,155 EVERY YEAR MY SON-IN-LAW TAKES US ALL ON HOLIDAY 633 00:17:05,155 --> 00:17:05,864 EVERY YEAR MY SON-IN-LAW TAKES US ALL ON HOLIDAY 634 00:17:05,905 --> 00:17:07,157 FOR A FORTNIGHT AT A HOTEL IN THE HIGHLANDS 635 00:17:07,157 --> 00:17:09,159 FOR A FORTNIGHT AT A HOTEL IN THE HIGHLANDS 636 00:17:09,159 --> 00:17:10,994 FOR A FORTNIGHT AT A HOTEL IN THE HIGHLANDS 637 00:17:11,035 --> 00:17:11,161 WHERE HE CAN GO FISHING. 638 00:17:11,161 --> 00:17:12,745 WHERE HE CAN GO FISHING. 639 00:17:12,787 --> 00:17:13,163 OH, HE'S A GREAT FISHER ALTOGETHER. 640 00:17:13,163 --> 00:17:15,165 OH, HE'S A GREAT FISHER ALTOGETHER. 641 00:17:15,165 --> 00:17:15,790 OH, HE'S A GREAT FISHER ALTOGETHER. 642 00:17:15,832 --> 00:17:17,167 HE EVEN TIES HIS OWN FLIES. 643 00:17:17,167 --> 00:17:17,792 HE EVEN TIES HIS OWN FLIES. 644 00:17:17,834 --> 00:17:19,169 AND ONE DAY, ONE DAY HE CAUGHT A FISH. 645 00:17:19,169 --> 00:17:21,171 AND ONE DAY, ONE DAY HE CAUGHT A FISH. 646 00:17:21,171 --> 00:17:22,797 AND ONE DAY, ONE DAY HE CAUGHT A FISH. 647 00:17:22,839 --> 00:17:23,173 OH, THE MOST BEAUTIFUL BIG FISH YOU EVER SAW. 648 00:17:23,173 --> 00:17:25,175 OH, THE MOST BEAUTIFUL BIG FISH YOU EVER SAW. 649 00:17:25,175 --> 00:17:26,259 OH, THE MOST BEAUTIFUL BIG FISH YOU EVER SAW. 650 00:17:26,301 --> 00:17:27,177 AND THE MAN IN THE HOTEL BOILED IT FOR OUR DINNER. 651 00:17:27,177 --> 00:17:29,179 AND THE MAN IN THE HOTEL BOILED IT FOR OUR DINNER. 652 00:17:29,179 --> 00:17:30,305 AND THE MAN IN THE HOTEL BOILED IT FOR OUR DINNER. 653 00:17:30,346 --> 00:17:31,181 HOW INTERESTING. 654 00:17:31,181 --> 00:17:32,182 HOW INTERESTING. 655 00:17:32,223 --> 00:17:32,891 I THINK THE MAN SAID-- 656 00:17:32,891 --> 00:17:33,183 I THINK--I'LL TRY AND FIND FREDDY FOR YOU, MRS. MALINS. 657 00:17:33,183 --> 00:17:35,185 I THINK--I'LL TRY AND FIND FREDDY FOR YOU, MRS. MALINS. 658 00:17:35,185 --> 00:17:36,436 I THINK--I'LL TRY AND FIND FREDDY FOR YOU, MRS. MALINS. 659 00:17:36,477 --> 00:17:37,187 SOME SORT OF TROUT! 660 00:17:37,187 --> 00:17:38,062 SOME SORT OF TROUT! 661 00:17:38,104 --> 00:17:39,189 CAN YOU IMAGINE OLD MAN GALLAGHER 662 00:17:39,189 --> 00:17:41,024 CAN YOU IMAGINE OLD MAN GALLAGHER 663 00:17:41,065 --> 00:17:41,191 WITH A PIGLET FOR COMPANY? 664 00:17:41,191 --> 00:17:43,193 WITH A PIGLET FOR COMPANY? 665 00:17:43,234 --> 00:17:43,651 FREDDY? WHAT? 666 00:17:43,651 --> 00:17:45,195 YOUR MOTHER'S LOOKING FOR YOU. 667 00:17:45,195 --> 00:17:45,778 YOUR MOTHER'S LOOKING FOR YOU. 668 00:17:45,820 --> 00:17:47,197 YOU SHOULD GO IN. 669 00:17:47,197 --> 00:17:47,614 YOU SHOULD GO IN. 670 00:17:47,655 --> 00:17:49,199 INTO THE VALLEY OF DEATH. 671 00:17:49,199 --> 00:17:49,616 INTO THE VALLEY OF DEATH. 672 00:17:49,657 --> 00:17:51,201 [INDISTINCT] 673 00:17:51,201 --> 00:17:52,118 [INDISTINCT] 674 00:18:21,731 --> 00:18:23,233 HELLO, MA. 675 00:18:23,233 --> 00:18:23,441 HELLO, MA. 676 00:18:23,483 --> 00:18:24,150 WHERE WERE YOU? 677 00:18:24,150 --> 00:18:25,235 WE WERE SUPPOSED TO MEET FOR A TEA AT THE SHELBURNE. 678 00:18:25,235 --> 00:18:27,237 WE WERE SUPPOSED TO MEET FOR A TEA AT THE SHELBURNE. 679 00:18:27,237 --> 00:18:28,029 WE WERE SUPPOSED TO MEET FOR A TEA AT THE SHELBURNE. 680 00:18:28,071 --> 00:18:29,239 SORRY. I--I WAS DETAINED. 681 00:18:29,239 --> 00:18:30,782 SORRY. I--I WAS DETAINED. 682 00:18:30,823 --> 00:18:31,241 WHAT DETAINED YOU? 683 00:18:31,241 --> 00:18:33,243 WHAT DETAINED YOU? 684 00:18:33,243 --> 00:18:33,785 WHAT DETAINED YOU? 685 00:18:34,410 --> 00:18:35,245 I WAS AT A COMMITTEE MEETING. 686 00:18:35,245 --> 00:18:36,621 I WAS AT A COMMITTEE MEETING. 687 00:18:36,663 --> 00:18:37,080 COMMITTEE MEETING. 688 00:18:37,121 --> 00:18:37,247 WHERE WAS IT? IN MULLIGAN'S PUB? 689 00:18:37,247 --> 00:18:39,249 WHERE WAS IT? IN MULLIGAN'S PUB? 690 00:18:39,249 --> 00:18:41,167 WHERE WAS IT? IN MULLIGAN'S PUB? 691 00:18:41,209 --> 00:18:41,251 ATTENTION, EVERYBODY! 692 00:18:41,251 --> 00:18:43,253 ATTENTION, EVERYBODY! 693 00:18:43,294 --> 00:18:44,254 [APPLAUSE] 694 00:18:44,295 --> 00:18:45,255 NOW, AS OUR MARY JANE HAS SO MANY 695 00:18:45,255 --> 00:18:45,964 NOW, AS OUR MARY JANE HAS SO MANY 696 00:18:46,005 --> 00:18:47,257 OF HER YOUNG AND TALENTED STUDENTS HERE TONIGHT, 697 00:18:47,257 --> 00:18:49,050 OF HER YOUNG AND TALENTED STUDENTS HERE TONIGHT, 698 00:18:49,092 --> 00:18:49,259 I HOPE YOU'LL ALL JOIN WITH ME 699 00:18:49,259 --> 00:18:50,635 I HOPE YOU'LL ALL JOIN WITH ME 700 00:18:50,677 --> 00:18:51,261 AND PREVAILING UPON HER TO GIVE US 701 00:18:51,261 --> 00:18:52,595 AND PREVAILING UPON HER TO GIVE US 702 00:18:52,637 --> 00:18:53,263 A SMALL DEMONSTRATION OF HER MUSICAL SKILLS. 703 00:18:53,263 --> 00:18:55,265 A SMALL DEMONSTRATION OF HER MUSICAL SKILLS. 704 00:18:55,265 --> 00:18:55,348 A SMALL DEMONSTRATION OF HER MUSICAL SKILLS. 705 00:18:55,390 --> 00:18:57,267 [APPLAUSE] 706 00:18:57,267 --> 00:18:58,017 [APPLAUSE] 707 00:19:06,025 --> 00:19:07,277 SHE PLAYS THE ORGAN SOMEWHERE, DOESN'T SHE, GABRIEL? 708 00:19:07,277 --> 00:19:08,611 SHE PLAYS THE ORGAN SOMEWHERE, DOESN'T SHE, GABRIEL? 709 00:19:08,653 --> 00:19:09,279 YES. HADDINGTON ROW. 710 00:19:09,279 --> 00:19:10,321 YES. HADDINGTON ROW. 711 00:19:10,363 --> 00:19:11,281 WHAT DID I TELL YOU? 712 00:19:11,281 --> 00:19:11,322 WHAT DID I TELL YOU? 713 00:19:11,364 --> 00:19:13,283 THAT'S AN OLD JAR. 714 00:19:13,283 --> 00:19:13,700 THAT'S AN OLD JAR. 715 00:19:17,745 --> 00:19:19,289 Man: SHH, SHH, SHH, SHH. 716 00:19:19,289 --> 00:19:19,914 Man: SHH, SHH, SHH, SHH. 717 00:21:17,698 --> 00:21:19,409 BRAVO! 718 00:21:19,409 --> 00:21:19,742 BRAVO! 719 00:21:27,750 --> 00:21:29,419 AND NOW LET US HAVE A RECITATION. 720 00:21:29,419 --> 00:21:30,420 AND NOW LET US HAVE A RECITATION. 721 00:21:30,461 --> 00:21:31,421 MR. GRACE, WOULD YOU BE KIND ENOUGH YET AGAIN? 722 00:21:31,421 --> 00:21:33,423 MR. GRACE, WOULD YOU BE KIND ENOUGH YET AGAIN? 723 00:21:33,423 --> 00:21:35,383 MR. GRACE, WOULD YOU BE KIND ENOUGH YET AGAIN? 724 00:21:39,679 --> 00:21:41,431 IT MEANS I HAVE TO PERFORM. 725 00:21:41,431 --> 00:21:42,765 IT MEANS I HAVE TO PERFORM. 726 00:21:44,517 --> 00:21:45,435 THANK YOU, KATE, THANK YOU. 727 00:21:45,435 --> 00:21:47,437 THANK YOU, KATE, THANK YOU. 728 00:21:47,437 --> 00:21:47,770 THANK YOU, KATE, THANK YOU. 729 00:21:48,980 --> 00:21:49,439 LADIES AND GENTLEMEN, I HAD INTENDED DOING 730 00:21:49,439 --> 00:21:51,441 LADIES AND GENTLEMEN, I HAD INTENDED DOING 731 00:21:51,441 --> 00:21:53,443 LADIES AND GENTLEMEN, I HAD INTENDED DOING 732 00:21:53,443 --> 00:21:53,860 LADIES AND GENTLEMEN, I HAD INTENDED DOING 733 00:21:53,901 --> 00:21:55,445 A COMIC RECITATION FOR YOU THIS EVENING, 734 00:21:55,445 --> 00:21:56,195 A COMIC RECITATION FOR YOU THIS EVENING, 735 00:21:56,237 --> 00:21:57,447 BUT I CAME ACROSS SOMETHING RECENTLY 736 00:21:57,447 --> 00:21:59,449 BUT I CAME ACROSS SOMETHING RECENTLY 737 00:21:59,449 --> 00:22:00,241 BUT I CAME ACROSS SOMETHING RECENTLY 738 00:22:00,283 --> 00:22:01,451 THAT I WOULD VERY MUCH LIKE TO PASS ON TO YOU. 739 00:22:01,451 --> 00:22:03,453 THAT I WOULD VERY MUCH LIKE TO PASS ON TO YOU. 740 00:22:03,453 --> 00:22:04,829 THAT I WOULD VERY MUCH LIKE TO PASS ON TO YOU. 741 00:22:04,871 --> 00:22:05,455 IT IS CALLED BROKEN VOWS. 742 00:22:05,455 --> 00:22:07,457 IT IS CALLED BROKEN VOWS. 743 00:22:07,457 --> 00:22:09,459 IT IS CALLED BROKEN VOWS. 744 00:22:09,459 --> 00:22:09,792 IT IS CALLED BROKEN VOWS. 745 00:22:12,962 --> 00:22:13,463 "IT IS LATE LAST NIGHT, 746 00:22:13,463 --> 00:22:15,465 "IT IS LATE LAST NIGHT, 747 00:22:15,465 --> 00:22:16,215 "IT IS LATE LAST NIGHT, 748 00:22:16,257 --> 00:22:17,467 "THE DOG WAS SPEAKING OF YOU, 749 00:22:17,467 --> 00:22:18,759 "THE DOG WAS SPEAKING OF YOU, 750 00:22:18,801 --> 00:22:19,469 "THE SNIPE WAS SPEAKING OF YOU IN HER DEEP MARSH. 751 00:22:19,469 --> 00:22:21,471 "THE SNIPE WAS SPEAKING OF YOU IN HER DEEP MARSH. 752 00:22:21,471 --> 00:22:22,847 "THE SNIPE WAS SPEAKING OF YOU IN HER DEEP MARSH. 753 00:22:22,889 --> 00:22:23,473 "IT IS YOU ARE THE LONELY BIRD THROUGHOUT THE WOODS, 754 00:22:23,473 --> 00:22:25,475 "IT IS YOU ARE THE LONELY BIRD THROUGHOUT THE WOODS, 755 00:22:25,475 --> 00:22:27,477 "IT IS YOU ARE THE LONELY BIRD THROUGHOUT THE WOODS, 756 00:22:27,477 --> 00:22:28,019 "IT IS YOU ARE THE LONELY BIRD THROUGHOUT THE WOODS, 757 00:22:28,060 --> 00:22:29,479 "AND THAT YOU MAY BE WITHOUT A MATE UNTIL YOU FIND ME. 758 00:22:29,479 --> 00:22:31,481 "AND THAT YOU MAY BE WITHOUT A MATE UNTIL YOU FIND ME. 759 00:22:31,481 --> 00:22:33,483 "AND THAT YOU MAY BE WITHOUT A MATE UNTIL YOU FIND ME. 760 00:22:33,483 --> 00:22:35,485 "AND THAT YOU MAY BE WITHOUT A MATE UNTIL YOU FIND ME. 761 00:22:35,485 --> 00:22:35,818 "AND THAT YOU MAY BE WITHOUT A MATE UNTIL YOU FIND ME. 762 00:22:35,860 --> 00:22:37,487 "YOU PROMISED ME, AND YOU SAID A LIE TO ME, 763 00:22:37,487 --> 00:22:39,489 "YOU PROMISED ME, AND YOU SAID A LIE TO ME, 764 00:22:39,489 --> 00:22:39,989 "YOU PROMISED ME, AND YOU SAID A LIE TO ME, 765 00:22:40,031 --> 00:22:41,491 "THAT YOU WOULD BE BEFORE ME WHERE THE SHEEP ARE FLOCKED. 766 00:22:41,491 --> 00:22:43,493 "THAT YOU WOULD BE BEFORE ME WHERE THE SHEEP ARE FLOCKED. 767 00:22:43,493 --> 00:22:45,495 "THAT YOU WOULD BE BEFORE ME WHERE THE SHEEP ARE FLOCKED. 768 00:22:45,495 --> 00:22:45,703 "THAT YOU WOULD BE BEFORE ME WHERE THE SHEEP ARE FLOCKED. 769 00:22:45,745 --> 00:22:47,497 I GAVE A WHISTLE AND 300 CRIES TO YOU, 770 00:22:47,497 --> 00:22:49,499 I GAVE A WHISTLE AND 300 CRIES TO YOU, 771 00:22:49,540 --> 00:22:51,501 AND I FOUND NOTHING THERE, BUT A BLEEDING LAMB." 772 00:22:51,501 --> 00:22:53,503 AND I FOUND NOTHING THERE, BUT A BLEEDING LAMB." 773 00:22:53,503 --> 00:22:55,505 AND I FOUND NOTHING THERE, BUT A BLEEDING LAMB." 774 00:22:55,505 --> 00:22:55,922 AND I FOUND NOTHING THERE, BUT A BLEEDING LAMB." 775 00:22:56,214 --> 00:22:57,507 YOU PROMISED ME A THING THAT IS HARD GOT TO YOU, 776 00:22:57,507 --> 00:22:59,509 YOU PROMISED ME A THING THAT IS HARD GOT TO YOU, 777 00:22:59,509 --> 00:23:01,511 YOU PROMISED ME A THING THAT IS HARD GOT TO YOU, 778 00:23:01,511 --> 00:23:01,677 YOU PROMISED ME A THING THAT IS HARD GOT TO YOU, 779 00:23:01,719 --> 00:23:03,513 A SHIP OF GOLD UNDER A SILVER MAST. 780 00:23:03,513 --> 00:23:05,515 A SHIP OF GOLD UNDER A SILVER MAST. 781 00:23:05,515 --> 00:23:06,390 A SHIP OF GOLD UNDER A SILVER MAST. 782 00:23:06,432 --> 00:23:07,517 12 TOWNS, AND A MARKET IN ALL OF THEM, 783 00:23:07,517 --> 00:23:09,519 12 TOWNS, AND A MARKET IN ALL OF THEM, 784 00:23:09,519 --> 00:23:11,062 12 TOWNS, AND A MARKET IN ALL OF THEM, 785 00:23:11,103 --> 00:23:11,521 AND A FINE WHITE COURT BY THE SIDE OF THE SEA. 786 00:23:11,521 --> 00:23:13,523 AND A FINE WHITE COURT BY THE SIDE OF THE SEA. 787 00:23:13,523 --> 00:23:15,525 AND A FINE WHITE COURT BY THE SIDE OF THE SEA. 788 00:23:15,525 --> 00:23:16,442 AND A FINE WHITE COURT BY THE SIDE OF THE SEA. 789 00:23:16,484 --> 00:23:17,527 YOU PROMISED ME A THING THAT IS NOT POSSIBLE. 790 00:23:17,527 --> 00:23:19,529 YOU PROMISED ME A THING THAT IS NOT POSSIBLE. 791 00:23:19,529 --> 00:23:21,531 YOU PROMISED ME A THING THAT IS NOT POSSIBLE. 792 00:23:21,531 --> 00:23:22,198 YOU PROMISED ME A THING THAT IS NOT POSSIBLE. 793 00:23:22,240 --> 00:23:23,533 THAT YOU WOULD GIVE ME GLOVES OF THE SKIN OF A FISH, 794 00:23:23,533 --> 00:23:25,535 THAT YOU WOULD GIVE ME GLOVES OF THE SKIN OF A FISH, 795 00:23:25,535 --> 00:23:27,245 THAT YOU WOULD GIVE ME GLOVES OF THE SKIN OF A FISH, 796 00:23:27,286 --> 00:23:27,537 THAT YOU WOULD GIVE ME SHOES OF THE SKIN OF A BIRD, 797 00:23:27,537 --> 00:23:29,539 THAT YOU WOULD GIVE ME SHOES OF THE SKIN OF A BIRD, 798 00:23:29,539 --> 00:23:30,790 THAT YOU WOULD GIVE ME SHOES OF THE SKIN OF A BIRD, 799 00:23:30,831 --> 00:23:31,541 AND A SUIT OF THE DEAREST SILK IN IRELAND. 800 00:23:31,541 --> 00:23:33,543 AND A SUIT OF THE DEAREST SILK IN IRELAND. 801 00:23:33,543 --> 00:23:35,545 AND A SUIT OF THE DEAREST SILK IN IRELAND. 802 00:23:35,545 --> 00:23:35,628 AND A SUIT OF THE DEAREST SILK IN IRELAND. 803 00:23:35,670 --> 00:23:37,547 MY MOTHER TOLD ME NOT TO BE TALKING WITH YOU, 804 00:23:37,547 --> 00:23:39,549 MY MOTHER TOLD ME NOT TO BE TALKING WITH YOU, 805 00:23:39,549 --> 00:23:41,551 MY MOTHER TOLD ME NOT TO BE TALKING WITH YOU, 806 00:23:41,551 --> 00:23:42,593 MY MOTHER TOLD ME NOT TO BE TALKING WITH YOU, 807 00:23:42,635 --> 00:23:43,553 TODAY OR TOMORROW OR ON SUNDAY. 808 00:23:43,553 --> 00:23:45,555 TODAY OR TOMORROW OR ON SUNDAY. 809 00:23:45,555 --> 00:23:47,557 TODAY OR TOMORROW OR ON SUNDAY. 810 00:23:47,557 --> 00:23:47,640 TODAY OR TOMORROW OR ON SUNDAY. 811 00:23:47,682 --> 00:23:49,559 IT WAS A BAD TIME SHE TOOK FOR TELLING ME THAT, 812 00:23:49,559 --> 00:23:51,561 IT WAS A BAD TIME SHE TOOK FOR TELLING ME THAT, 813 00:23:51,561 --> 00:23:53,145 IT WAS A BAD TIME SHE TOOK FOR TELLING ME THAT, 814 00:23:53,187 --> 00:23:53,563 IT WAS SHUTTING THE DOOR AFTER THE HOUSE WAS ROBBED. 815 00:23:53,563 --> 00:23:55,565 IT WAS SHUTTING THE DOOR AFTER THE HOUSE WAS ROBBED. 816 00:23:55,565 --> 00:23:57,567 IT WAS SHUTTING THE DOOR AFTER THE HOUSE WAS ROBBED. 817 00:23:57,567 --> 00:23:59,569 IT WAS SHUTTING THE DOOR AFTER THE HOUSE WAS ROBBED. 818 00:23:59,569 --> 00:24:01,529 IT WAS SHUTTING THE DOOR AFTER THE HOUSE WAS ROBBED. 819 00:24:01,571 --> 00:24:03,573 YOU HAVE TAKEN THE EAST FROM ME. 820 00:24:03,573 --> 00:24:05,575 YOU HAVE TAKEN THE EAST FROM ME. 821 00:24:05,575 --> 00:24:06,659 YOU HAVE TAKEN THE EAST FROM ME. 822 00:24:06,701 --> 00:24:07,577 YOU HAVE TAKEN THE WEST FROM ME. 823 00:24:07,577 --> 00:24:09,579 YOU HAVE TAKEN THE WEST FROM ME. 824 00:24:09,579 --> 00:24:10,871 YOU HAVE TAKEN THE WEST FROM ME. 825 00:24:10,913 --> 00:24:11,581 YOU HAVE TAKEN WHAT IS BEFORE ME 826 00:24:11,581 --> 00:24:13,583 YOU HAVE TAKEN WHAT IS BEFORE ME 827 00:24:13,583 --> 00:24:15,543 YOU HAVE TAKEN WHAT IS BEFORE ME 828 00:24:15,585 --> 00:24:17,587 AND WHAT IS BEHIND ME. 829 00:24:17,587 --> 00:24:18,462 AND WHAT IS BEHIND ME. 830 00:24:18,504 --> 00:24:19,589 YOU HAVE TAKEN THE MOON. 831 00:24:19,589 --> 00:24:21,591 YOU HAVE TAKEN THE MOON. 832 00:24:21,591 --> 00:24:22,550 YOU HAVE TAKEN THE MOON. 833 00:24:22,592 --> 00:24:23,593 YOU HAVE TAKEN THE SUN FROM ME, 834 00:24:23,593 --> 00:24:25,595 YOU HAVE TAKEN THE SUN FROM ME, 835 00:24:25,595 --> 00:24:27,597 YOU HAVE TAKEN THE SUN FROM ME, 836 00:24:27,597 --> 00:24:28,306 YOU HAVE TAKEN THE SUN FROM ME, 837 00:24:28,347 --> 00:24:29,599 AND MY FEAR IS GREAT, 838 00:24:29,599 --> 00:24:31,601 AND MY FEAR IS GREAT, 839 00:24:31,601 --> 00:24:33,603 AND MY FEAR IS GREAT, 840 00:24:33,603 --> 00:24:34,020 AND MY FEAR IS GREAT, 841 00:24:34,061 --> 00:24:35,605 YOU HAVE TAKEN GOD FROM ME. 842 00:24:35,605 --> 00:24:37,607 YOU HAVE TAKEN GOD FROM ME. 843 00:24:37,607 --> 00:24:39,609 YOU HAVE TAKEN GOD FROM ME. 844 00:24:39,609 --> 00:24:40,192 YOU HAVE TAKEN GOD FROM ME. 845 00:24:46,157 --> 00:24:47,617 IT'S A TRANSLATION FROM THE IRISH BY LADY GREGORY. 846 00:24:47,617 --> 00:24:49,619 IT'S A TRANSLATION FROM THE IRISH BY LADY GREGORY. 847 00:24:49,619 --> 00:24:51,454 IT'S A TRANSLATION FROM THE IRISH BY LADY GREGORY. 848 00:24:51,495 --> 00:24:51,621 IT IS VERY STRANGE... BUT BEAUTIFUL. 849 00:24:51,621 --> 00:24:53,623 IT IS VERY STRANGE... BUT BEAUTIFUL. 850 00:24:53,623 --> 00:24:54,498 IT IS VERY STRANGE... BUT BEAUTIFUL. 851 00:24:54,540 --> 00:24:55,625 Man: I'VE NEVER HEARD ANYTHING LIKE IT. 852 00:24:55,625 --> 00:24:56,459 Man: I'VE NEVER HEARD ANYTHING LIKE IT. 853 00:24:56,500 --> 00:24:57,627 Woman: VERY MYSTERIOUS. 854 00:24:57,627 --> 00:24:58,169 Woman: VERY MYSTERIOUS. 855 00:24:58,210 --> 00:24:59,629 IMAGINE BEING IN LOVE LIKE THAT. 856 00:24:59,629 --> 00:25:00,838 IMAGINE BEING IN LOVE LIKE THAT. 857 00:25:00,880 --> 00:25:01,631 I THOUGHT IT WAS BEAUTIFUL. 858 00:25:01,631 --> 00:25:02,715 I THOUGHT IT WAS BEAUTIFUL. 859 00:25:02,757 --> 00:25:03,633 IT WAS LOVELY. 860 00:25:03,633 --> 00:25:04,050 IT WAS LOVELY. 861 00:25:04,091 --> 00:25:05,635 IT WOULD MAKE A LOVELY SONG. 862 00:25:05,635 --> 00:25:06,427 IT WOULD MAKE A LOVELY SONG. 863 00:25:16,145 --> 00:25:16,729 YES, LILY, WHAT IS IT? 864 00:25:16,771 --> 00:25:17,647 THE GOOSE WILL BE READY IN HALF AN HOUR, MA'AM. 865 00:25:17,647 --> 00:25:19,523 THE GOOSE WILL BE READY IN HALF AN HOUR, MA'AM. 866 00:25:19,565 --> 00:25:19,649 VERY GOOD. 867 00:25:19,649 --> 00:25:20,191 VERY GOOD. 868 00:25:20,191 --> 00:25:21,651 AND, MA'AM, I JUST PUT FRESH TOWELS IN THE TOILET. 869 00:25:21,651 --> 00:25:23,152 AND, MA'AM, I JUST PUT FRESH TOWELS IN THE TOILET. 870 00:25:23,194 --> 00:25:23,653 VERY GOOD, LILY. 871 00:25:23,653 --> 00:25:25,655 VERY GOOD, LILY. 872 00:25:25,655 --> 00:25:26,322 VERY GOOD, LILY. 873 00:25:26,364 --> 00:25:27,657 NOW BACK TO THE DANCING. 874 00:25:27,657 --> 00:25:28,491 NOW BACK TO THE DANCING. 875 00:25:28,532 --> 00:25:29,617 LANCERS! 876 00:25:29,659 --> 00:25:30,159 [LAUGHTER] 877 00:25:30,201 --> 00:25:31,661 I THINK IT'S ABOUT TIME YOU HAD A DANCE, 878 00:25:31,661 --> 00:25:32,745 I THINK IT'S ABOUT TIME YOU HAD A DANCE, 879 00:25:32,787 --> 00:25:33,663 NOW COME ALONG WITH ME. 880 00:25:33,663 --> 00:25:34,205 NOW COME ALONG WITH ME. 881 00:25:34,246 --> 00:25:35,665 I HAVE THE PERFECT PARTNER FOR YOU. 882 00:25:35,665 --> 00:25:36,123 I HAVE THE PERFECT PARTNER FOR YOU. 883 00:25:36,165 --> 00:25:37,667 MISS IVORS, I THINK YOU KNOW MY NEPHEW. 884 00:25:37,667 --> 00:25:38,042 MISS IVORS, I THINK YOU KNOW MY NEPHEW. 885 00:25:38,084 --> 00:25:39,669 HE HASN'T BROKEN OUT OF A WALK SINCE HE CAME THROUGH THAT DOOR. 886 00:25:39,669 --> 00:25:41,087 HE HASN'T BROKEN OUT OF A WALK SINCE HE CAME THROUGH THAT DOOR. 887 00:25:41,128 --> 00:25:41,671 I'M RELYING ON YOU TO GIVE HIM A LITTLE TAP BEHIND THE ROOF. 888 00:25:41,671 --> 00:25:43,673 I'M RELYING ON YOU TO GIVE HIM A LITTLE TAP BEHIND THE ROOF. 889 00:25:43,673 --> 00:25:45,216 I'M RELYING ON YOU TO GIVE HIM A LITTLE TAP BEHIND THE ROOF. 890 00:25:45,257 --> 00:25:45,675 I'D BE DELIGHTED. 891 00:25:45,675 --> 00:25:45,716 I'D BE DELIGHTED. 892 00:25:45,716 --> 00:25:47,677 I THINK A CANTOR WOULD DO HIM GOOD. 893 00:25:47,677 --> 00:25:49,178 I THINK A CANTOR WOULD DO HIM GOOD. 894 00:25:50,179 --> 00:25:51,681 I HAVE A CROW TO PLUCK WITH YOU. 895 00:25:51,681 --> 00:25:53,641 I HAVE A CROW TO PLUCK WITH YOU. 896 00:25:53,683 --> 00:25:54,350 ME? 897 00:25:54,392 --> 00:25:55,685 MM-HMM. WHAT IS IT? 898 00:25:55,685 --> 00:25:56,227 MM-HMM. WHAT IS IT? 899 00:25:56,268 --> 00:25:57,687 WHO IS GC? 900 00:25:57,687 --> 00:25:57,812 WHO IS GC? 901 00:25:57,853 --> 00:25:59,689 I HAVE FOUND OUT THAT YOU WRITE FOR THE DAILY EXPRESS. 902 00:25:59,689 --> 00:26:01,691 I HAVE FOUND OUT THAT YOU WRITE FOR THE DAILY EXPRESS. 903 00:26:01,691 --> 00:26:02,066 I HAVE FOUND OUT THAT YOU WRITE FOR THE DAILY EXPRESS. 904 00:26:02,108 --> 00:26:03,693 NOW, AREN'T YOU ASHAMED OF YOURSELF? 905 00:26:03,693 --> 00:26:04,777 NOW, AREN'T YOU ASHAMED OF YOURSELF? 906 00:26:04,819 --> 00:26:05,695 NOW, WHY SHOULD I BE ASHAMED OF MYSELF? 907 00:26:05,695 --> 00:26:07,113 NOW, WHY SHOULD I BE ASHAMED OF MYSELF? 908 00:26:07,154 --> 00:26:07,697 WELL, I'M ASHAMED OF YOU. 909 00:26:07,697 --> 00:26:07,738 WELL, I'M ASHAMED OF YOU. 910 00:26:07,780 --> 00:26:09,699 TO SAY YOU'D WRITE FOR AN ENGLISH RAG LIKE THAT. 911 00:26:09,699 --> 00:26:11,450 TO SAY YOU'D WRITE FOR AN ENGLISH RAG LIKE THAT. 912 00:26:11,492 --> 00:26:11,701 I DIDN'T THINK YOU WERE A WEST BRITON. 913 00:26:11,701 --> 00:26:13,452 I DIDN'T THINK YOU WERE A WEST BRITON. 914 00:26:13,494 --> 00:26:13,703 NOW WHAT DO YOU MEAN A WEST BRITON? 915 00:26:13,703 --> 00:26:15,079 NOW WHAT DO YOU MEAN A WEST BRITON? 916 00:26:15,121 --> 00:26:15,705 SOMEONE WHO LOOKS TO ENGLAND FOR OUR SALVATION 917 00:26:15,705 --> 00:26:17,707 SOMEONE WHO LOOKS TO ENGLAND FOR OUR SALVATION 918 00:26:17,707 --> 00:26:18,416 SOMEONE WHO LOOKS TO ENGLAND FOR OUR SALVATION 919 00:26:18,457 --> 00:26:19,709 INSTEAD OF DEPENDING ON OURSELVES ALONE. 920 00:26:19,709 --> 00:26:21,711 INSTEAD OF DEPENDING ON OURSELVES ALONE. 921 00:26:21,711 --> 00:26:22,420 INSTEAD OF DEPENDING ON OURSELVES ALONE. 922 00:26:23,254 --> 00:26:23,713 [LAUGHTER AND INDISTINCT CONVERSATIONS] 923 00:26:23,713 --> 00:26:25,715 [LAUGHTER AND INDISTINCT CONVERSATIONS] 924 00:26:25,715 --> 00:26:26,757 [LAUGHTER AND INDISTINCT CONVERSATIONS] 925 00:26:52,366 --> 00:26:53,743 WHY DON'T YOU COME FOR AN EXCURSION 926 00:26:53,743 --> 00:26:54,577 WHY DON'T YOU COME FOR AN EXCURSION 927 00:26:54,618 --> 00:26:55,745 TO THE ARAN ISLES THIS SUMMER? 928 00:26:55,745 --> 00:26:56,078 TO THE ARAN ISLES THIS SUMMER? 929 00:26:56,120 --> 00:26:57,747 WE'RE GOING TO STAY THERE A WHOLE MONTH. 930 00:26:57,747 --> 00:26:58,873 WE'RE GOING TO STAY THERE A WHOLE MONTH. 931 00:26:58,914 --> 00:26:59,749 IT WILL BE SPLENDID ON THE ATLANTIC. 932 00:26:59,749 --> 00:27:01,751 IT WILL BE SPLENDID ON THE ATLANTIC. 933 00:27:01,751 --> 00:27:02,585 IT WILL BE SPLENDID ON THE ATLANTIC. 934 00:27:02,626 --> 00:27:03,753 YOU OUGHT TO COME. 935 00:27:03,753 --> 00:27:05,129 YOU OUGHT TO COME. 936 00:27:05,171 --> 00:27:05,755 MR. CLANCY'S COMING. 937 00:27:05,755 --> 00:27:06,881 MR. CLANCY'S COMING. 938 00:27:06,922 --> 00:27:07,757 MR. KELLEY, KATHLEEN KEARNEY. 939 00:27:07,757 --> 00:27:09,759 MR. KELLEY, KATHLEEN KEARNEY. 940 00:27:09,759 --> 00:27:10,009 MR. KELLEY, KATHLEEN KEARNEY. 941 00:27:10,050 --> 00:27:11,761 IT WOULD BE SPLENDID IF YOUR WIFE, TOO, IF SHE COULD COME. 942 00:27:11,761 --> 00:27:13,763 IT WOULD BE SPLENDID IF YOUR WIFE, TOO, IF SHE COULD COME. 943 00:27:13,763 --> 00:27:14,263 IT WOULD BE SPLENDID IF YOUR WIFE, TOO, IF SHE COULD COME. 944 00:27:14,305 --> 00:27:15,765 SHE'S FROM THAT PART OF THE WORLD. 945 00:27:15,765 --> 00:27:17,266 SHE'S FROM THAT PART OF THE WORLD. 946 00:27:17,725 --> 00:27:17,767 CONNACHT, ISN'T SHE? 947 00:27:17,767 --> 00:27:19,143 CONNACHT, ISN'T SHE? 948 00:27:19,185 --> 00:27:19,560 HER PEOPLE ARE. 949 00:27:19,602 --> 00:27:19,769 BUT YOU WILL COME, WON'T YOU? 950 00:27:19,769 --> 00:27:20,144 BUT YOU WILL COME, WON'T YOU? 951 00:27:20,144 --> 00:27:21,771 THE FACT IS, I'VE ALREADY ARRANGED TO GO. 952 00:27:21,771 --> 00:27:23,773 THE FACT IS, I'VE ALREADY ARRANGED TO GO. 953 00:27:23,773 --> 00:27:24,106 THE FACT IS, I'VE ALREADY ARRANGED TO GO. 954 00:27:24,148 --> 00:27:24,857 GO WHERE? 955 00:27:24,899 --> 00:27:25,775 WELL, EVERY YEAR I GO ON A CYCLING TOUR WITH SOME FELLOWS. 956 00:27:25,775 --> 00:27:27,526 WELL, EVERY YEAR I GO ON A CYCLING TOUR WITH SOME FELLOWS. 957 00:27:27,568 --> 00:27:27,777 BUT WHERE? 958 00:27:27,777 --> 00:27:28,486 BUT WHERE? 959 00:27:28,527 --> 00:27:29,779 FRANCE, BELGIUM, GERMANY PERHAPS. 960 00:27:29,779 --> 00:27:31,030 FRANCE, BELGIUM, GERMANY PERHAPS. 961 00:27:31,071 --> 00:27:31,781 BUT WHY DO YOU GO TO FRANCE AND BELGIUM 962 00:27:31,781 --> 00:27:33,449 BUT WHY DO YOU GO TO FRANCE AND BELGIUM 963 00:27:33,491 --> 00:27:33,783 INSTEAD OF VISITING YOUR OWN LAND? 964 00:27:33,783 --> 00:27:34,158 INSTEAD OF VISITING YOUR OWN LAND? 965 00:27:34,158 --> 00:27:35,785 WELL, IT'S PARTLY TO KEEP IN TOUCH WITH THE LANGUAGES, 966 00:27:35,785 --> 00:27:37,745 WELL, IT'S PARTLY TO KEEP IN TOUCH WITH THE LANGUAGES, 967 00:27:37,787 --> 00:27:39,371 AND PARTLY FOR A CHANGE. 968 00:27:39,413 --> 00:27:39,789 HAVEN'T YOU YOUR OWN LANGUAGE TO KEEP IN TOUCH WITH? 969 00:27:39,789 --> 00:27:41,791 HAVEN'T YOU YOUR OWN LANGUAGE TO KEEP IN TOUCH WITH? 970 00:27:41,791 --> 00:27:43,209 HAVEN'T YOU YOUR OWN LANGUAGE TO KEEP IN TOUCH WITH? 971 00:27:43,250 --> 00:27:43,793 IRISH. 972 00:27:43,793 --> 00:27:43,959 IRISH. 973 00:27:43,959 --> 00:27:44,710 OH, NO, WHEN IT COMES TO THAT, IRISH IS NOT MY LANGUAGE. 974 00:27:44,752 --> 00:27:45,795 HAVEN'T YOU YOUR OWN LAND TO VISIT, THAT YOU KNOW NOTHING OF. 975 00:27:45,795 --> 00:27:47,797 HAVEN'T YOU YOUR OWN LAND TO VISIT, THAT YOU KNOW NOTHING OF. 976 00:27:47,797 --> 00:27:49,256 HAVEN'T YOU YOUR OWN LAND TO VISIT, THAT YOU KNOW NOTHING OF. 977 00:27:49,298 --> 00:27:49,799 YOUR OWN PEOPLE, YOUR OWN COUNTRY? 978 00:27:49,799 --> 00:27:51,801 YOUR OWN PEOPLE, YOUR OWN COUNTRY? 979 00:27:51,801 --> 00:27:51,926 YOUR OWN PEOPLE, YOUR OWN COUNTRY? 980 00:27:51,967 --> 00:27:53,803 TO TELL YOU THE TRUTH, I'M SICK OF MY OWN COUNTRY. 981 00:27:53,803 --> 00:27:54,637 TO TELL YOU THE TRUTH, I'M SICK OF MY OWN COUNTRY. 982 00:27:54,678 --> 00:27:55,805 I'M SICK OF IT! FINE. 983 00:27:55,805 --> 00:27:57,223 I'M SICK OF IT! FINE. 984 00:28:01,310 --> 00:28:01,811 WHY? 985 00:28:01,811 --> 00:28:03,145 WHY? 986 00:28:03,187 --> 00:28:03,813 OF COURSE, YOU'VE NO ANSWER. 987 00:28:03,813 --> 00:28:05,815 OF COURSE, YOU'VE NO ANSWER. 988 00:28:05,815 --> 00:28:07,358 OF COURSE, YOU'VE NO ANSWER. 989 00:28:07,399 --> 00:28:07,817 WEST BRITON! 990 00:28:07,817 --> 00:28:09,819 WEST BRITON! 991 00:28:09,819 --> 00:28:09,944 WEST BRITON! 992 00:29:02,663 --> 00:29:03,873 "LADIES AND GENTLEMEN..." 993 00:29:03,873 --> 00:29:04,248 "LADIES AND GENTLEMEN..." 994 00:29:04,290 --> 00:29:05,875 [READING QUIETLY] 995 00:29:05,875 --> 00:29:07,167 [READING QUIETLY] 996 00:29:09,962 --> 00:29:11,881 GABRIEL, AUNT KATE WANTS TO KNOW WON'T YOU CARVE THE GOOSE AS USUAL, 997 00:29:11,881 --> 00:29:13,883 GABRIEL, AUNT KATE WANTS TO KNOW WON'T YOU CARVE THE GOOSE AS USUAL, 998 00:29:13,883 --> 00:29:14,341 GABRIEL, AUNT KATE WANTS TO KNOW WON'T YOU CARVE THE GOOSE AS USUAL, 999 00:29:14,383 --> 00:29:15,885 MISS DALY WILL CARVE THE HAM, AND I'LL DO THE PUDDING. 1000 00:29:15,885 --> 00:29:17,511 MISS DALY WILL CARVE THE HAM, AND I'LL DO THE PUDDING. 1001 00:29:17,553 --> 00:29:17,887 YEAH, ALL RIGHT. 1002 00:29:17,887 --> 00:29:18,429 YEAH, ALL RIGHT. 1003 00:29:18,470 --> 00:29:19,889 WHY DID YOU STOP DANCING? 1004 00:29:19,930 --> 00:29:21,557 WHAT WRONG HAD YOU WITH MOLLY IVORS? 1005 00:29:21,599 --> 00:29:21,891 NO, NO WRONG. WHY, DID SHE SAY WE HAD? 1006 00:29:21,891 --> 00:29:23,559 NO, NO WRONG. WHY, DID SHE SAY WE HAD? 1007 00:29:23,601 --> 00:29:23,893 NO, I NOTICED HER CARRYING ON, THAT'S ALL. 1008 00:29:23,893 --> 00:29:25,895 NO, I NOTICED HER CARRYING ON, THAT'S ALL. 1009 00:29:25,895 --> 00:29:26,061 NO, I NOTICED HER CARRYING ON, THAT'S ALL. 1010 00:29:26,103 --> 00:29:27,897 I'M TRYING TO GET THAT MR. DARCY TO SING. 1011 00:29:27,897 --> 00:29:29,189 I'M TRYING TO GET THAT MR. DARCY TO SING. 1012 00:29:29,231 --> 00:29:29,899 HE'S FULL OF CONCEIT, I THINK. 1013 00:29:29,899 --> 00:29:30,858 HE'S FULL OF CONCEIT, I THINK. 1014 00:29:30,900 --> 00:29:31,567 NO, THERE WAS NO WRONG. 1015 00:29:31,567 --> 00:29:31,901 SHE WANTED ME TO GO ON A TRIP TO THE WEST OF IRELAND, 1016 00:29:31,901 --> 00:29:33,903 SHE WANTED ME TO GO ON A TRIP TO THE WEST OF IRELAND, 1017 00:29:33,903 --> 00:29:34,278 SHE WANTED ME TO GO ON A TRIP TO THE WEST OF IRELAND, 1018 00:29:34,320 --> 00:29:35,613 AND I SAID I WOULDN'T. 1019 00:29:35,654 --> 00:29:35,905 OH, GABRIEL, DO GO. 1020 00:29:35,905 --> 00:29:36,655 OH, GABRIEL, DO GO. 1021 00:29:36,697 --> 00:29:37,907 OH, I'D LOVE TO SEE GALWAY AGAIN. 1022 00:29:37,907 --> 00:29:39,199 OH, I'D LOVE TO SEE GALWAY AGAIN. 1023 00:29:39,241 --> 00:29:39,909 WELL, YOU CAN GO IF YOU LIKE. 1024 00:29:39,909 --> 00:29:41,118 WELL, YOU CAN GO IF YOU LIKE. 1025 00:29:41,160 --> 00:29:41,911 [MUSIC STOPS] 1026 00:29:41,911 --> 00:29:42,703 [MUSIC STOPS] 1027 00:29:42,745 --> 00:29:43,913 ATTENTION, LADIES AND GENTLEMEN, 1028 00:29:43,913 --> 00:29:44,580 ATTENTION, LADIES AND GENTLEMEN, 1029 00:29:44,622 --> 00:29:45,915 MY SISTER MISS JULIA MORKAN, 1030 00:29:45,915 --> 00:29:47,458 MY SISTER MISS JULIA MORKAN, 1031 00:29:47,499 --> 00:29:47,917 AFTER MUCH COAXING, 1032 00:29:47,917 --> 00:29:49,168 AFTER MUCH COAXING, 1033 00:29:49,209 --> 00:29:49,919 HAS CONSENTED TO SING A SONG, 1034 00:29:49,919 --> 00:29:51,921 HAS CONSENTED TO SING A SONG, 1035 00:29:51,962 --> 00:29:53,923 ONE OF HER FAVORITES, FROM HER CONCERT DAYS, 1036 00:29:53,923 --> 00:29:54,924 ONE OF HER FAVORITES, FROM HER CONCERT DAYS, 1037 00:29:54,965 --> 00:29:55,925 ARRAYED FOR THE BRIDAL. 1038 00:29:55,925 --> 00:29:57,927 ARRAYED FOR THE BRIDAL. 1039 00:29:57,927 --> 00:29:58,177 ARRAYED FOR THE BRIDAL. 1040 00:30:08,854 --> 00:30:09,939 ARRAYED FOR THE BRIDAL BY BELLINI. 1041 00:30:09,939 --> 00:30:11,941 ARRAYED FOR THE BRIDAL BY BELLINI. 1042 00:30:11,941 --> 00:30:13,150 ARRAYED FOR THE BRIDAL BY BELLINI. 1043 00:30:22,576 --> 00:30:23,953 ♪ ARRAYED FOR THE BRIDAL ♪ 1044 00:30:23,953 --> 00:30:25,955 ♪ ARRAYED FOR THE BRIDAL ♪ 1045 00:30:25,955 --> 00:30:27,957 ♪ ARRAYED FOR THE BRIDAL ♪ 1046 00:30:27,998 --> 00:30:29,959 ♪ IN BEAUTY BEHOLD HER ♪ 1047 00:30:29,959 --> 00:30:31,961 ♪ IN BEAUTY BEHOLD HER ♪ 1048 00:30:31,961 --> 00:30:32,795 ♪ IN BEAUTY BEHOLD HER ♪ 1049 00:30:32,836 --> 00:30:33,963 ♪ A WHITE WREATH ENTWINETH ♪ 1050 00:30:33,963 --> 00:30:35,965 ♪ A WHITE WREATH ENTWINETH ♪ 1051 00:30:35,965 --> 00:30:37,675 ♪ A WHITE WREATH ENTWINETH ♪ 1052 00:30:37,716 --> 00:30:37,967 ♪ A FOREHEAD MORE FAIR ♪ 1053 00:30:37,967 --> 00:30:39,969 ♪ A FOREHEAD MORE FAIR ♪ 1054 00:30:39,969 --> 00:30:41,971 ♪ A FOREHEAD MORE FAIR ♪ 1055 00:30:41,971 --> 00:30:43,347 ♪ A FOREHEAD MORE FAIR ♪ 1056 00:30:43,389 --> 00:30:43,973 ♪ I ENVY THE ZEPHYRS ♪ 1057 00:30:43,973 --> 00:30:45,975 ♪ I ENVY THE ZEPHYRS ♪ 1058 00:30:45,975 --> 00:30:47,977 ♪ I ENVY THE ZEPHYRS ♪ 1059 00:30:47,977 --> 00:30:48,852 ♪ I ENVY THE ZEPHYRS ♪ 1060 00:30:48,894 --> 00:30:49,979 ♪ THAT SOFTLY ENFOLD ♪ 1061 00:30:49,979 --> 00:30:51,981 ♪ THAT SOFTLY ENFOLD ♪ 1062 00:30:51,981 --> 00:30:53,983 ♪ THAT SOFTLY ENFOLD ♪ 1063 00:30:53,983 --> 00:30:55,985 ♪ THAT SOFTLY ENFOLD ♪ 1064 00:30:55,985 --> 00:30:56,151 ♪ THAT SOFTLY ENFOLD ♪ 1065 00:30:56,193 --> 00:30:57,987 ♪ FO-O-O-O-OLD HER ♪ 1066 00:30:57,987 --> 00:30:59,989 ♪ FO-O-O-O-OLD HER ♪ 1067 00:30:59,989 --> 00:31:01,991 ♪ FO-O-O-O-OLD HER ♪ 1068 00:31:01,991 --> 00:31:03,117 ♪ FO-O-O-O-OLD HER ♪ 1069 00:31:03,158 --> 00:31:03,993 ♪ ENFOLD HER ♪ 1070 00:31:03,993 --> 00:31:05,995 ♪ ENFOLD HER ♪ 1071 00:31:05,995 --> 00:31:07,997 ♪ ENFOLD HER ♪ 1072 00:31:07,997 --> 00:31:09,331 ♪ ENFOLD HER ♪ 1073 00:31:09,373 --> 00:31:09,999 ♪ AND PLAY WITH THE LOCKS ♪ 1074 00:31:09,999 --> 00:31:12,001 ♪ AND PLAY WITH THE LOCKS ♪ 1075 00:31:12,001 --> 00:31:14,003 ♪ AND PLAY WITH THE LOCKS ♪ 1076 00:31:14,003 --> 00:31:14,753 ♪ AND PLAY WITH THE LOCKS ♪ 1077 00:31:14,795 --> 00:31:16,005 ♪ OF HER BEAUTIFUL HAIR ♪ 1078 00:31:16,005 --> 00:31:18,007 ♪ OF HER BEAUTIFUL HAIR ♪ 1079 00:31:18,007 --> 00:31:20,009 ♪ OF HER BEAUTIFUL HAIR ♪ 1080 00:31:20,009 --> 00:31:21,593 ♪ OF HER BEAUTIFUL HAIR ♪ 1081 00:31:21,635 --> 00:31:22,011 ♪ ARRAYED FOR THE BRIDAL ♪ 1082 00:31:22,011 --> 00:31:24,013 ♪ ARRAYED FOR THE BRIDAL ♪ 1083 00:31:24,013 --> 00:31:26,015 ♪ ARRAYED FOR THE BRIDAL ♪ 1084 00:31:26,015 --> 00:31:27,057 ♪ ARRAYED FOR THE BRIDAL ♪ 1085 00:31:27,099 --> 00:31:28,017 ♪ IN BEAUTY BEHOLD HER ♪ 1086 00:31:28,017 --> 00:31:30,019 ♪ IN BEAUTY BEHOLD HER ♪ 1087 00:31:30,019 --> 00:31:32,021 ♪ IN BEAUTY BEHOLD HER ♪ 1088 00:31:32,021 --> 00:31:32,438 ♪ IN BEAUTY BEHOLD HER ♪ 1089 00:31:32,479 --> 00:31:34,023 ♪ A WHITE WREATH ENTWINETH ♪ 1090 00:31:34,023 --> 00:31:36,025 ♪ A WHITE WREATH ENTWINETH ♪ 1091 00:31:36,025 --> 00:31:37,776 ♪ A WHITE WREATH ENTWINETH ♪ 1092 00:31:37,818 --> 00:31:38,027 ♪ A FOREHEAD MORE FAIR ♪ 1093 00:31:38,027 --> 00:31:40,029 ♪ A FOREHEAD MORE FAIR ♪ 1094 00:31:40,029 --> 00:31:42,031 ♪ A FOREHEAD MORE FAIR ♪ 1095 00:31:42,031 --> 00:31:43,073 ♪ A FOREHEAD MORE FAIR ♪ 1096 00:31:43,115 --> 00:31:44,033 ♪ I ENVY THE ZEPHYRS ♪ 1097 00:31:44,033 --> 00:31:46,035 ♪ I ENVY THE ZEPHYRS ♪ 1098 00:31:46,035 --> 00:31:48,037 ♪ I ENVY THE ZEPHYRS ♪ 1099 00:31:48,037 --> 00:31:48,871 ♪ I ENVY THE ZEPHYRS ♪ 1100 00:31:48,912 --> 00:31:50,039 ♪ THAT SOFTLY ENFOLD ♪ 1101 00:31:50,039 --> 00:31:52,041 ♪ THAT SOFTLY ENFOLD ♪ 1102 00:31:52,041 --> 00:31:54,043 ♪ THAT SOFTLY ENFOLD ♪ 1103 00:31:54,043 --> 00:31:56,045 ♪ THAT SOFTLY ENFOLD ♪ 1104 00:31:56,045 --> 00:31:56,920 ♪ THAT SOFTLY ENFOLD ♪ 1105 00:31:56,962 --> 00:31:58,047 ♪ FO-O-O-O-OLD HER ♪ 1106 00:31:58,047 --> 00:32:00,049 ♪ FO-O-O-O-OLD HER ♪ 1107 00:32:00,049 --> 00:32:02,051 ♪ FO-O-O-O-OLD HER ♪ 1108 00:32:02,051 --> 00:32:04,053 ♪ FO-O-O-O-OLD HER ♪ 1109 00:32:04,053 --> 00:32:04,553 ♪ FO-O-O-O-OLD HER ♪ 1110 00:32:04,595 --> 00:32:06,055 ♪ ENFOLD HER ♪ 1111 00:32:06,055 --> 00:32:08,057 ♪ ENFOLD HER ♪ 1112 00:32:08,057 --> 00:32:10,059 ♪ ENFOLD HER ♪ 1113 00:32:10,059 --> 00:32:10,684 ♪ ENFOLD HER ♪ 1114 00:32:10,726 --> 00:32:12,061 ♪ AND PLAY WITH THE LOCKS ♪ 1115 00:32:12,061 --> 00:32:14,063 ♪ AND PLAY WITH THE LOCKS ♪ 1116 00:32:14,063 --> 00:32:16,065 ♪ AND PLAY WITH THE LOCKS ♪ 1117 00:32:16,065 --> 00:32:16,106 ♪ AND PLAY WITH THE LOCKS ♪ 1118 00:32:16,148 --> 00:32:18,067 ♪ OF HER BEAUTIFUL HAIR ♪ 1119 00:32:18,067 --> 00:32:20,069 ♪ OF HER BEAUTIFUL HAIR ♪ 1120 00:32:20,069 --> 00:32:22,071 ♪ OF HER BEAUTIFUL HAIR ♪ 1121 00:32:22,071 --> 00:32:24,073 ♪ OF HER BEAUTIFUL HAIR ♪ 1122 00:32:24,073 --> 00:32:25,115 ♪ OF HER BEAUTIFUL HAIR ♪ 1123 00:32:32,581 --> 00:32:34,083 I-I WAS JUST TELLING MY MOTHER, 1124 00:32:34,083 --> 00:32:36,085 I-I WAS JUST TELLING MY MOTHER, 1125 00:32:36,085 --> 00:32:37,044 I-I WAS JUST TELLING MY MOTHER, 1126 00:32:37,086 --> 00:32:38,087 I NEVER HEARD YOU SING SO WELL. 1127 00:32:38,087 --> 00:32:40,089 I NEVER HEARD YOU SING SO WELL. 1128 00:32:40,089 --> 00:32:40,923 I NEVER HEARD YOU SING SO WELL. 1129 00:32:40,964 --> 00:32:42,091 NO, I NEVER HEARD YOUR VOICE SO... 1130 00:32:42,091 --> 00:32:44,093 NO, I NEVER HEARD YOUR VOICE SO... 1131 00:32:44,093 --> 00:32:45,302 NO, I NEVER HEARD YOUR VOICE SO... 1132 00:32:45,344 --> 00:32:46,095 SO, SO GOOD AS IT IS TONIGHT. 1133 00:32:46,095 --> 00:32:48,097 SO, SO GOOD AS IT IS TONIGHT. 1134 00:32:48,097 --> 00:32:49,264 SO, SO GOOD AS IT IS TONIGHT. 1135 00:32:49,306 --> 00:32:50,099 NO, YOU DO BELIEVE THAT, NO? 1136 00:32:50,099 --> 00:32:51,308 NO, YOU DO BELIEVE THAT, NO? 1137 00:32:51,350 --> 00:32:52,101 THAT'S THE TRUTH, UPON MY WORD OF HONOR. 1138 00:32:52,101 --> 00:32:54,103 THAT'S THE TRUTH, UPON MY WORD OF HONOR. 1139 00:32:54,103 --> 00:32:55,395 THAT'S THE TRUTH, UPON MY WORD OF HONOR. 1140 00:32:55,437 --> 00:32:56,105 THAT IS THE TRUTH. 1141 00:32:56,105 --> 00:32:56,772 THAT IS THE TRUTH. 1142 00:32:56,814 --> 00:32:58,107 I NEVER HEARD YOUR VOICE SO... 1143 00:32:58,107 --> 00:33:00,109 I NEVER HEARD YOUR VOICE SO... 1144 00:33:00,109 --> 00:33:00,901 I NEVER HEARD YOUR VOICE SO... 1145 00:33:00,943 --> 00:33:02,111 SO CLEAR, SO FRESH. 1146 00:33:02,111 --> 00:33:04,113 SO CLEAR, SO FRESH. 1147 00:33:04,113 --> 00:33:05,030 SO CLEAR, SO FRESH. 1148 00:33:05,072 --> 00:33:05,614 NEVER. 1149 00:33:05,656 --> 00:33:06,115 YOU TURN MY HEAD WITH ALL YOUR COMPLIMENTS. 1150 00:33:06,115 --> 00:33:08,117 YOU TURN MY HEAD WITH ALL YOUR COMPLIMENTS. 1151 00:33:08,117 --> 00:33:10,119 YOU TURN MY HEAD WITH ALL YOUR COMPLIMENTS. 1152 00:33:10,119 --> 00:33:11,537 YOU TURN MY HEAD WITH ALL YOUR COMPLIMENTS. 1153 00:33:11,578 --> 00:33:12,121 MISS JULIA MORKAN. 1154 00:33:12,121 --> 00:33:13,205 MISS JULIA MORKAN. 1155 00:33:13,247 --> 00:33:13,747 MY LATEST DISCOVERY. 1156 00:33:13,747 --> 00:33:14,123 WELL, NOW, BROWNE, IF YOU WERE SERIOUS, 1157 00:33:14,123 --> 00:33:16,125 WELL, NOW, BROWNE, IF YOU WERE SERIOUS, 1158 00:33:16,125 --> 00:33:18,127 WELL, NOW, BROWNE, IF YOU WERE SERIOUS, 1159 00:33:18,127 --> 00:33:18,335 WELL, NOW, BROWNE, IF YOU WERE SERIOUS, 1160 00:33:18,377 --> 00:33:20,129 YOU MIGHT MAKE A WORSE DISCOVERY, 1161 00:33:20,129 --> 00:33:21,046 YOU MIGHT MAKE A WORSE DISCOVERY, 1162 00:33:21,088 --> 00:33:22,131 BECAUSE ALL I CAN SAY IS I NEVER HEARD HER... 1163 00:33:22,131 --> 00:33:24,133 BECAUSE ALL I CAN SAY IS I NEVER HEARD HER... 1164 00:33:24,133 --> 00:33:26,135 BECAUSE ALL I CAN SAY IS I NEVER HEARD HER... 1165 00:33:26,135 --> 00:33:27,010 BECAUSE ALL I CAN SAY IS I NEVER HEARD HER... 1166 00:33:27,052 --> 00:33:28,137 SING HALF AS WELL... 1167 00:33:28,137 --> 00:33:28,637 SING HALF AS WELL... 1168 00:33:28,679 --> 00:33:30,139 AS LONG AS I'M COMING HERE, 1169 00:33:30,139 --> 00:33:30,973 AS LONG AS I'M COMING HERE, 1170 00:33:31,014 --> 00:33:32,141 AND THAT IS THE HONEST TRUTH. 1171 00:33:32,141 --> 00:33:34,143 AND THAT IS THE HONEST TRUTH. 1172 00:33:34,143 --> 00:33:34,268 AND THAT IS THE HONEST TRUTH. 1173 00:33:34,309 --> 00:33:34,810 NEITHER DID I. 1174 00:33:34,852 --> 00:33:36,145 I THINK HER VOICE HAS GREATLY IMPROVED. 1175 00:33:36,145 --> 00:33:37,187 I THINK HER VOICE HAS GREATLY IMPROVED. 1176 00:33:37,229 --> 00:33:38,147 30 YEARS AGO, I HADN'T A BAD VOICE AS VOICES GO. 1177 00:33:38,147 --> 00:33:40,149 30 YEARS AGO, I HADN'T A BAD VOICE AS VOICES GO. 1178 00:33:40,149 --> 00:33:42,109 30 YEARS AGO, I HADN'T A BAD VOICE AS VOICES GO. 1179 00:33:42,151 --> 00:33:44,153 OH, I OFTEN TOLD JULIA SHE WAS THROWN AWAY ON THAT CHOIR, 1180 00:33:44,153 --> 00:33:46,155 OH, I OFTEN TOLD JULIA SHE WAS THROWN AWAY ON THAT CHOIR, 1181 00:33:46,155 --> 00:33:46,196 OH, I OFTEN TOLD JULIA SHE WAS THROWN AWAY ON THAT CHOIR, 1182 00:33:46,238 --> 00:33:48,157 BUT SHE NEVER WOULD BE SAID BY ME. 1183 00:33:48,157 --> 00:33:49,158 BUT SHE NEVER WOULD BE SAID BY ME. 1184 00:33:49,199 --> 00:33:50,159 NO, SHE NEVER WOULD BE SAID OR LEAD BY ANYONE. 1185 00:33:50,159 --> 00:33:52,161 NO, SHE NEVER WOULD BE SAID OR LEAD BY ANYONE. 1186 00:33:52,161 --> 00:33:52,619 NO, SHE NEVER WOULD BE SAID OR LEAD BY ANYONE. 1187 00:33:52,661 --> 00:33:54,163 SLAVING AWAY THERE NIGHT AND DAY, NIGHT AND DAY! 1188 00:33:54,163 --> 00:33:56,165 SLAVING AWAY THERE NIGHT AND DAY, NIGHT AND DAY! 1189 00:33:56,165 --> 00:33:56,415 SLAVING AWAY THERE NIGHT AND DAY, NIGHT AND DAY! 1190 00:33:56,456 --> 00:33:58,167 6:00 ON A CHRISTMAS MORNING AND FOR WHAT? 1191 00:33:58,167 --> 00:33:59,960 6:00 ON A CHRISTMAS MORNING AND FOR WHAT? 1192 00:34:00,002 --> 00:34:00,169 WELL, IT IS FOR THE HONOR OF GOD, AUNT KATE. 1193 00:34:00,169 --> 00:34:02,171 WELL, IT IS FOR THE HONOR OF GOD, AUNT KATE. 1194 00:34:02,212 --> 00:34:04,173 I KNOW ALL ABOUT THE HONOR OF GOD, MARY JANE. 1195 00:34:04,173 --> 00:34:05,549 I KNOW ALL ABOUT THE HONOR OF GOD, MARY JANE. 1196 00:34:05,591 --> 00:34:06,175 I DON'T THINK IT'S VERY HONORABLE OF THE POPE 1197 00:34:06,175 --> 00:34:08,010 I DON'T THINK IT'S VERY HONORABLE OF THE POPE 1198 00:34:08,051 --> 00:34:08,177 TO THROW THE WOMEN OUT OF THE CHOIRS 1199 00:34:08,177 --> 00:34:10,053 TO THROW THE WOMEN OUT OF THE CHOIRS 1200 00:34:10,095 --> 00:34:10,179 THAT'S BEEN THERE FOR YEARS, 1201 00:34:10,179 --> 00:34:10,762 THAT'S BEEN THERE FOR YEARS, 1202 00:34:10,804 --> 00:34:12,181 SLAVING AWAY, AND PUT LITTLE WHIPPIER SNAPPERS OF BOYS 1203 00:34:12,181 --> 00:34:14,183 SLAVING AWAY, AND PUT LITTLE WHIPPIER SNAPPERS OF BOYS 1204 00:34:14,183 --> 00:34:15,267 SLAVING AWAY, AND PUT LITTLE WHIPPIER SNAPPERS OF BOYS 1205 00:34:15,309 --> 00:34:15,934 OVER THEIR HEADS. 1206 00:34:15,934 --> 00:34:16,185 WELL, I SUPPOSE IT IS FOR THE GOOD OF THE CHURCH 1207 00:34:16,185 --> 00:34:18,187 WELL, I SUPPOSE IT IS FOR THE GOOD OF THE CHURCH 1208 00:34:18,187 --> 00:34:19,521 WELL, I SUPPOSE IT IS FOR THE GOOD OF THE CHURCH 1209 00:34:19,563 --> 00:34:20,189 IF THE POPE SAYS SO, BUT IT'S NOT RIGHT, AND IT'S NOT JUST. 1210 00:34:20,189 --> 00:34:22,191 IF THE POPE SAYS SO, BUT IT'S NOT RIGHT, AND IT'S NOT JUST. 1211 00:34:22,191 --> 00:34:23,025 IF THE POPE SAYS SO, BUT IT'S NOT RIGHT, AND IT'S NOT JUST. 1212 00:34:23,066 --> 00:34:24,193 NOW, AUNT KATE, YOU'RE GIVING SCANDAL TO MR. BROWNE, 1213 00:34:24,193 --> 00:34:25,819 NOW, AUNT KATE, YOU'RE GIVING SCANDAL TO MR. BROWNE, 1214 00:34:25,861 --> 00:34:26,195 WHO IS OF THE OTHER PERSUASION. 1215 00:34:26,195 --> 00:34:28,197 WHO IS OF THE OTHER PERSUASION. 1216 00:34:28,197 --> 00:34:28,363 WHO IS OF THE OTHER PERSUASION. 1217 00:34:28,405 --> 00:34:30,199 OH, I DON'T QUESTION THE POPE'S BEING RIGHT. 1218 00:34:30,199 --> 00:34:32,201 OH, I DON'T QUESTION THE POPE'S BEING RIGHT. 1219 00:34:32,201 --> 00:34:32,534 OH, I DON'T QUESTION THE POPE'S BEING RIGHT. 1220 00:34:32,576 --> 00:34:34,203 I'M JUST A STUPID OLD WOMAN. 1221 00:34:34,203 --> 00:34:35,037 I'M JUST A STUPID OLD WOMAN. 1222 00:34:35,078 --> 00:34:36,205 I WOULDN'T PRESUME TO DO SUCH A THING, 1223 00:34:36,205 --> 00:34:36,997 I WOULDN'T PRESUME TO DO SUCH A THING, 1224 00:34:37,039 --> 00:34:38,207 BUT THERE IS SUCH A THING AS COMMON, EVERYDAY POLITENESS 1225 00:34:38,207 --> 00:34:40,209 BUT THERE IS SUCH A THING AS COMMON, EVERYDAY POLITENESS 1226 00:34:40,209 --> 00:34:42,211 BUT THERE IS SUCH A THING AS COMMON, EVERYDAY POLITENESS 1227 00:34:42,211 --> 00:34:42,419 BUT THERE IS SUCH A THING AS COMMON, EVERYDAY POLITENESS 1228 00:34:42,461 --> 00:34:44,213 AND GRATITUDE, AND IF I WERE IN JULIA'S PLACE, 1229 00:34:44,213 --> 00:34:45,756 AND GRATITUDE, AND IF I WERE IN JULIA'S PLACE, 1230 00:34:45,797 --> 00:34:46,215 I'D JUST TEAR THAT FATHER HELEY STRAIGHT UP INTO HIS... 1231 00:34:46,215 --> 00:34:48,217 I'D JUST TEAR THAT FATHER HELEY STRAIGHT UP INTO HIS... 1232 00:34:48,217 --> 00:34:50,093 I'D JUST TEAR THAT FATHER HELEY STRAIGHT UP INTO HIS... 1233 00:34:50,135 --> 00:34:50,219 AND BESIDES, AUNT KATE, WE REALLY ARE ALL HUNGRY, 1234 00:34:50,219 --> 00:34:52,221 AND BESIDES, AUNT KATE, WE REALLY ARE ALL HUNGRY, 1235 00:34:52,221 --> 00:34:53,847 AND BESIDES, AUNT KATE, WE REALLY ARE ALL HUNGRY, 1236 00:34:53,889 --> 00:34:54,223 AND WHEN WE ARE HUNGRY, WE ARE ALL VERY QUARRELSOME. 1237 00:34:54,223 --> 00:34:56,225 AND WHEN WE ARE HUNGRY, WE ARE ALL VERY QUARRELSOME. 1238 00:34:56,225 --> 00:34:56,600 AND WHEN WE ARE HUNGRY, WE ARE ALL VERY QUARRELSOME. 1239 00:34:56,642 --> 00:34:58,227 AND WHEN WE ARE THIRSTY, WE ARE ALSO QUARRELSOME. 1240 00:34:58,227 --> 00:34:59,895 AND WHEN WE ARE THIRSTY, WE ARE ALSO QUARRELSOME. 1241 00:34:59,937 --> 00:35:00,229 SO WE HAD BETTER GO TO SUPPER 1242 00:35:00,229 --> 00:35:01,021 SO WE HAD BETTER GO TO SUPPER 1243 00:35:01,063 --> 00:35:02,231 AND FINISH THE DISCUSSION AFTERWARDS. 1244 00:35:02,231 --> 00:35:03,023 AND FINISH THE DISCUSSION AFTERWARDS. 1245 00:35:03,065 --> 00:35:04,233 WILL ALL THE GENTLEMEN PLEASE BRING A CHAIR? 1246 00:35:04,233 --> 00:35:06,235 WILL ALL THE GENTLEMEN PLEASE BRING A CHAIR? 1247 00:35:06,235 --> 00:35:06,902 WILL ALL THE GENTLEMEN PLEASE BRING A CHAIR? 1248 00:35:06,944 --> 00:35:08,237 [INDISTINCT CONVERSATIONS] 1249 00:35:08,237 --> 00:35:09,738 [INDISTINCT CONVERSATIONS] 1250 00:35:22,751 --> 00:35:24,253 MOLLY, YOU'RE NOT LEAVING, ARE YOU? 1251 00:35:24,253 --> 00:35:25,671 MOLLY, YOU'RE NOT LEAVING, ARE YOU? 1252 00:35:25,712 --> 00:35:26,129 YES, I MUST. 1253 00:35:26,129 --> 00:35:26,255 BUT YOU CAN'T GO BEFORE SUPPER. 1254 00:35:26,255 --> 00:35:26,755 BUT YOU CAN'T GO BEFORE SUPPER. 1255 00:35:26,797 --> 00:35:28,257 BUT I'M NOT IN THE LEAST BIT HUNGRY, I ASSURE YOU. 1256 00:35:28,257 --> 00:35:30,133 BUT I'M NOT IN THE LEAST BIT HUNGRY, I ASSURE YOU. 1257 00:35:30,175 --> 00:35:30,259 AH, BUT ONLY FOR 10 MINUTES, MOLLY, 1258 00:35:30,259 --> 00:35:32,094 AH, BUT ONLY FOR 10 MINUTES, MOLLY, 1259 00:35:32,135 --> 00:35:32,261 SURELY THAT WON'T DELAY YOU. 1260 00:35:32,261 --> 00:35:32,719 SURELY THAT WON'T DELAY YOU. 1261 00:35:32,719 --> 00:35:34,263 TO TAKE A PICK ITSELF AFTER ALL YOUR DANCING. 1262 00:35:34,263 --> 00:35:35,097 TO TAKE A PICK ITSELF AFTER ALL YOUR DANCING. 1263 00:35:35,138 --> 00:35:36,265 I REALLY CAN'T. 1264 00:35:36,265 --> 00:35:37,099 I REALLY CAN'T. 1265 00:35:37,140 --> 00:35:38,267 WELL, IF YOU REALLY ARE OBLIGED TO GO OUT, 1266 00:35:38,267 --> 00:35:38,725 WELL, IF YOU REALLY ARE OBLIGED TO GO OUT, 1267 00:35:38,767 --> 00:35:39,309 I'D BE GLAD TO SEE YOU HOME. 1268 00:35:39,309 --> 00:35:40,269 I'M NOT GOING HOME. I'M OFF TO A MEETING. 1269 00:35:40,269 --> 00:35:42,229 I'M NOT GOING HOME. I'M OFF TO A MEETING. 1270 00:35:42,271 --> 00:35:43,313 WHAT KIND OF A MEETING? 1271 00:35:43,355 --> 00:35:44,273 A UNION ONE AT LIBERTY HALL. 1272 00:35:44,273 --> 00:35:46,233 A UNION ONE AT LIBERTY HALL. 1273 00:35:46,275 --> 00:35:48,110 JAMES CONNELLY IS SPEAKING. 1274 00:35:48,151 --> 00:35:48,277 YOU MEAN, A REPUBLICAN MEETING. 1275 00:35:48,277 --> 00:35:50,279 YOU MEAN, A REPUBLICAN MEETING. 1276 00:35:50,279 --> 00:35:50,487 YOU MEAN, A REPUBLICAN MEETING. 1277 00:35:50,529 --> 00:35:50,946 UH-HUH. 1278 00:35:50,946 --> 00:35:52,281 YOU'RE THE COMICAL GIRL, MOLLY. 1279 00:35:52,281 --> 00:35:53,156 YOU'RE THE COMICAL GIRL, MOLLY. 1280 00:35:53,198 --> 00:35:54,283 SHE'LL BE THE ONLY WOMAN THERE. 1281 00:35:54,283 --> 00:35:55,075 SHE'LL BE THE ONLY WOMAN THERE. 1282 00:35:55,117 --> 00:35:56,285 IT WON'T BE THE FIRST TIME. 1283 00:35:56,285 --> 00:35:57,202 IT WON'T BE THE FIRST TIME. 1284 00:35:57,244 --> 00:35:58,287 WELL, GOOD NIGHT ALL. 1285 00:35:58,287 --> 00:35:58,870 WELL, GOOD NIGHT ALL. 1286 00:35:58,912 --> 00:36:00,289 BALLOT LIVES! 1287 00:36:00,289 --> 00:36:00,622 BALLOT LIVES! 1288 00:36:00,664 --> 00:36:01,123 HA HA HA! 1289 00:36:01,164 --> 00:36:02,291 IF ANYBODY'S IN HERE, STAGE TO LET, 1290 00:36:02,291 --> 00:36:03,625 IF ANYBODY'S IN HERE, STAGE TO LET, 1291 00:36:03,667 --> 00:36:04,293 AND NOBODY TO CARVE THE GOOSE. 1292 00:36:04,293 --> 00:36:06,086 AND NOBODY TO CARVE THE GOOSE. 1293 00:36:06,128 --> 00:36:06,295 OH, HERE I AM, AUNT KATE, 1294 00:36:06,295 --> 00:36:06,670 OH, HERE I AM, AUNT KATE, 1295 00:36:06,712 --> 00:36:08,297 READY TO CARVE A FLOCK OF GEESE IF NECESSARY. 1296 00:36:08,297 --> 00:36:10,215 READY TO CARVE A FLOCK OF GEESE IF NECESSARY. 1297 00:36:10,257 --> 00:36:10,299 [LAUGHTER] 1298 00:36:10,299 --> 00:36:12,301 [LAUGHTER] 1299 00:36:12,301 --> 00:36:12,467 [LAUGHTER] 1300 00:36:22,561 --> 00:36:24,313 BLESS US, O LORD, AND THESE THY GIFTS 1301 00:36:24,313 --> 00:36:25,188 BLESS US, O LORD, AND THESE THY GIFTS 1302 00:36:25,230 --> 00:36:26,315 WHICH OF THY BOUNTY WE ARE ABOUT TO RECEIVE 1303 00:36:26,315 --> 00:36:28,317 WHICH OF THY BOUNTY WE ARE ABOUT TO RECEIVE 1304 00:36:28,317 --> 00:36:28,358 WHICH OF THY BOUNTY WE ARE ABOUT TO RECEIVE 1305 00:36:28,400 --> 00:36:30,319 THROUGH CHRIST OUR LORD. AMEN. 1306 00:36:30,319 --> 00:36:30,902 THROUGH CHRIST OUR LORD. AMEN. 1307 00:36:30,944 --> 00:36:31,570 All: AMEN. 1308 00:36:31,611 --> 00:36:32,321 [INDISTINCT CONVERSATIONS THROUGHOUT IN BACKGROUND] 1309 00:36:32,321 --> 00:36:34,323 [INDISTINCT CONVERSATIONS THROUGHOUT IN BACKGROUND] 1310 00:36:34,323 --> 00:36:35,282 [INDISTINCT CONVERSATIONS THROUGHOUT IN BACKGROUND] 1311 00:36:37,284 --> 00:36:38,327 MISS DALY, WHAT SHALL I SERVE YOU, 1312 00:36:38,327 --> 00:36:40,329 MISS DALY, WHAT SHALL I SERVE YOU, 1313 00:36:40,329 --> 00:36:40,370 MISS DALY, WHAT SHALL I SERVE YOU, 1314 00:36:40,412 --> 00:36:42,247 A WING OR A SLICE OF BREAST? 1315 00:36:42,289 --> 00:36:42,331 A SMALL SLICE OF BREAST PLEASE. 1316 00:36:42,331 --> 00:36:44,333 A SMALL SLICE OF BREAST PLEASE. 1317 00:36:44,333 --> 00:36:45,167 A SMALL SLICE OF BREAST PLEASE. 1318 00:36:46,251 --> 00:36:46,335 MR. BROWNE. 1319 00:36:46,335 --> 00:36:48,337 MR. BROWNE. 1320 00:36:48,337 --> 00:36:48,837 MR. BROWNE. 1321 00:36:50,213 --> 00:36:50,339 WHOSE IS THIS? 1322 00:36:50,339 --> 00:36:51,757 WHOSE IS THIS? 1323 00:36:51,798 --> 00:36:52,341 THAT'S YOURS THERE. 1324 00:36:52,341 --> 00:36:54,134 THAT'S YOURS THERE. 1325 00:36:54,509 --> 00:36:56,345 OH, THANK YOU KINDLY. 1326 00:36:56,345 --> 00:36:56,720 OH, THANK YOU KINDLY. 1327 00:36:58,555 --> 00:36:59,765 IS THIS MINE? 1328 00:36:59,806 --> 00:37:00,349 YES. 1329 00:37:00,349 --> 00:37:01,350 YES. 1330 00:37:04,269 --> 00:37:04,353 OH, MISS FURLONG? 1331 00:37:04,353 --> 00:37:05,312 OH, MISS FURLONG? 1332 00:37:05,354 --> 00:37:06,355 MISS FURLONG, WHAT WILL YOU HAVE? 1333 00:37:06,355 --> 00:37:06,730 MISS FURLONG, WHAT WILL YOU HAVE? 1334 00:37:06,772 --> 00:37:08,357 OH, ANYTHING AT ALL IS ALL RIGHT. 1335 00:37:08,357 --> 00:37:09,483 OH, ANYTHING AT ALL IS ALL RIGHT. 1336 00:37:09,524 --> 00:37:10,359 BUT WE START EATING IMMEDIATELY, 1337 00:37:10,359 --> 00:37:11,735 BUT WE START EATING IMMEDIATELY, 1338 00:37:11,777 --> 00:37:12,361 THAT GOOSE WAS NOT COOKED 1339 00:37:12,361 --> 00:37:13,236 THAT GOOSE WAS NOT COOKED 1340 00:37:13,278 --> 00:37:14,363 TO GET COLD STANDING IN FRONT OF IT. 1341 00:37:14,363 --> 00:37:15,655 TO GET COLD STANDING IN FRONT OF IT. 1342 00:37:15,697 --> 00:37:16,365 WELL, EVERYTHING LOOKS ABSOLUTELY DELICIOUS, MISS MORKAN. 1343 00:37:16,365 --> 00:37:18,367 WELL, EVERYTHING LOOKS ABSOLUTELY DELICIOUS, MISS MORKAN. 1344 00:37:18,367 --> 00:37:19,034 WELL, EVERYTHING LOOKS ABSOLUTELY DELICIOUS, MISS MORKAN. 1345 00:37:19,076 --> 00:37:20,369 IT'S NOT TOO DRY, IS IT? 1346 00:37:20,369 --> 00:37:21,912 IT'S NOT TOO DRY, IS IT? 1347 00:37:21,953 --> 00:37:22,371 IT LOOKS SPLENDID, MISS MORKAN. 1348 00:37:22,371 --> 00:37:23,747 IT LOOKS SPLENDID, MISS MORKAN. 1349 00:37:23,789 --> 00:37:24,373 NORMALLY I'M NOT AT ALL THAT PARTIAL TO GOOSE. 1350 00:37:24,373 --> 00:37:26,208 NORMALLY I'M NOT AT ALL THAT PARTIAL TO GOOSE. 1351 00:37:26,249 --> 00:37:26,375 USUALLY, IT'S SO TOUGH, 1352 00:37:26,375 --> 00:37:26,917 USUALLY, IT'S SO TOUGH, 1353 00:37:26,917 --> 00:37:28,377 BUT IN THIS CASE I TAKE BACK ALL MY FORMER JUDGMENTS. 1354 00:37:28,377 --> 00:37:30,379 BUT IN THIS CASE I TAKE BACK ALL MY FORMER JUDGMENTS. 1355 00:37:30,379 --> 00:37:31,338 BUT IN THIS CASE I TAKE BACK ALL MY FORMER JUDGMENTS. 1356 00:37:32,297 --> 00:37:32,381 YOU KNOW THAT I HAVE ALWAYS PREFERRED GOOSE TO TURKEY? 1357 00:37:32,381 --> 00:37:34,383 YOU KNOW THAT I HAVE ALWAYS PREFERRED GOOSE TO TURKEY? 1358 00:37:34,383 --> 00:37:34,508 YOU KNOW THAT I HAVE ALWAYS PREFERRED GOOSE TO TURKEY? 1359 00:37:34,549 --> 00:37:36,385 TURKEY TO ME TASTES LIKE CHICKEN SOAKED IN WATER THEN RUNG OUT. 1360 00:37:36,385 --> 00:37:38,387 TURKEY TO ME TASTES LIKE CHICKEN SOAKED IN WATER THEN RUNG OUT. 1361 00:37:38,387 --> 00:37:39,596 TURKEY TO ME TASTES LIKE CHICKEN SOAKED IN WATER THEN RUNG OUT. 1362 00:37:39,638 --> 00:37:40,389 AH, THE OLDER WE GET, THE MORE FLAVOR WE LIKE. 1363 00:37:40,389 --> 00:37:42,391 AH, THE OLDER WE GET, THE MORE FLAVOR WE LIKE. 1364 00:37:42,391 --> 00:37:42,682 AH, THE OLDER WE GET, THE MORE FLAVOR WE LIKE. 1365 00:37:42,724 --> 00:37:44,267 WHERE'S THE APPLESAUCE? 1366 00:37:44,309 --> 00:37:44,393 I'M SORRY. THERE ISN'T ANY. 1367 00:37:44,393 --> 00:37:46,395 I'M SORRY. THERE ISN'T ANY. 1368 00:37:46,395 --> 00:37:46,895 I'M SORRY. THERE ISN'T ANY. 1369 00:37:46,937 --> 00:37:47,437 NO APPLESAUCE? 1370 00:37:47,479 --> 00:37:48,397 I TOLD YOU WE SHOULD HAVE HAD APPLESAUCE. 1371 00:37:48,397 --> 00:37:49,606 I TOLD YOU WE SHOULD HAVE HAD APPLESAUCE. 1372 00:37:49,648 --> 00:37:50,399 PLAIN OLD GOOSE WITHOUT APPLESAUCE 1373 00:37:50,399 --> 00:37:51,858 PLAIN OLD GOOSE WITHOUT APPLESAUCE 1374 00:37:51,900 --> 00:37:52,401 HAS ALWAYS BEEN GOOD ENOUGH FOR ME, 1375 00:37:52,401 --> 00:37:53,151 HAS ALWAYS BEEN GOOD ENOUGH FOR ME, 1376 00:37:53,193 --> 00:37:54,403 AND I HOPE I MAY NEVER EAT WORSE. 1377 00:37:54,403 --> 00:37:55,362 AND I HOPE I MAY NEVER EAT WORSE. 1378 00:37:55,404 --> 00:37:56,405 THAT'S RIGHT, AUNT KATE. 1379 00:37:56,405 --> 00:37:56,988 THAT'S RIGHT, AUNT KATE. 1380 00:37:57,030 --> 00:37:57,697 STAND UP FOR YOUR PRINCIPALS. 1381 00:37:57,697 --> 00:37:58,407 WILL YOU AND AUNT JULIA SIT DOWN AND HAVE YOUR SUPPER? 1382 00:37:58,407 --> 00:38:00,409 WILL YOU AND AUNT JULIA SIT DOWN AND HAVE YOUR SUPPER? 1383 00:38:00,409 --> 00:38:01,701 WILL YOU AND AUNT JULIA SIT DOWN AND HAVE YOUR SUPPER? 1384 00:38:01,743 --> 00:38:02,411 AH, TIME ENOUGH, TIME ENOUGH. 1385 00:38:02,411 --> 00:38:02,452 AH, TIME ENOUGH, TIME ENOUGH. 1386 00:38:02,494 --> 00:38:04,413 WILL YOU STOP FUSSING AROUND LIKE A COUPLE OF BROODY HENS? 1387 00:38:04,413 --> 00:38:06,206 WILL YOU STOP FUSSING AROUND LIKE A COUPLE OF BROODY HENS? 1388 00:38:06,248 --> 00:38:06,415 PLEASE DON'T CONCERN YOURSELVES ABOUT US, 1389 00:38:06,415 --> 00:38:08,417 PLEASE DON'T CONCERN YOURSELVES ABOUT US, 1390 00:38:08,417 --> 00:38:09,167 PLEASE DON'T CONCERN YOURSELVES ABOUT US, 1391 00:38:09,209 --> 00:38:10,043 PLEASE JUST ENJOY YOURSELVES. 1392 00:38:10,043 --> 00:38:10,419 WELL, HOW CAN WE WHEN YOU'RE BUZZING AROUND LIKE BEES IN A JAM JAR? 1393 00:38:10,419 --> 00:38:12,421 WELL, HOW CAN WE WHEN YOU'RE BUZZING AROUND LIKE BEES IN A JAM JAR? 1394 00:38:12,421 --> 00:38:14,423 WELL, HOW CAN WE WHEN YOU'RE BUZZING AROUND LIKE BEES IN A JAM JAR? 1395 00:38:14,423 --> 00:38:15,173 WELL, HOW CAN WE WHEN YOU'RE BUZZING AROUND LIKE BEES IN A JAM JAR? 1396 00:38:15,215 --> 00:38:16,425 COME ON, COME ON! 1397 00:38:16,425 --> 00:38:17,092 COME ON, COME ON! 1398 00:38:17,134 --> 00:38:18,427 SIT YOURSELF DOWN AND PROCLAIM YOURSELF, PLEASE! 1399 00:38:18,427 --> 00:38:20,429 SIT YOURSELF DOWN AND PROCLAIM YOURSELF, PLEASE! 1400 00:38:20,429 --> 00:38:22,431 SIT YOURSELF DOWN AND PROCLAIM YOURSELF, PLEASE! 1401 00:38:22,472 --> 00:38:24,433 [APPLAUSE AND CHEERS] 1402 00:38:24,433 --> 00:38:26,184 [APPLAUSE AND CHEERS] 1403 00:38:26,226 --> 00:38:26,435 AUNT JULIA, YOU MUST SIT DOWN. 1404 00:38:26,435 --> 00:38:27,769 AUNT JULIA, YOU MUST SIT DOWN. 1405 00:38:27,811 --> 00:38:28,437 YOU'RE STANDING UP FAR TOO LONG. 1406 00:38:28,437 --> 00:38:30,105 YOU'RE STANDING UP FAR TOO LONG. 1407 00:38:30,147 --> 00:38:30,439 THERE WE GO NOW. 1408 00:38:30,439 --> 00:38:32,441 THERE WE GO NOW. 1409 00:38:32,441 --> 00:38:32,899 THERE WE GO NOW. 1410 00:38:53,545 --> 00:38:54,463 DO YOU THINK I COULD HAVE THE WISH BONE, MR. CONROY? 1411 00:38:54,463 --> 00:38:56,465 DO YOU THINK I COULD HAVE THE WISH BONE, MR. CONROY? 1412 00:38:56,465 --> 00:38:57,299 DO YOU THINK I COULD HAVE THE WISH BONE, MR. CONROY? 1413 00:38:57,340 --> 00:38:58,467 CERTAINLY. 1414 00:38:58,467 --> 00:38:59,217 CERTAINLY. 1415 00:38:59,259 --> 00:39:00,469 IT MUST BE A BIG WISH YOU'RE GOING TO MAKE, HMM? 1416 00:39:00,469 --> 00:39:02,471 IT MUST BE A BIG WISH YOU'RE GOING TO MAKE, HMM? 1417 00:39:02,471 --> 00:39:02,679 IT MUST BE A BIG WISH YOU'RE GOING TO MAKE, HMM? 1418 00:39:02,721 --> 00:39:04,139 IT IS. 1419 00:39:07,851 --> 00:39:08,477 OH! 1420 00:39:08,477 --> 00:39:09,227 OH! 1421 00:39:09,269 --> 00:39:10,479 [APPLAUSE] 1422 00:39:10,479 --> 00:39:10,604 [APPLAUSE] 1423 00:39:10,645 --> 00:39:12,189 I HOPE WE WERE SHARING THE SAME WISH. 1424 00:39:12,230 --> 00:39:12,481 HAVE ANY OF YOU SEEN THE NEW PRODUCTION AT THE THEATRE ROYAL? 1425 00:39:12,481 --> 00:39:14,483 HAVE ANY OF YOU SEEN THE NEW PRODUCTION AT THE THEATRE ROYAL? 1426 00:39:14,483 --> 00:39:16,485 HAVE ANY OF YOU SEEN THE NEW PRODUCTION AT THE THEATRE ROYAL? 1427 00:39:16,485 --> 00:39:16,860 HAVE ANY OF YOU SEEN THE NEW PRODUCTION AT THE THEATRE ROYAL? 1428 00:39:16,902 --> 00:39:18,487 I HAVE. INDEED, A NUMBER OF US HAVE. 1429 00:39:18,487 --> 00:39:20,030 I HAVE. INDEED, A NUMBER OF US HAVE. 1430 00:39:20,071 --> 00:39:20,489 WHAT DID YOU THINK OF IT? 1431 00:39:20,489 --> 00:39:20,572 WHAT DID YOU THINK OF IT? 1432 00:39:20,614 --> 00:39:22,491 IT WAS SO BEAUTIFUL I CAN'T DESCRIBE IT. 1433 00:39:22,491 --> 00:39:24,493 IT WAS SO BEAUTIFUL I CAN'T DESCRIBE IT. 1434 00:39:24,493 --> 00:39:25,035 IT WAS SO BEAUTIFUL I CAN'T DESCRIBE IT. 1435 00:39:25,076 --> 00:39:26,495 MY GOD, WHEN YOU HEAR RUDOLPHO'S ARIA. 1436 00:39:26,495 --> 00:39:28,497 MY GOD, WHEN YOU HEAR RUDOLPHO'S ARIA. 1437 00:39:28,497 --> 00:39:29,998 MY GOD, WHEN YOU HEAR RUDOLPHO'S ARIA. 1438 00:39:30,040 --> 00:39:30,499 WHAT'S IT CALLED? 1439 00:39:30,499 --> 00:39:31,082 WHAT'S IT CALLED? 1440 00:39:31,124 --> 00:39:32,042 QUE GELIDA MALINA. 1441 00:39:32,083 --> 00:39:32,501 YOU HARDLY WANT TO GO ON LIVING. 1442 00:39:32,501 --> 00:39:34,503 YOU HARDLY WANT TO GO ON LIVING. 1443 00:39:34,503 --> 00:39:36,505 YOU HARDLY WANT TO GO ON LIVING. 1444 00:39:36,505 --> 00:39:37,047 YOU HARDLY WANT TO GO ON LIVING. 1445 00:39:37,088 --> 00:39:38,507 IT GAVE ME GOOSE PIMPLES ALL DOWN MY ARMS. 1446 00:39:38,507 --> 00:39:40,509 IT GAVE ME GOOSE PIMPLES ALL DOWN MY ARMS. 1447 00:39:40,509 --> 00:39:40,717 IT GAVE ME GOOSE PIMPLES ALL DOWN MY ARMS. 1448 00:39:40,759 --> 00:39:42,219 WHAT DID? 1449 00:39:42,594 --> 00:39:44,513 YOUR TINY HAND IS FROZEN. 1450 00:39:44,513 --> 00:39:44,804 YOUR TINY HAND IS FROZEN. 1451 00:39:44,846 --> 00:39:46,473 FUNNY. I'M BOILING. 1452 00:39:46,515 --> 00:39:48,517 WHY DON'T YOU GO OVER TO THE FIREPLACE AND WARM THEM UP? 1453 00:39:48,517 --> 00:39:50,477 WHY DON'T YOU GO OVER TO THE FIREPLACE AND WARM THEM UP? 1454 00:39:50,519 --> 00:39:52,521 FREDDY, YOU HAVE IT ALL WRONG. 1455 00:39:52,521 --> 00:39:52,562 FREDDY, YOU HAVE IT ALL WRONG. 1456 00:39:52,604 --> 00:39:54,523 WHY, SURE, IF HER HANDS ARE COLD. 1457 00:39:54,523 --> 00:39:55,148 WHY, SURE, IF HER HANDS ARE COLD. 1458 00:39:55,190 --> 00:39:56,525 IT'S THE NAME OF A SONG. 1459 00:39:56,525 --> 00:39:57,067 IT'S THE NAME OF A SONG. 1460 00:39:57,108 --> 00:39:58,527 WHAT SONG? WHAT ARE YOU TALKING ABOUT? 1461 00:39:58,527 --> 00:40:00,362 WHAT SONG? WHAT ARE YOU TALKING ABOUT? 1462 00:40:00,403 --> 00:40:00,529 EXPLAIN IT TO YOU HIM, WILL YA? 1463 00:40:00,529 --> 00:40:02,531 EXPLAIN IT TO YOU HIM, WILL YA? 1464 00:40:02,531 --> 00:40:03,031 EXPLAIN IT TO YOU HIM, WILL YA? 1465 00:40:03,073 --> 00:40:04,533 DAD. 1466 00:40:04,533 --> 00:40:04,950 DAD. 1467 00:40:05,909 --> 00:40:06,535 HOW MANY OF YOU WERE THERE LAST NIGHT? 1468 00:40:06,535 --> 00:40:08,119 HOW MANY OF YOU WERE THERE LAST NIGHT? 1469 00:40:08,161 --> 00:40:08,537 I WAS THERE FIVE NIGHTS AGO, FOR THE OPENING. 1470 00:40:08,537 --> 00:40:10,539 I WAS THERE FIVE NIGHTS AGO, FOR THE OPENING. 1471 00:40:10,539 --> 00:40:11,623 I WAS THERE FIVE NIGHTS AGO, FOR THE OPENING. 1472 00:40:11,665 --> 00:40:12,541 MOST OF US WERE. 1473 00:40:12,541 --> 00:40:12,874 MOST OF US WERE. 1474 00:40:12,916 --> 00:40:14,125 WELL, YOU CAN COUNT YOURSELVES LUCKY. 1475 00:40:14,167 --> 00:40:14,543 I HAD THE MISFORTUNE TO GO LAST NIGHT. 1476 00:40:14,543 --> 00:40:16,545 I HAD THE MISFORTUNE TO GO LAST NIGHT. 1477 00:40:16,545 --> 00:40:16,670 I HAD THE MISFORTUNE TO GO LAST NIGHT. 1478 00:40:16,711 --> 00:40:18,380 HUH, VERDUCI WAS INDISPOSED, 1479 00:40:18,421 --> 00:40:18,547 AND HIS UNDERSTUDY HAD TO TAKE OVER. 1480 00:40:18,547 --> 00:40:20,048 AND HIS UNDERSTUDY HAD TO TAKE OVER. 1481 00:40:20,090 --> 00:40:20,549 NEED I SAY, IT WAS THE CHANCE OF A LIFETIME. 1482 00:40:20,549 --> 00:40:22,008 NEED I SAY, IT WAS THE CHANCE OF A LIFETIME. 1483 00:40:22,050 --> 00:40:22,551 THE SORT OF A THING A MAN DREAMS ABOUT. 1484 00:40:22,551 --> 00:40:24,553 THE SORT OF A THING A MAN DREAMS ABOUT. 1485 00:40:24,553 --> 00:40:25,178 THE SORT OF A THING A MAN DREAMS ABOUT. 1486 00:40:25,220 --> 00:40:26,555 AND WHAT HAPPENED? 1487 00:40:26,555 --> 00:40:27,180 AND WHAT HAPPENED? 1488 00:40:27,222 --> 00:40:27,722 HOW DID HE GET ON? 1489 00:40:27,764 --> 00:40:28,557 IT WASN'T HIS VOICE, WHICH WAS MODERATE, 1490 00:40:28,557 --> 00:40:30,350 IT WASN'T HIS VOICE, WHICH WAS MODERATE, 1491 00:40:30,392 --> 00:40:30,559 A LITTLE BIT THIN AND UNSTEADY ON TOP. 1492 00:40:30,559 --> 00:40:32,561 A LITTLE BIT THIN AND UNSTEADY ON TOP. 1493 00:40:32,561 --> 00:40:32,686 A LITTLE BIT THIN AND UNSTEADY ON TOP. 1494 00:40:32,727 --> 00:40:33,144 WELL, WHAT THEN? 1495 00:40:33,144 --> 00:40:34,563 HIS DICTION IS ABOUT ARTISTIC 1496 00:40:34,563 --> 00:40:36,022 HIS DICTION IS ABOUT ARTISTIC 1497 00:40:36,064 --> 00:40:36,565 AS AN AUCTIONEER AT A CATTLE FAIR. 1498 00:40:36,565 --> 00:40:38,567 AS AN AUCTIONEER AT A CATTLE FAIR. 1499 00:40:38,567 --> 00:40:38,608 AS AN AUCTIONEER AT A CATTLE FAIR. 1500 00:40:38,650 --> 00:40:40,193 ROUGH IS NO WORD FOR IT, 1501 00:40:40,235 --> 00:40:40,569 TWAS BRUTAL, AND THIS TO PROJECT THE GREATEST PERILS 1502 00:40:40,569 --> 00:40:42,571 TWAS BRUTAL, AND THIS TO PROJECT THE GREATEST PERILS 1503 00:40:42,571 --> 00:40:43,613 TWAS BRUTAL, AND THIS TO PROJECT THE GREATEST PERILS 1504 00:40:43,655 --> 00:40:44,573 THAT EVER DRIFT FROM A COMPOSER'S PEN, 1505 00:40:44,573 --> 00:40:45,657 THAT EVER DRIFT FROM A COMPOSER'S PEN, 1506 00:40:45,699 --> 00:40:46,575 WITH THE SOLE EXCEPTION OF VERDE. 1507 00:40:46,575 --> 00:40:47,784 WITH THE SOLE EXCEPTION OF VERDE. 1508 00:40:47,826 --> 00:40:48,577 I HEARD THAT VERDE'S MORALS WERE DUBIOUS. 1509 00:40:48,577 --> 00:40:50,579 I HEARD THAT VERDE'S MORALS WERE DUBIOUS. 1510 00:40:50,579 --> 00:40:52,247 I HEARD THAT VERDE'S MORALS WERE DUBIOUS. 1511 00:40:52,289 --> 00:40:52,581 OH, VERY DUBIOUS INDEED. 1512 00:40:52,581 --> 00:40:54,583 OH, VERY DUBIOUS INDEED. 1513 00:40:54,583 --> 00:40:55,208 OH, VERY DUBIOUS INDEED. 1514 00:40:55,250 --> 00:40:55,917 AH, BUT WHAT A GENIUS, 1515 00:40:55,959 --> 00:40:56,585 AND WHAT RESPECT THE COMMON ITALIAN PEOPLE HAD FOR HIM. 1516 00:40:56,585 --> 00:40:58,587 AND WHAT RESPECT THE COMMON ITALIAN PEOPLE HAD FOR HIM. 1517 00:40:58,587 --> 00:40:59,296 AND WHAT RESPECT THE COMMON ITALIAN PEOPLE HAD FOR HIM. 1518 00:40:59,337 --> 00:41:00,589 SURE, WHEN HE WAS DYING THEY COVERED HIS STREET 1519 00:41:00,589 --> 00:41:01,715 SURE, WHEN HE WAS DYING THEY COVERED HIS STREET 1520 00:41:01,756 --> 00:41:02,424 OUTSIDE HIS WINDOW WITH STRAW, 1521 00:41:02,465 --> 00:41:02,591 SO HE WOULDN'T BE DISTURBED BY THE NOISE OF THEIR CARTS. 1522 00:41:02,591 --> 00:41:04,593 SO HE WOULDN'T BE DISTURBED BY THE NOISE OF THEIR CARTS. 1523 00:41:04,593 --> 00:41:05,260 SO HE WOULDN'T BE DISTURBED BY THE NOISE OF THEIR CARTS. 1524 00:41:05,302 --> 00:41:06,595 WOULD THAT HAVE HAPPENED IN IRELAND? 1525 00:41:06,595 --> 00:41:07,387 WOULD THAT HAVE HAPPENED IN IRELAND? 1526 00:41:07,429 --> 00:41:08,179 OH, NO. 1527 00:41:08,221 --> 00:41:08,597 OH, I SUPPOSE NOT. 1528 00:41:08,597 --> 00:41:10,265 OH, I SUPPOSE NOT. 1529 00:41:10,307 --> 00:41:10,599 HE WOULD HAVE BEEN RUINED BY A WOMAN JUST LIKE POOR BARNELL. 1530 00:41:10,599 --> 00:41:12,601 HE WOULD HAVE BEEN RUINED BY A WOMAN JUST LIKE POOR BARNELL. 1531 00:41:12,601 --> 00:41:14,603 HE WOULD HAVE BEEN RUINED BY A WOMAN JUST LIKE POOR BARNELL. 1532 00:41:14,603 --> 00:41:14,644 HE WOULD HAVE BEEN RUINED BY A WOMAN JUST LIKE POOR BARNELL. 1533 00:41:14,686 --> 00:41:15,812 WHEN I THINK-- 1534 00:41:15,854 --> 00:41:16,605 [GLASS TINKLING] 1535 00:41:16,605 --> 00:41:16,980 [GLASS TINKLING] 1536 00:41:17,022 --> 00:41:18,398 GENTLEMEN, PLEASE, NO POLITICS. 1537 00:41:18,440 --> 00:41:18,607 SORRY, KATE, SORRY. 1538 00:41:18,607 --> 00:41:19,065 SORRY, KATE, SORRY. 1539 00:41:19,065 --> 00:41:20,609 KEEP THESE DISCUSSIONS FOR YOUR COMMITTEE MEETINGS. 1540 00:41:20,609 --> 00:41:21,318 KEEP THESE DISCUSSIONS FOR YOUR COMMITTEE MEETINGS. 1541 00:41:21,359 --> 00:41:22,611 MR. D'ARCY, WHAT DID YOU THINK OF THE OTHER ROLES? 1542 00:41:22,611 --> 00:41:24,613 MR. D'ARCY, WHAT DID YOU THINK OF THE OTHER ROLES? 1543 00:41:24,613 --> 00:41:25,864 MR. D'ARCY, WHAT DID YOU THINK OF THE OTHER ROLES? 1544 00:41:25,905 --> 00:41:26,615 I MUST SAY, MADAME DEVEROUX HAS A LOVELY TIMBRE, 1545 00:41:26,615 --> 00:41:28,617 I MUST SAY, MADAME DEVEROUX HAS A LOVELY TIMBRE, 1546 00:41:28,617 --> 00:41:29,701 I MUST SAY, MADAME DEVEROUX HAS A LOVELY TIMBRE, 1547 00:41:29,743 --> 00:41:30,619 GREAT HOMOGENEITY OF TONE. 1548 00:41:30,619 --> 00:41:31,870 GREAT HOMOGENEITY OF TONE. 1549 00:41:31,911 --> 00:41:32,621 HOW SHOULD I PUT IT? SHE'S AN EMBROCATION. 1550 00:41:32,621 --> 00:41:34,623 HOW SHOULD I PUT IT? SHE'S AN EMBROCATION. 1551 00:41:34,623 --> 00:41:36,499 HOW SHOULD I PUT IT? SHE'S AN EMBROCATION. 1552 00:41:36,541 --> 00:41:36,625 WELL, AFTER ALL SHE'S THEIR LEADING CONTRALTO. 1553 00:41:36,625 --> 00:41:38,627 WELL, AFTER ALL SHE'S THEIR LEADING CONTRALTO. 1554 00:41:38,627 --> 00:41:39,377 WELL, AFTER ALL SHE'S THEIR LEADING CONTRALTO. 1555 00:41:39,419 --> 00:41:40,629 I HOPE NONE OF YOU EXPERTS WILL LAUGH AT ME, 1556 00:41:40,629 --> 00:41:41,588 I HOPE NONE OF YOU EXPERTS WILL LAUGH AT ME, 1557 00:41:41,630 --> 00:41:42,631 BUT DO YOU KNOW I FOUND HER STYLE OF PRODUCTION RATHER VULGAR. 1558 00:41:42,631 --> 00:41:44,633 BUT DO YOU KNOW I FOUND HER STYLE OF PRODUCTION RATHER VULGAR. 1559 00:41:44,633 --> 00:41:46,551 BUT DO YOU KNOW I FOUND HER STYLE OF PRODUCTION RATHER VULGAR. 1560 00:41:46,593 --> 00:41:46,635 HAVE ANY OF YOU BEEN TO THE PANTALOON AT THE GAIETY? 1561 00:41:46,635 --> 00:41:48,637 HAVE ANY OF YOU BEEN TO THE PANTALOON AT THE GAIETY? 1562 00:41:48,637 --> 00:41:50,639 HAVE ANY OF YOU BEEN TO THE PANTALOON AT THE GAIETY? 1563 00:41:50,639 --> 00:41:52,641 HAVE ANY OF YOU BEEN TO THE PANTALOON AT THE GAIETY? 1564 00:41:52,641 --> 00:41:54,351 HAVE ANY OF YOU BEEN TO THE PANTALOON AT THE GAIETY? 1565 00:41:54,392 --> 00:41:54,643 BECAUSE NOW THERE'S A NEGRO CHIEFTAIN SINGING 1566 00:41:54,643 --> 00:41:56,645 BECAUSE NOW THERE'S A NEGRO CHIEFTAIN SINGING 1567 00:41:56,645 --> 00:41:58,563 BECAUSE NOW THERE'S A NEGRO CHIEFTAIN SINGING 1568 00:41:58,605 --> 00:41:58,647 IN THE SECOND PART OF IT 1569 00:41:58,647 --> 00:41:59,314 IN THE SECOND PART OF IT 1570 00:41:59,356 --> 00:42:00,649 THAT'S GOT ONE OF THE FINEST TENOR VOICES I'VE EVER HEARD. 1571 00:42:00,649 --> 00:42:02,651 THAT'S GOT ONE OF THE FINEST TENOR VOICES I'VE EVER HEARD. 1572 00:42:02,651 --> 00:42:04,653 THAT'S GOT ONE OF THE FINEST TENOR VOICES I'VE EVER HEARD. 1573 00:42:04,653 --> 00:42:04,736 THAT'S GOT ONE OF THE FINEST TENOR VOICES I'VE EVER HEARD. 1574 00:42:04,778 --> 00:42:06,655 YOU DON'T SAY? 1575 00:42:06,655 --> 00:42:06,863 YOU DON'T SAY? 1576 00:42:06,905 --> 00:42:08,448 I DO. 1577 00:42:08,490 --> 00:42:08,657 I DO. 1578 00:42:08,657 --> 00:42:10,408 I DO. 1579 00:42:10,450 --> 00:42:10,659 HAVE YOU-- HAVE YOU HEARD HIM? 1580 00:42:10,659 --> 00:42:12,327 HAVE YOU-- HAVE YOU HEARD HIM? 1581 00:42:12,369 --> 00:42:12,661 BECAUSE NOW I'D BE CURIOUS TO HEAR YOUR OPINION ON HIM. 1582 00:42:12,661 --> 00:42:14,663 BECAUSE NOW I'D BE CURIOUS TO HEAR YOUR OPINION ON HIM. 1583 00:42:14,663 --> 00:42:16,665 BECAUSE NOW I'D BE CURIOUS TO HEAR YOUR OPINION ON HIM. 1584 00:42:16,665 --> 00:42:17,540 BECAUSE NOW I'D BE CURIOUS TO HEAR YOUR OPINION ON HIM. 1585 00:42:17,582 --> 00:42:18,667 I THINK HE HAS A GRAND VOICE. 1586 00:42:18,667 --> 00:42:19,584 I THINK HE HAS A GRAND VOICE. 1587 00:42:19,626 --> 00:42:20,669 TRUST TEDDY TO FIND OUT ALL THE GOOD THINGS. 1588 00:42:20,669 --> 00:42:22,671 TRUST TEDDY TO FIND OUT ALL THE GOOD THINGS. 1589 00:42:22,671 --> 00:42:22,796 TRUST TEDDY TO FIND OUT ALL THE GOOD THINGS. 1590 00:42:22,837 --> 00:42:24,673 WELL, WHY CAN'T HE HAVE A VOICE, TOO? 1591 00:42:24,673 --> 00:42:26,424 WELL, WHY CAN'T HE HAVE A VOICE, TOO? 1592 00:42:26,466 --> 00:42:26,675 IS IT BECAUSE HE'S ONLY A BLACK? 1593 00:42:26,675 --> 00:42:28,677 IS IT BECAUSE HE'S ONLY A BLACK? 1594 00:42:28,677 --> 00:42:29,969 IS IT BECAUSE HE'S ONLY A BLACK? 1595 00:42:30,470 --> 00:42:30,679 AND WHY DO YOU INSIST ON CALLING ME TEDDY? 1596 00:42:30,679 --> 00:42:32,681 AND WHY DO YOU INSIST ON CALLING ME TEDDY? 1597 00:42:32,681 --> 00:42:34,683 AND WHY DO YOU INSIST ON CALLING ME TEDDY? 1598 00:42:34,683 --> 00:42:35,266 AND WHY DO YOU INSIST ON CALLING ME TEDDY? 1599 00:42:35,308 --> 00:42:36,685 MY NAME IS FREDDY, AS YOU WELL KNOW. 1600 00:42:36,685 --> 00:42:38,687 MY NAME IS FREDDY, AS YOU WELL KNOW. 1601 00:42:38,687 --> 00:42:40,313 MY NAME IS FREDDY, AS YOU WELL KNOW. 1602 00:42:40,355 --> 00:42:40,689 THEODORE ALFRED MALINS. 1603 00:42:40,689 --> 00:42:42,691 THEODORE ALFRED MALINS. 1604 00:42:42,691 --> 00:42:42,857 THEODORE ALFRED MALINS. 1605 00:42:42,899 --> 00:42:44,567 FIRST THINGS FIRST I SAY. 1606 00:42:44,609 --> 00:42:44,693 THEODORE, TEDDY! 1607 00:42:44,693 --> 00:42:46,695 THEODORE, TEDDY! 1608 00:42:46,695 --> 00:42:48,113 THEODORE, TEDDY! 1609 00:42:50,240 --> 00:42:50,699 YOU KNOW, ONE OF MY GIRLS GAVE ME A PASS FOR MIGNON. 1610 00:42:50,699 --> 00:42:52,701 YOU KNOW, ONE OF MY GIRLS GAVE ME A PASS FOR MIGNON. 1611 00:42:52,701 --> 00:42:54,703 YOU KNOW, ONE OF MY GIRLS GAVE ME A PASS FOR MIGNON. 1612 00:42:54,703 --> 00:42:54,911 YOU KNOW, ONE OF MY GIRLS GAVE ME A PASS FOR MIGNON. 1613 00:42:54,953 --> 00:42:56,705 OF COURSE IT WAS VERY FINE, 1614 00:42:56,705 --> 00:42:57,330 OF COURSE IT WAS VERY FINE, 1615 00:42:57,372 --> 00:42:57,872 BUT SEEING IT AGAIN 1616 00:42:57,872 --> 00:42:58,707 MADE ME THINK OF POOR GEORGINA BURNS. 1617 00:42:58,707 --> 00:43:00,709 MADE ME THINK OF POOR GEORGINA BURNS. 1618 00:43:00,709 --> 00:43:00,875 MADE ME THINK OF POOR GEORGINA BURNS. 1619 00:43:00,917 --> 00:43:02,711 BURNS, BURNS, YES, I REMEMBER. 1620 00:43:02,711 --> 00:43:04,337 BURNS, BURNS, YES, I REMEMBER. 1621 00:43:04,379 --> 00:43:04,713 THE YOUNG SCOTTISH SOPRANO. 1622 00:43:04,713 --> 00:43:06,214 THE YOUNG SCOTTISH SOPRANO. 1623 00:43:06,256 --> 00:43:06,715 SHE DIED VERY YOUNG, DIDN'T SHE? 1624 00:43:06,715 --> 00:43:07,966 SHE DIED VERY YOUNG, DIDN'T SHE? 1625 00:43:08,007 --> 00:43:08,717 AND I WAS JUST A LITTLE GIRL, OF PNEUMONIA, 1626 00:43:08,717 --> 00:43:10,510 AND I WAS JUST A LITTLE GIRL, OF PNEUMONIA, 1627 00:43:10,552 --> 00:43:10,719 CAUGHT FROM NOT LOOKING AFTER HER THROAT AFTER SINGING, THEY SAID. 1628 00:43:10,719 --> 00:43:12,721 CAUGHT FROM NOT LOOKING AFTER HER THROAT AFTER SINGING, THEY SAID. 1629 00:43:12,721 --> 00:43:14,681 CAUGHT FROM NOT LOOKING AFTER HER THROAT AFTER SINGING, THEY SAID. 1630 00:43:14,723 --> 00:43:16,641 VERY TRAGIC, VERY TRAGIC. 1631 00:43:16,683 --> 00:43:16,725 OF COURSE I CAN REMEMBER EVEN FURTHER BACK 1632 00:43:16,725 --> 00:43:18,727 OF COURSE I CAN REMEMBER EVEN FURTHER BACK 1633 00:43:18,727 --> 00:43:19,811 OF COURSE I CAN REMEMBER EVEN FURTHER BACK 1634 00:43:19,853 --> 00:43:20,729 THAN THAT, TO THE GREAT DAYS OF BEL CANTO 1635 00:43:20,729 --> 00:43:22,731 THAN THAT, TO THE GREAT DAYS OF BEL CANTO 1636 00:43:22,731 --> 00:43:23,523 THAN THAT, TO THE GREAT DAYS OF BEL CANTO 1637 00:43:23,565 --> 00:43:24,733 WHEN THE OLD ITALIAN OPERA COMPANIES USED TO EAT 1638 00:43:24,733 --> 00:43:26,067 WHEN THE OLD ITALIAN OPERA COMPANIES USED TO EAT 1639 00:43:26,109 --> 00:43:26,735 TO DUBLIN--TIETJENS, SON OF DEMURZKA, CAMPANINI, 1640 00:43:26,735 --> 00:43:28,737 TO DUBLIN--TIETJENS, SON OF DEMURZKA, CAMPANINI, 1641 00:43:28,737 --> 00:43:30,238 TO DUBLIN--TIETJENS, SON OF DEMURZKA, CAMPANINI, 1642 00:43:30,280 --> 00:43:30,739 RAVELLI, GIUGLINI, ARAMBURO, 1643 00:43:30,739 --> 00:43:32,741 RAVELLI, GIUGLINI, ARAMBURO, 1644 00:43:32,741 --> 00:43:33,450 RAVELLI, GIUGLINI, ARAMBURO, 1645 00:43:33,491 --> 00:43:34,743 THE GREAT TREBELLI, MMM? 1646 00:43:34,743 --> 00:43:35,618 THE GREAT TREBELLI, MMM? 1647 00:43:35,660 --> 00:43:36,745 OH, THOSE WERE THE DAYS. 1648 00:43:36,745 --> 00:43:37,996 OH, THOSE WERE THE DAYS. 1649 00:43:38,037 --> 00:43:38,747 THOSE WERE THE DAYS WHEN SOMETHING LIKE 1650 00:43:38,747 --> 00:43:40,749 THOSE WERE THE DAYS WHEN SOMETHING LIKE 1651 00:43:40,749 --> 00:43:41,166 THOSE WERE THE DAYS WHEN SOMETHING LIKE 1652 00:43:41,207 --> 00:43:42,751 SINGING WAS TO BE HEARD IN DUBLIN. 1653 00:43:42,751 --> 00:43:43,126 SINGING WAS TO BE HEARD IN DUBLIN. 1654 00:43:43,168 --> 00:43:44,753 THE TOP GALLERY OF THE OLD THEATRE ROYAL 1655 00:43:44,753 --> 00:43:45,336 THE TOP GALLERY OF THE OLD THEATRE ROYAL 1656 00:43:45,378 --> 00:43:46,755 USED TO BE PACKED NIGHT AFTER NIGHT. 1657 00:43:46,755 --> 00:43:48,590 USED TO BE PACKED NIGHT AFTER NIGHT. 1658 00:43:48,631 --> 00:43:48,757 MM-HMM. YES. AND THEN I RECALL 1659 00:43:48,757 --> 00:43:50,759 MM-HMM. YES. AND THEN I RECALL 1660 00:43:50,759 --> 00:43:51,342 MM-HMM. YES. AND THEN I RECALL 1661 00:43:51,384 --> 00:43:52,761 ON ONE OCCASION A YOUNG ITALIAN TENOR SINGING 1662 00:43:52,761 --> 00:43:54,220 ON ONE OCCASION A YOUNG ITALIAN TENOR SINGING 1663 00:43:54,262 --> 00:43:54,763 FIVE ENCORES TO LET ME LIKE A SOLDIER FALL, 1664 00:43:54,763 --> 00:43:56,765 FIVE ENCORES TO LET ME LIKE A SOLDIER FALL, 1665 00:43:56,765 --> 00:43:58,266 FIVE ENCORES TO LET ME LIKE A SOLDIER FALL, 1666 00:43:58,308 --> 00:43:58,767 AND INTRODUCING A HIGH C EVERY TIME. 1667 00:43:58,767 --> 00:44:00,769 AND INTRODUCING A HIGH C EVERY TIME. 1668 00:44:00,769 --> 00:44:02,771 AND INTRODUCING A HIGH C EVERY TIME. 1669 00:44:02,771 --> 00:44:02,854 AND INTRODUCING A HIGH C EVERY TIME. 1670 00:44:02,896 --> 00:44:04,773 TWAS DO TO REMEMBER THE HIGH Cs ALWAYS, MR. GRACE. 1671 00:44:04,773 --> 00:44:06,775 TWAS DO TO REMEMBER THE HIGH Cs ALWAYS, MR. GRACE. 1672 00:44:06,775 --> 00:44:07,942 TWAS DO TO REMEMBER THE HIGH Cs ALWAYS, MR. GRACE. 1673 00:44:07,984 --> 00:44:08,777 AND THEN OF COURSE WHEN SOME PRIMA DONNA MADE A HIT, 1674 00:44:08,777 --> 00:44:10,779 AND THEN OF COURSE WHEN SOME PRIMA DONNA MADE A HIT, 1675 00:44:10,779 --> 00:44:11,529 AND THEN OF COURSE WHEN SOME PRIMA DONNA MADE A HIT, 1676 00:44:11,571 --> 00:44:12,781 THE GALLERY BOYS AND THEIR ENTHUSIASM 1677 00:44:12,781 --> 00:44:14,199 THE GALLERY BOYS AND THEIR ENTHUSIASM 1678 00:44:14,240 --> 00:44:14,783 WOULD UNHOOK THE HORSES FROM THE CARRIAGE, 1679 00:44:14,783 --> 00:44:16,159 WOULD UNHOOK THE HORSES FROM THE CARRIAGE, 1680 00:44:16,201 --> 00:44:16,785 AND PILLAGE THEMSELVES FROM THE THEATRE TO HER HOTEL. 1681 00:44:16,785 --> 00:44:18,787 AND PILLAGE THEMSELVES FROM THE THEATRE TO HER HOTEL. 1682 00:44:18,787 --> 00:44:20,789 AND PILLAGE THEMSELVES FROM THE THEATRE TO HER HOTEL. 1683 00:44:20,789 --> 00:44:21,456 AND PILLAGE THEMSELVES FROM THE THEATRE TO HER HOTEL. 1684 00:44:21,498 --> 00:44:22,791 OH, GOD BE WITH THE DAYS. 1685 00:44:22,791 --> 00:44:24,250 OH, GOD BE WITH THE DAYS. 1686 00:44:24,292 --> 00:44:24,793 I WONDER WHY THEY DON'T PLAY THE GRAND OLD OPERAS NOW, 1687 00:44:24,793 --> 00:44:26,795 I WONDER WHY THEY DON'T PLAY THE GRAND OLD OPERAS NOW, 1688 00:44:26,795 --> 00:44:26,836 I WONDER WHY THEY DON'T PLAY THE GRAND OLD OPERAS NOW, 1689 00:44:26,878 --> 00:44:28,797 DINORAH, LUCREZIA BORGIA. 1690 00:44:28,797 --> 00:44:28,880 DINORAH, LUCREZIA BORGIA. 1691 00:44:28,922 --> 00:44:30,799 BECAUSE THEY DON'T HAVE THE VOICES TO SING THEM, THAT'S WHY. 1692 00:44:30,799 --> 00:44:32,342 BECAUSE THEY DON'T HAVE THE VOICES TO SING THEM, THAT'S WHY. 1693 00:44:32,383 --> 00:44:32,801 OH, WELL, I PRESUME THERE ARE AS GOOD SINGERS TODAY AS THERE WERE THEN. 1694 00:44:32,801 --> 00:44:34,803 OH, WELL, I PRESUME THERE ARE AS GOOD SINGERS TODAY AS THERE WERE THEN. 1695 00:44:34,803 --> 00:44:36,179 OH, WELL, I PRESUME THERE ARE AS GOOD SINGERS TODAY AS THERE WERE THEN. 1696 00:44:36,221 --> 00:44:36,805 WHERE ARE THEY? 1697 00:44:36,805 --> 00:44:37,347 WHERE ARE THEY? 1698 00:44:37,388 --> 00:44:38,807 IN LONDON, PARIS, MILAN. 1699 00:44:38,807 --> 00:44:39,307 IN LONDON, PARIS, MILAN. 1700 00:44:39,349 --> 00:44:40,809 I SUPPOSE CARUSO, FOR EXAMPLE, IS QUITE AS GOOD 1701 00:44:40,809 --> 00:44:42,310 I SUPPOSE CARUSO, FOR EXAMPLE, IS QUITE AS GOOD 1702 00:44:42,352 --> 00:44:42,811 IF NOT BETTER THAN ANY OF THE MEN YOU MENTIONED. 1703 00:44:42,811 --> 00:44:44,687 IF NOT BETTER THAN ANY OF THE MEN YOU MENTIONED. 1704 00:44:44,729 --> 00:44:44,813 MAYBE SO, BUT I MAY TELL YOU, I DOUBT IT. 1705 00:44:44,813 --> 00:44:46,564 MAYBE SO, BUT I MAY TELL YOU, I DOUBT IT. 1706 00:44:46,606 --> 00:44:46,815 OH, I'D GIVE ANYTHING TO HEAR CARUSO SING. 1707 00:44:46,815 --> 00:44:48,817 OH, I'D GIVE ANYTHING TO HEAR CARUSO SING. 1708 00:44:48,817 --> 00:44:50,568 OH, I'D GIVE ANYTHING TO HEAR CARUSO SING. 1709 00:44:51,319 --> 00:44:52,821 FOR ME THERE WAS ONLY ONE TENOR, 1710 00:44:52,821 --> 00:44:53,696 FOR ME THERE WAS ONLY ONE TENOR, 1711 00:44:53,738 --> 00:44:54,823 TO PLEASE ME, I MEAN. 1712 00:44:54,823 --> 00:44:55,573 TO PLEASE ME, I MEAN. 1713 00:44:55,615 --> 00:44:56,825 OH, I DON'T SUPPOSE ANY OF YOU EVER HEARD OF HIM. 1714 00:44:56,825 --> 00:44:58,827 OH, I DON'T SUPPOSE ANY OF YOU EVER HEARD OF HIM. 1715 00:44:58,827 --> 00:44:59,494 OH, I DON'T SUPPOSE ANY OF YOU EVER HEARD OF HIM. 1716 00:44:59,536 --> 00:45:00,829 WHO WAS HE, MISS MARKAN? 1717 00:45:00,829 --> 00:45:02,121 WHO WAS HE, MISS MARKAN? 1718 00:45:03,540 --> 00:45:04,833 HIS NAME WAS PARKINSON. 1719 00:45:04,833 --> 00:45:06,709 HIS NAME WAS PARKINSON. 1720 00:45:07,460 --> 00:45:08,837 I HEARD HIM WHEN HE WAS IN HIS PRIME. 1721 00:45:08,837 --> 00:45:10,839 I HEARD HIM WHEN HE WAS IN HIS PRIME. 1722 00:45:10,839 --> 00:45:11,881 I HEARD HIM WHEN HE WAS IN HIS PRIME. 1723 00:45:11,923 --> 00:45:12,841 I THINK THEN HE HAD THE PUREST TENOR VOICE 1724 00:45:12,841 --> 00:45:14,843 I THINK THEN HE HAD THE PUREST TENOR VOICE 1725 00:45:14,843 --> 00:45:16,427 I THINK THEN HE HAD THE PUREST TENOR VOICE 1726 00:45:16,469 --> 00:45:16,845 EVER PUT INTO A MAN'S THROAT. 1727 00:45:16,845 --> 00:45:18,847 EVER PUT INTO A MAN'S THROAT. 1728 00:45:18,847 --> 00:45:20,139 EVER PUT INTO A MAN'S THROAT. 1729 00:45:20,890 --> 00:45:22,851 STRANGE, I NEVER EVEN HEARD OF HIM. 1730 00:45:22,851 --> 00:45:22,934 STRANGE, I NEVER EVEN HEARD OF HIM. 1731 00:45:22,976 --> 00:45:24,352 HAVEN'T YOU, D'ARCY? 1732 00:45:24,394 --> 00:45:24,853 HMM. NEVERTHELESS MISS MORKAN IS RIGHT. 1733 00:45:24,853 --> 00:45:26,855 HMM. NEVERTHELESS MISS MORKAN IS RIGHT. 1734 00:45:26,855 --> 00:45:27,981 HMM. NEVERTHELESS MISS MORKAN IS RIGHT. 1735 00:45:28,022 --> 00:45:28,857 I CERTAINLY HAVE HEARD OF OLD PARKINSON, 1736 00:45:28,857 --> 00:45:30,525 I CERTAINLY HAVE HEARD OF OLD PARKINSON, 1737 00:45:30,567 --> 00:45:30,859 ALTHOUGH I NEVER HAD THE PLEASURE OF LISTENING TO HIM. 1738 00:45:30,859 --> 00:45:32,861 ALTHOUGH I NEVER HAD THE PLEASURE OF LISTENING TO HIM. 1739 00:45:32,861 --> 00:45:34,863 ALTHOUGH I NEVER HAD THE PLEASURE OF LISTENING TO HIM. 1740 00:45:34,863 --> 00:45:35,280 ALTHOUGH I NEVER HAD THE PLEASURE OF LISTENING TO HIM. 1741 00:45:37,240 --> 00:45:38,867 THE PURE SWEET MELLOW ENGLISH TENOR. 1742 00:45:38,867 --> 00:45:40,869 THE PURE SWEET MELLOW ENGLISH TENOR. 1743 00:45:40,869 --> 00:45:42,871 THE PURE SWEET MELLOW ENGLISH TENOR. 1744 00:45:42,871 --> 00:45:44,330 THE PURE SWEET MELLOW ENGLISH TENOR. 1745 00:45:54,757 --> 00:45:54,883 EXCUSE ME, MA'AM. 1746 00:45:54,883 --> 00:45:56,092 EXCUSE ME, MA'AM. 1747 00:45:56,134 --> 00:45:56,885 THE PUDDING IS READY TO BE SERVED NOW. 1748 00:45:56,885 --> 00:45:58,887 THE PUDDING IS READY TO BE SERVED NOW. 1749 00:45:58,887 --> 00:45:59,137 THE PUDDING IS READY TO BE SERVED NOW. 1750 00:46:26,205 --> 00:46:26,915 [CHEERS AND APPLAUSE] 1751 00:46:26,915 --> 00:46:28,917 [CHEERS AND APPLAUSE] 1752 00:46:28,917 --> 00:46:29,292 [CHEERS AND APPLAUSE] 1753 00:46:31,502 --> 00:46:32,921 MAY I CONGRATULATE THE CHEF? 1754 00:46:32,921 --> 00:46:34,047 MAY I CONGRATULATE THE CHEF? 1755 00:46:34,088 --> 00:46:34,923 AUNT JULIA MADE IT ALL BY HERSELF. 1756 00:46:34,923 --> 00:46:36,758 AUNT JULIA MADE IT ALL BY HERSELF. 1757 00:46:36,799 --> 00:46:36,925 MISS MORKAN, IT IS A WORK OF ART. 1758 00:46:36,925 --> 00:46:38,927 MISS MORKAN, IT IS A WORK OF ART. 1759 00:46:38,927 --> 00:46:40,929 MISS MORKAN, IT IS A WORK OF ART. 1760 00:46:40,970 --> 00:46:41,554 IT LOOKS DELICIOUS. 1761 00:46:41,596 --> 00:46:42,931 WELL, I WAS AFRAID IT WASN'T QUITE BROWN ENOUGH. 1762 00:46:42,931 --> 00:46:44,933 WELL, I WAS AFRAID IT WASN'T QUITE BROWN ENOUGH. 1763 00:46:44,933 --> 00:46:46,267 WELL, I WAS AFRAID IT WASN'T QUITE BROWN ENOUGH. 1764 00:46:46,309 --> 00:46:46,935 I HOPE I'M BROWN ENOUGH FOR YOU, 1765 00:46:46,935 --> 00:46:48,269 I HOPE I'M BROWN ENOUGH FOR YOU, 1766 00:46:48,311 --> 00:46:48,937 BECAUSE YOU SEE I'M ALL BROWNE. 1767 00:46:48,937 --> 00:46:50,939 BECAUSE YOU SEE I'M ALL BROWNE. 1768 00:46:50,939 --> 00:46:51,439 BECAUSE YOU SEE I'M ALL BROWNE. 1769 00:46:51,481 --> 00:46:52,941 COULD I HAVE THE CELERY, PLEASE? 1770 00:46:52,941 --> 00:46:54,943 COULD I HAVE THE CELERY, PLEASE? 1771 00:46:54,943 --> 00:46:55,860 COULD I HAVE THE CELERY, PLEASE? 1772 00:46:55,902 --> 00:46:56,527 THANK YOU. 1773 00:46:56,569 --> 00:46:56,945 THE DOCTOR SAID IT WAS A CAPITAL THING FOR MY BLOOD. 1774 00:46:56,945 --> 00:46:58,947 THE DOCTOR SAID IT WAS A CAPITAL THING FOR MY BLOOD. 1775 00:46:58,947 --> 00:47:00,949 THE DOCTOR SAID IT WAS A CAPITAL THING FOR MY BLOOD. 1776 00:47:00,949 --> 00:47:02,533 THE DOCTOR SAID IT WAS A CAPITAL THING FOR MY BLOOD. 1777 00:47:02,575 --> 00:47:02,951 WAIT TILL AFTER THE PUDDING. 1778 00:47:02,951 --> 00:47:04,953 WAIT TILL AFTER THE PUDDING. 1779 00:47:04,953 --> 00:47:05,411 WAIT TILL AFTER THE PUDDING. 1780 00:47:05,453 --> 00:47:06,955 I NEED SOMETHING TO DEADEN THE TASTE. 1781 00:47:06,955 --> 00:47:08,206 I NEED SOMETHING TO DEADEN THE TASTE. 1782 00:47:08,247 --> 00:47:08,957 DID FREDDY TELL YOU HE'S OFF TO MOUNT MELLERAY IN A WEEK OR SO? 1783 00:47:08,957 --> 00:47:10,959 DID FREDDY TELL YOU HE'S OFF TO MOUNT MELLERAY IN A WEEK OR SO? 1784 00:47:10,959 --> 00:47:12,794 DID FREDDY TELL YOU HE'S OFF TO MOUNT MELLERAY IN A WEEK OR SO? 1785 00:47:12,835 --> 00:47:12,961 OH. REALLY? 1786 00:47:12,961 --> 00:47:14,963 OH. REALLY? 1787 00:47:14,963 --> 00:47:15,463 OH. REALLY? 1788 00:47:15,505 --> 00:47:16,965 I HEAR THE AIR DOWN THERE IS VERY PRICEY. 1789 00:47:16,965 --> 00:47:18,091 I HEAR THE AIR DOWN THERE IS VERY PRICEY. 1790 00:47:18,132 --> 00:47:18,967 THE MONKS NEVER EVEN ASK FOR A PENNY PIECE FROM THEIR GUESTS. 1791 00:47:18,967 --> 00:47:20,468 THE MONKS NEVER EVEN ASK FOR A PENNY PIECE FROM THEIR GUESTS. 1792 00:47:20,510 --> 00:47:20,969 THEY'RE VERY HOSPITABLE, THE MONKS. 1793 00:47:20,969 --> 00:47:21,219 THEY'RE VERY HOSPITABLE, THE MONKS. 1794 00:47:21,260 --> 00:47:22,971 YOU'LL BE GETTING PLENTY OF CELERY DOWN AT MOUNT MELLERAY. 1795 00:47:22,971 --> 00:47:24,973 YOU'LL BE GETTING PLENTY OF CELERY DOWN AT MOUNT MELLERAY. 1796 00:47:24,973 --> 00:47:26,975 YOU'LL BE GETTING PLENTY OF CELERY DOWN AT MOUNT MELLERAY. 1797 00:47:30,103 --> 00:47:30,979 YOU MEAN TO TELL A CHAP CAN GO DOWN THERE, 1798 00:47:30,979 --> 00:47:32,522 YOU MEAN TO TELL A CHAP CAN GO DOWN THERE, 1799 00:47:32,563 --> 00:47:32,981 AND PUT UP THERE AS IF IT WERE A HOTEL, 1800 00:47:32,981 --> 00:47:34,983 AND PUT UP THERE AS IF IT WERE A HOTEL, 1801 00:47:34,983 --> 00:47:35,316 AND PUT UP THERE AS IF IT WERE A HOTEL, 1802 00:47:35,358 --> 00:47:36,985 AND LIVE ON THE FAT OF THE LAND, 1803 00:47:36,985 --> 00:47:37,151 AND LIVE ON THE FAT OF THE LAND, 1804 00:47:37,193 --> 00:47:38,987 AND THEN COME AWAY WITHOUT PAYING A CENT? 1805 00:47:38,987 --> 00:47:40,196 AND THEN COME AWAY WITHOUT PAYING A CENT? 1806 00:47:40,238 --> 00:47:40,989 MOST PEOPLE GIVE SOME DONATION TO THE MONASTERY WHEN THEY LEAVE. 1807 00:47:40,989 --> 00:47:42,991 MOST PEOPLE GIVE SOME DONATION TO THE MONASTERY WHEN THEY LEAVE. 1808 00:47:42,991 --> 00:47:43,366 MOST PEOPLE GIVE SOME DONATION TO THE MONASTERY WHEN THEY LEAVE. 1809 00:47:43,408 --> 00:47:44,993 I WISH WE HAD AN INSTITUTION LIKE THAT IN OUR CHURCH. 1810 00:47:44,993 --> 00:47:46,411 I WISH WE HAD AN INSTITUTION LIKE THAT IN OUR CHURCH. 1811 00:47:46,452 --> 00:47:46,995 THE MONKS NEVER ASK FOR ANYTHING, AND THEY GET UP AT TWO IN THE MORNING. 1812 00:47:46,995 --> 00:47:48,997 THE MONKS NEVER ASK FOR ANYTHING, AND THEY GET UP AT TWO IN THE MORNING. 1813 00:47:48,997 --> 00:47:49,789 THE MONKS NEVER ASK FOR ANYTHING, AND THEY GET UP AT TWO IN THE MORNING. 1814 00:47:49,831 --> 00:47:50,999 WHAT'S MORE, THEY SLEEP IN THEIR COFFINS. 1815 00:47:50,999 --> 00:47:53,001 WHAT'S MORE, THEY SLEEP IN THEIR COFFINS. 1816 00:47:53,042 --> 00:47:55,003 WHY? WHY? 1817 00:47:55,003 --> 00:47:55,336 WHY? WHY? 1818 00:47:55,378 --> 00:47:57,005 BECAUSE IT'S THE RULE OF THE ORDER. 1819 00:47:57,005 --> 00:47:58,214 BECAUSE IT'S THE RULE OF THE ORDER. 1820 00:47:58,256 --> 00:47:58,715 YES, BUT WHY? 1821 00:47:58,715 --> 00:47:59,007 BECAUSE IT'S THE RULE, THAT'S ALL. 1822 00:47:59,007 --> 00:48:01,009 BECAUSE IT'S THE RULE, THAT'S ALL. 1823 00:48:01,050 --> 00:48:03,011 WELL, THERE HAS TO BE SOME SORT OF LOGIC BEHIND IT. 1824 00:48:03,011 --> 00:48:03,761 WELL, THERE HAS TO BE SOME SORT OF LOGIC BEHIND IT. 1825 00:48:03,803 --> 00:48:05,013 YOU KNOW THE DOCTRINE, 1826 00:48:05,013 --> 00:48:05,596 YOU KNOW THE DOCTRINE, 1827 00:48:05,638 --> 00:48:07,015 THAT, UH, IN THE EYES OF THE CHURCH, 1828 00:48:07,015 --> 00:48:09,017 THAT, UH, IN THE EYES OF THE CHURCH, 1829 00:48:09,017 --> 00:48:09,726 THAT, UH, IN THE EYES OF THE CHURCH, 1830 00:48:09,767 --> 00:48:11,019 WE CAN DO PENANCE FOR OTHERS. 1831 00:48:11,019 --> 00:48:12,603 WE CAN DO PENANCE FOR OTHERS. 1832 00:48:12,645 --> 00:48:13,021 THIS NOW IS WHAT FATHER O'ROURKE EXPLAINED TO ME... 1833 00:48:13,021 --> 00:48:15,023 THIS NOW IS WHAT FATHER O'ROURKE EXPLAINED TO ME... 1834 00:48:15,023 --> 00:48:17,025 THIS NOW IS WHAT FATHER O'ROURKE EXPLAINED TO ME... 1835 00:48:17,025 --> 00:48:17,692 THIS NOW IS WHAT FATHER O'ROURKE EXPLAINED TO ME... 1836 00:48:17,734 --> 00:48:19,027 THEREBY GAINING INDULGENCES, YOU SEE, 1837 00:48:19,027 --> 00:48:21,029 THEREBY GAINING INDULGENCES, YOU SEE, 1838 00:48:21,029 --> 00:48:23,031 THEREBY GAINING INDULGENCES, YOU SEE, 1839 00:48:23,031 --> 00:48:23,740 THEREBY GAINING INDULGENCES, YOU SEE, 1840 00:48:23,781 --> 00:48:25,033 REMISSION OF SINS, 1841 00:48:25,033 --> 00:48:26,409 REMISSION OF SINS, 1842 00:48:26,451 --> 00:48:27,035 AND THEREFORE THE MONKS ARE TRYING TO, UH... 1843 00:48:27,035 --> 00:48:29,037 AND THEREFORE THE MONKS ARE TRYING TO, UH... 1844 00:48:29,037 --> 00:48:31,039 AND THEREFORE THE MONKS ARE TRYING TO, UH... 1845 00:48:31,039 --> 00:48:33,041 AND THEREFORE THE MONKS ARE TRYING TO, UH... 1846 00:48:33,041 --> 00:48:33,207 AND THEREFORE THE MONKS ARE TRYING TO, UH... 1847 00:48:33,249 --> 00:48:35,043 COMPENSATE FOR-- FOR ALL THE SINS... 1848 00:48:35,043 --> 00:48:37,045 COMPENSATE FOR-- FOR ALL THE SINS... 1849 00:48:37,045 --> 00:48:38,379 COMPENSATE FOR-- FOR ALL THE SINS... 1850 00:48:38,421 --> 00:48:39,047 COMMITTED BY ALL THE SINNERS 1851 00:48:39,047 --> 00:48:41,049 COMMITTED BY ALL THE SINNERS 1852 00:48:41,049 --> 00:48:42,300 COMMITTED BY ALL THE SINNERS 1853 00:48:42,341 --> 00:48:43,051 IN THE--IN THE OUTSIDE, UH... 1854 00:48:43,051 --> 00:48:45,053 IN THE--IN THE OUTSIDE, UH... 1855 00:48:45,053 --> 00:48:46,262 IN THE--IN THE OUTSIDE, UH... 1856 00:48:46,304 --> 00:48:47,055 EXTERNAL WORLD. 1857 00:48:47,055 --> 00:48:49,057 EXTERNAL WORLD. 1858 00:48:49,057 --> 00:48:49,182 EXTERNAL WORLD. 1859 00:48:49,807 --> 00:48:51,059 YOU MEAN... 1860 00:48:51,059 --> 00:48:52,185 YOU MEAN... 1861 00:48:52,226 --> 00:48:53,061 THEY'RE TRYING TO GET US ALL OFF THE HOOK? 1862 00:48:53,061 --> 00:48:55,063 THEY'RE TRYING TO GET US ALL OFF THE HOOK? 1863 00:48:55,063 --> 00:48:56,355 THEY'RE TRYING TO GET US ALL OFF THE HOOK? 1864 00:48:56,939 --> 00:48:57,065 WELL, ON THE LAST DAY... 1865 00:48:57,065 --> 00:48:59,067 WELL, ON THE LAST DAY... 1866 00:48:59,067 --> 00:48:59,984 WELL, ON THE LAST DAY... 1867 00:49:00,026 --> 00:49:01,069 YOU SEE...DAY OF JUDGMENT. 1868 00:49:01,069 --> 00:49:02,612 YOU SEE...DAY OF JUDGMENT. 1869 00:49:02,653 --> 00:49:03,071 INCLUDING AGNOSTICS, ATHEISTS, HEATHENS, 1870 00:49:03,071 --> 00:49:05,073 INCLUDING AGNOSTICS, ATHEISTS, HEATHENS, 1871 00:49:05,073 --> 00:49:06,616 INCLUDING AGNOSTICS, ATHEISTS, HEATHENS, 1872 00:49:06,657 --> 00:49:07,075 AS GOOD AS YOU SO ELOQUENTLY PUT IT, 1873 00:49:07,075 --> 00:49:09,077 AS GOOD AS YOU SO ELOQUENTLY PUT IT, 1874 00:49:09,077 --> 00:49:10,703 AS GOOD AS YOU SO ELOQUENTLY PUT IT, 1875 00:49:10,745 --> 00:49:11,079 THOSE OF US OF THE OTHER PERSUASION. 1876 00:49:11,079 --> 00:49:13,081 THOSE OF US OF THE OTHER PERSUASION. 1877 00:49:13,081 --> 00:49:13,581 THOSE OF US OF THE OTHER PERSUASION. 1878 00:49:14,290 --> 00:49:15,083 I-I-I-I THINK SO. 1879 00:49:15,083 --> 00:49:17,085 I-I-I-I THINK SO. 1880 00:49:17,085 --> 00:49:17,418 I-I-I-I THINK SO. 1881 00:49:17,460 --> 00:49:17,835 [LAUGHTER] 1882 00:49:17,877 --> 00:49:19,087 I'M ALL IN FAVOR OF THE IDEA. 1883 00:49:19,087 --> 00:49:19,754 I'M ALL IN FAVOR OF THE IDEA. 1884 00:49:19,796 --> 00:49:21,089 FOUNDED IT NOT TO BE, LIKE GETTING FREE INSURANCE. 1885 00:49:21,089 --> 00:49:23,091 FOUNDED IT NOT TO BE, LIKE GETTING FREE INSURANCE. 1886 00:49:23,091 --> 00:49:24,717 FOUNDED IT NOT TO BE, LIKE GETTING FREE INSURANCE. 1887 00:49:24,759 --> 00:49:25,093 [LAUGHTER] 1888 00:49:25,093 --> 00:49:25,802 [LAUGHTER] 1889 00:49:25,843 --> 00:49:27,095 BUT WOULDN'T A COMFORTABLE SPRING BED 1890 00:49:27,095 --> 00:49:29,097 BUT WOULDN'T A COMFORTABLE SPRING BED 1891 00:49:29,097 --> 00:49:29,847 BUT WOULDN'T A COMFORTABLE SPRING BED 1892 00:49:29,889 --> 00:49:31,099 DO THEM AS WELL AS A COFFIN? 1893 00:49:31,099 --> 00:49:31,474 DO THEM AS WELL AS A COFFIN? 1894 00:49:31,516 --> 00:49:33,101 THEY ARE VERY GOOD MEN, THE MONKS. 1895 00:49:33,101 --> 00:49:35,103 THEY ARE VERY GOOD MEN, THE MONKS. 1896 00:49:35,103 --> 00:49:35,186 THEY ARE VERY GOOD MEN, THE MONKS. 1897 00:49:35,228 --> 00:49:36,854 VERY PIOUS. 1898 00:49:36,896 --> 00:49:37,105 THE COFFIN IS TO REMIND THEM OF THEIR LAST END. 1899 00:49:37,105 --> 00:49:39,107 THE COFFIN IS TO REMIND THEM OF THEIR LAST END. 1900 00:49:39,107 --> 00:49:41,109 THE COFFIN IS TO REMIND THEM OF THEIR LAST END. 1901 00:49:41,109 --> 00:49:43,111 THE COFFIN IS TO REMIND THEM OF THEIR LAST END. 1902 00:49:43,111 --> 00:49:43,152 THE COFFIN IS TO REMIND THEM OF THEIR LAST END. 1903 00:49:44,987 --> 00:49:45,113 YES. WELL... 1904 00:49:45,113 --> 00:49:46,405 YES. WELL... 1905 00:49:46,447 --> 00:49:47,115 [OVERLAPPING CONVERSATIONS] 1906 00:49:47,115 --> 00:49:49,117 [OVERLAPPING CONVERSATIONS] 1907 00:49:49,117 --> 00:49:49,408 [OVERLAPPING CONVERSATIONS] 1908 00:49:50,284 --> 00:49:51,119 GABRIEL. 1909 00:49:51,119 --> 00:49:52,662 GABRIEL. 1910 00:49:53,996 --> 00:49:55,123 GRETTA, MAY I HAVE YOUR PLATE? 1911 00:49:55,123 --> 00:49:56,624 GRETTA, MAY I HAVE YOUR PLATE? 1912 00:49:56,666 --> 00:49:57,125 A GLASS OF SHERRY? 1913 00:49:57,125 --> 00:49:58,042 A GLASS OF SHERRY? 1914 00:49:58,084 --> 00:49:59,127 [OVERLAPPING CONVERSATIONS] 1915 00:49:59,127 --> 00:50:01,129 [OVERLAPPING CONVERSATIONS] 1916 00:50:01,129 --> 00:50:01,712 [OVERLAPPING CONVERSATIONS] 1917 00:50:06,843 --> 00:50:07,135 [BANGING] 1918 00:50:07,135 --> 00:50:08,928 [BANGING] 1919 00:50:10,429 --> 00:50:11,139 COULD I... 1920 00:50:11,139 --> 00:50:12,515 COULD I... 1921 00:50:15,935 --> 00:50:17,145 LADIES AND GENTLEMEN... 1922 00:50:17,145 --> 00:50:18,688 LADIES AND GENTLEMEN... 1923 00:50:19,313 --> 00:50:19,939 IT IS NOT THE FIRST TIME 1924 00:50:19,939 --> 00:50:21,149 THAT WE HAVE GATHERED AROUND THIS HOSPITABLE BOARD, 1925 00:50:21,149 --> 00:50:23,151 THAT WE HAVE GATHERED AROUND THIS HOSPITABLE BOARD, 1926 00:50:23,151 --> 00:50:24,110 THAT WE HAVE GATHERED AROUND THIS HOSPITABLE BOARD, 1927 00:50:24,152 --> 00:50:25,153 AS THE RECIPIENTS, OR PERHAPS I HAD BETTER SAY, 1928 00:50:25,153 --> 00:50:27,155 AS THE RECIPIENTS, OR PERHAPS I HAD BETTER SAY, 1929 00:50:27,155 --> 00:50:28,197 AS THE RECIPIENTS, OR PERHAPS I HAD BETTER SAY, 1930 00:50:28,239 --> 00:50:29,157 THE VICTIMS OF THE HOSPITALITY OF A CERTAIN GOOD LADIES. 1931 00:50:29,157 --> 00:50:31,159 THE VICTIMS OF THE HOSPITALITY OF A CERTAIN GOOD LADIES. 1932 00:50:31,159 --> 00:50:33,161 THE VICTIMS OF THE HOSPITALITY OF A CERTAIN GOOD LADIES. 1933 00:50:33,161 --> 00:50:35,163 THE VICTIMS OF THE HOSPITALITY OF A CERTAIN GOOD LADIES. 1934 00:50:35,163 --> 00:50:36,289 THE VICTIMS OF THE HOSPITALITY OF A CERTAIN GOOD LADIES. 1935 00:50:36,581 --> 00:50:37,165 INDEED, NO TRADITION DOES OUR COUNTRY MORE HONOR 1936 00:50:37,165 --> 00:50:39,167 INDEED, NO TRADITION DOES OUR COUNTRY MORE HONOR 1937 00:50:39,167 --> 00:50:41,169 INDEED, NO TRADITION DOES OUR COUNTRY MORE HONOR 1938 00:50:41,169 --> 00:50:41,210 INDEED, NO TRADITION DOES OUR COUNTRY MORE HONOR 1939 00:50:41,252 --> 00:50:43,171 THAN ITS OVERWHELMING HOSPITALITY. 1940 00:50:43,171 --> 00:50:44,422 THAN ITS OVERWHELMING HOSPITALITY. 1941 00:50:44,463 --> 00:50:45,173 SOME MIGHT CONSIDER IT A FAILING, AND IF SO, 1942 00:50:45,173 --> 00:50:47,175 SOME MIGHT CONSIDER IT A FAILING, AND IF SO, 1943 00:50:47,175 --> 00:50:49,010 SOME MIGHT CONSIDER IT A FAILING, AND IF SO, 1944 00:50:49,051 --> 00:50:49,177 IT IS A PRINCELY ONE. 1945 00:50:49,177 --> 00:50:51,179 IT IS A PRINCELY ONE. 1946 00:50:51,179 --> 00:50:51,470 IT IS A PRINCELY ONE. 1947 00:50:51,512 --> 00:50:53,181 LADIES AND GENTLEMEN, WE ARE LIVING IN A SKEPTICAL, 1948 00:50:53,181 --> 00:50:55,183 LADIES AND GENTLEMEN, WE ARE LIVING IN A SKEPTICAL, 1949 00:50:55,183 --> 00:50:56,142 LADIES AND GENTLEMEN, WE ARE LIVING IN A SKEPTICAL, 1950 00:50:56,184 --> 00:50:57,185 AND IF I MAY USE THE PHRASE, A POOR TORMENTED WORLD, 1951 00:50:57,185 --> 00:50:59,187 AND IF I MAY USE THE PHRASE, A POOR TORMENTED WORLD, 1952 00:50:59,187 --> 00:51:01,189 AND IF I MAY USE THE PHRASE, A POOR TORMENTED WORLD, 1953 00:51:01,189 --> 00:51:01,814 AND IF I MAY USE THE PHRASE, A POOR TORMENTED WORLD, 1954 00:51:01,856 --> 00:51:03,191 WHERE THE VALUES OF THE PAST ARE OFTEN AT A DISCOUNT, 1955 00:51:03,191 --> 00:51:04,442 WHERE THE VALUES OF THE PAST ARE OFTEN AT A DISCOUNT, 1956 00:51:04,483 --> 00:51:05,193 BUT IT GIVES ME JOY THAT UNDER THIS ONE ROOF, 1957 00:51:05,193 --> 00:51:07,195 BUT IT GIVES ME JOY THAT UNDER THIS ONE ROOF, 1958 00:51:07,195 --> 00:51:09,197 BUT IT GIVES ME JOY THAT UNDER THIS ONE ROOF, 1959 00:51:09,197 --> 00:51:09,238 BUT IT GIVES ME JOY THAT UNDER THIS ONE ROOF, 1960 00:51:09,280 --> 00:51:11,199 THE SPIRIT OF GOOD OLD-FASHIONED, 1961 00:51:11,199 --> 00:51:11,574 THE SPIRIT OF GOOD OLD-FASHIONED, 1962 00:51:11,616 --> 00:51:13,201 WARM-HEARTED COURTEOUS IRISH HOSPITALITY IS STILL ALIVE AMONG US. 1963 00:51:13,201 --> 00:51:15,203 WARM-HEARTED COURTEOUS IRISH HOSPITALITY IS STILL ALIVE AMONG US. 1964 00:51:15,203 --> 00:51:17,205 WARM-HEARTED COURTEOUS IRISH HOSPITALITY IS STILL ALIVE AMONG US. 1965 00:51:17,205 --> 00:51:18,372 WARM-HEARTED COURTEOUS IRISH HOSPITALITY IS STILL ALIVE AMONG US. 1966 00:51:18,414 --> 00:51:19,207 LONG MAY IT CONTINUE. 1967 00:51:19,207 --> 00:51:20,958 LONG MAY IT CONTINUE. 1968 00:51:21,000 --> 00:51:21,209 HEAR, HEAR. 1969 00:51:21,209 --> 00:51:23,211 HEAR, HEAR. 1970 00:51:23,211 --> 00:51:23,628 HEAR, HEAR. 1971 00:51:24,420 --> 00:51:25,213 AND YET.. 1972 00:51:25,213 --> 00:51:26,297 AND YET.. 1973 00:51:28,090 --> 00:51:29,217 IN GATHERINGS SUCH AS THIS, 1974 00:51:29,217 --> 00:51:31,219 IN GATHERINGS SUCH AS THIS, 1975 00:51:31,219 --> 00:51:31,344 IN GATHERINGS SUCH AS THIS, 1976 00:51:31,385 --> 00:51:33,221 SADDER THOUGHTS WILL OCCUR TO OUR MINDS, 1977 00:51:33,221 --> 00:51:35,223 SADDER THOUGHTS WILL OCCUR TO OUR MINDS, 1978 00:51:35,223 --> 00:51:35,473 SADDER THOUGHTS WILL OCCUR TO OUR MINDS, 1979 00:51:35,514 --> 00:51:37,225 THOUGHTS OF THE PAST, OF YOUTH, OF CHANGES. 1980 00:51:37,225 --> 00:51:39,227 THOUGHTS OF THE PAST, OF YOUTH, OF CHANGES. 1981 00:51:39,227 --> 00:51:40,353 THOUGHTS OF THE PAST, OF YOUTH, OF CHANGES. 1982 00:51:40,394 --> 00:51:41,229 OF ABSENT SOME FRIENDS THAT WE MISS HERE TONIGHT, 1983 00:51:41,229 --> 00:51:43,231 OF ABSENT SOME FRIENDS THAT WE MISS HERE TONIGHT, 1984 00:51:43,231 --> 00:51:45,233 OF ABSENT SOME FRIENDS THAT WE MISS HERE TONIGHT, 1985 00:51:45,233 --> 00:51:46,150 OF ABSENT SOME FRIENDS THAT WE MISS HERE TONIGHT, 1986 00:51:46,484 --> 00:51:47,235 BUT OUR WORK IS AMONG THE LIVING. 1987 00:51:47,235 --> 00:51:49,237 BUT OUR WORK IS AMONG THE LIVING. 1988 00:51:49,237 --> 00:51:49,737 BUT OUR WORK IS AMONG THE LIVING. 1989 00:51:49,779 --> 00:51:51,239 WE MUST NOT BROOD OR STOOP TO GLOOMY MORALIZING. 1990 00:51:51,239 --> 00:51:53,241 WE MUST NOT BROOD OR STOOP TO GLOOMY MORALIZING. 1991 00:51:53,241 --> 00:51:53,991 WE MUST NOT BROOD OR STOOP TO GLOOMY MORALIZING. 1992 00:51:54,033 --> 00:51:55,243 WE HAVE ALL OF US LIVING DUTIES AND LIVING AFFECTIONS, 1993 00:51:55,243 --> 00:51:57,245 WE HAVE ALL OF US LIVING DUTIES AND LIVING AFFECTIONS, 1994 00:51:57,245 --> 00:51:58,329 WE HAVE ALL OF US LIVING DUTIES AND LIVING AFFECTIONS, 1995 00:51:58,371 --> 00:51:59,247 WHICH CLAIM, AND RIGHTLY, OUR STRENUOUS ENDEAVORS. 1996 00:51:59,247 --> 00:52:01,249 WHICH CLAIM, AND RIGHTLY, OUR STRENUOUS ENDEAVORS. 1997 00:52:01,249 --> 00:52:03,251 WHICH CLAIM, AND RIGHTLY, OUR STRENUOUS ENDEAVORS. 1998 00:52:03,251 --> 00:52:04,335 WHICH CLAIM, AND RIGHTLY, OUR STRENUOUS ENDEAVORS. 1999 00:52:05,419 --> 00:52:07,213 NOW, HERE WE ARE MET, 2000 00:52:07,255 --> 00:52:09,257 MOMENTARILY AWAY FROM THE BUSTLE OF OUR EVERYDAY ROUTINES 2001 00:52:09,257 --> 00:52:11,259 MOMENTARILY AWAY FROM THE BUSTLE OF OUR EVERYDAY ROUTINES 2002 00:52:11,259 --> 00:52:12,009 MOMENTARILY AWAY FROM THE BUSTLE OF OUR EVERYDAY ROUTINES 2003 00:52:12,051 --> 00:52:13,261 IN A SPIRIT OF GOOD FELLOWSHIP. 2004 00:52:13,261 --> 00:52:15,263 IN A SPIRIT OF GOOD FELLOWSHIP. 2005 00:52:15,263 --> 00:52:15,513 IN A SPIRIT OF GOOD FELLOWSHIP. 2006 00:52:15,554 --> 00:52:17,265 IN THE TRUE SPIRIT OF COMRADERY, 2007 00:52:17,265 --> 00:52:18,849 IN THE TRUE SPIRIT OF COMRADERY, 2008 00:52:18,891 --> 00:52:19,267 AND AS THE GUESTS OF... 2009 00:52:19,267 --> 00:52:21,269 AND AS THE GUESTS OF... 2010 00:52:21,269 --> 00:52:22,395 AND AS THE GUESTS OF... 2011 00:52:22,436 --> 00:52:23,271 WELL, WHAT SHALL I CALL THEM? 2012 00:52:23,271 --> 00:52:25,273 WELL, WHAT SHALL I CALL THEM? 2013 00:52:25,273 --> 00:52:25,773 WELL, WHAT SHALL I CALL THEM? 2014 00:52:25,815 --> 00:52:27,275 THE THREE GRACES OF THE DUBLIN MUSICAL WORLD. 2015 00:52:27,275 --> 00:52:29,277 THE THREE GRACES OF THE DUBLIN MUSICAL WORLD. 2016 00:52:29,277 --> 00:52:31,279 THE THREE GRACES OF THE DUBLIN MUSICAL WORLD. 2017 00:52:31,279 --> 00:52:31,487 THE THREE GRACES OF THE DUBLIN MUSICAL WORLD. 2018 00:52:33,322 --> 00:52:35,283 WHAT DID HE SAY, WHAT DID HE SAY? 2019 00:52:35,283 --> 00:52:35,449 WHAT DID HE SAY, WHAT DID HE SAY? 2020 00:52:35,491 --> 00:52:37,285 HE SAYS WE ARE THE THREE GRACES, AUNT JULIA. 2021 00:52:37,285 --> 00:52:38,160 HE SAYS WE ARE THE THREE GRACES, AUNT JULIA. 2022 00:52:38,202 --> 00:52:39,287 AH. 2023 00:52:39,287 --> 00:52:40,162 AH. 2024 00:52:41,831 --> 00:52:42,290 LADIES AND GENTLEMEN, 2025 00:52:42,331 --> 00:52:43,291 I SHALL NOT ATTEMPT TO PLAY THE PART 2026 00:52:43,291 --> 00:52:44,542 I SHALL NOT ATTEMPT TO PLAY THE PART 2027 00:52:44,583 --> 00:52:45,293 THAT PARIS PLAYED IN ANCIENT TIMES. 2028 00:52:45,293 --> 00:52:47,295 THAT PARIS PLAYED IN ANCIENT TIMES. 2029 00:52:47,295 --> 00:52:47,712 THAT PARIS PLAYED IN ANCIENT TIMES. 2030 00:52:47,753 --> 00:52:48,462 TO CHOOSE BETWEEN THEM, 2031 00:52:48,504 --> 00:52:49,297 THE TASK WOULD BE AN INVIDIOUS ONE AND BEYOND MY POOR POWERS. 2032 00:52:49,297 --> 00:52:51,299 THE TASK WOULD BE AN INVIDIOUS ONE AND BEYOND MY POOR POWERS. 2033 00:52:51,299 --> 00:52:53,301 THE TASK WOULD BE AN INVIDIOUS ONE AND BEYOND MY POOR POWERS. 2034 00:52:53,301 --> 00:52:54,343 THE TASK WOULD BE AN INVIDIOUS ONE AND BEYOND MY POOR POWERS. 2035 00:52:54,385 --> 00:52:55,303 FOR WHEN I VIEW THEM IN TURN, 2036 00:52:55,303 --> 00:52:56,846 FOR WHEN I VIEW THEM IN TURN, 2037 00:52:56,887 --> 00:52:57,305 WHETHER IT BE OUR CHIEF HOSTESS HERSELF, 2038 00:52:57,305 --> 00:52:59,307 WHETHER IT BE OUR CHIEF HOSTESS HERSELF, 2039 00:52:59,307 --> 00:53:00,057 WHETHER IT BE OUR CHIEF HOSTESS HERSELF, 2040 00:53:00,099 --> 00:53:01,309 WHOSE GOOD HEART, WHOSE TOO GOOD HEART, 2041 00:53:01,309 --> 00:53:03,227 WHOSE GOOD HEART, WHOSE TOO GOOD HEART, 2042 00:53:03,269 --> 00:53:03,311 HAS BECOME A BYWORD WITH ALL WHO KNOW HER, 2043 00:53:03,311 --> 00:53:05,313 HAS BECOME A BYWORD WITH ALL WHO KNOW HER, 2044 00:53:05,313 --> 00:53:07,315 HAS BECOME A BYWORD WITH ALL WHO KNOW HER, 2045 00:53:07,315 --> 00:53:07,565 HAS BECOME A BYWORD WITH ALL WHO KNOW HER, 2046 00:53:07,606 --> 00:53:09,317 OR HER SISTER, 2047 00:53:09,317 --> 00:53:10,401 OR HER SISTER, 2048 00:53:10,443 --> 00:53:11,319 WHO SEEMS TO BE GIFTED WITH PERENNIAL YOUTH, 2049 00:53:11,319 --> 00:53:13,321 WHO SEEMS TO BE GIFTED WITH PERENNIAL YOUTH, 2050 00:53:13,321 --> 00:53:13,404 WHO SEEMS TO BE GIFTED WITH PERENNIAL YOUTH, 2051 00:53:13,446 --> 00:53:15,323 AND WHOSE SINGING MUST HAVE BEEN A SURPRISE 2052 00:53:15,323 --> 00:53:16,365 AND WHOSE SINGING MUST HAVE BEEN A SURPRISE 2053 00:53:16,407 --> 00:53:17,325 AND A REVELATION TO US ALL TONIGHT. 2054 00:53:17,325 --> 00:53:19,327 AND A REVELATION TO US ALL TONIGHT. 2055 00:53:19,327 --> 00:53:19,869 AND A REVELATION TO US ALL TONIGHT. 2056 00:53:19,910 --> 00:53:21,329 OR LAST BUT NOT LEAST, 2057 00:53:21,329 --> 00:53:22,747 OR LAST BUT NOT LEAST, 2058 00:53:22,788 --> 00:53:23,331 WHEN I CONSIDER OUR YOUNGEST HOSTESS, 2059 00:53:23,331 --> 00:53:25,333 WHEN I CONSIDER OUR YOUNGEST HOSTESS, 2060 00:53:25,333 --> 00:53:26,250 WHEN I CONSIDER OUR YOUNGEST HOSTESS, 2061 00:53:26,292 --> 00:53:27,335 TALENTED, CHEERFUL, HARDWORKING, 2062 00:53:27,335 --> 00:53:29,337 TALENTED, CHEERFUL, HARDWORKING, 2063 00:53:29,337 --> 00:53:29,587 TALENTED, CHEERFUL, HARDWORKING, 2064 00:53:29,628 --> 00:53:30,463 AND THE BEST OF NIECES, 2065 00:53:30,504 --> 00:53:31,339 OH, I CONFESS I DO NOT KNOW TO WHICH OF THEM I SHOULD AWARD THE PRIZE. 2066 00:53:31,339 --> 00:53:33,341 OH, I CONFESS I DO NOT KNOW TO WHICH OF THEM I SHOULD AWARD THE PRIZE. 2067 00:53:33,341 --> 00:53:35,343 OH, I CONFESS I DO NOT KNOW TO WHICH OF THEM I SHOULD AWARD THE PRIZE. 2068 00:53:35,343 --> 00:53:37,345 OH, I CONFESS I DO NOT KNOW TO WHICH OF THEM I SHOULD AWARD THE PRIZE. 2069 00:53:37,345 --> 00:53:38,220 OH, I CONFESS I DO NOT KNOW TO WHICH OF THEM I SHOULD AWARD THE PRIZE. 2070 00:53:38,262 --> 00:53:39,347 SO LET US TOAST THEM, ALL THREE TOGETHER. 2071 00:53:39,347 --> 00:53:41,349 SO LET US TOAST THEM, ALL THREE TOGETHER. 2072 00:53:41,349 --> 00:53:42,933 SO LET US TOAST THEM, ALL THREE TOGETHER. 2073 00:53:43,517 --> 00:53:45,353 LET US DRINK TO THEIR HEALTH, WEALTH, 2074 00:53:45,353 --> 00:53:46,729 LET US DRINK TO THEIR HEALTH, WEALTH, 2075 00:53:46,771 --> 00:53:47,355 LONG-LIFE, HAPPINESS, AND PROSPERITY. 2076 00:53:47,355 --> 00:53:49,357 LONG-LIFE, HAPPINESS, AND PROSPERITY. 2077 00:53:49,357 --> 00:53:49,398 LONG-LIFE, HAPPINESS, AND PROSPERITY. 2078 00:53:49,440 --> 00:53:51,359 AND MAY THEY LONG CONTINUE TO HOLD THE PROUD 2079 00:53:51,359 --> 00:53:53,319 AND MAY THEY LONG CONTINUE TO HOLD THE PROUD 2080 00:53:53,361 --> 00:53:55,363 AND SELF-WON POSITION THEY HOLD IN THEIR PROFESSION, 2081 00:53:55,363 --> 00:53:56,864 AND SELF-WON POSITION THEY HOLD IN THEIR PROFESSION, 2082 00:53:56,906 --> 00:53:57,365 AND THE POSITION OF HONOR AND AFFECTION, 2083 00:53:57,365 --> 00:53:59,325 AND THE POSITION OF HONOR AND AFFECTION, 2084 00:53:59,367 --> 00:54:01,369 WHICH THEY HOLD IN OUR HEARTS. 2085 00:54:01,369 --> 00:54:03,371 WHICH THEY HOLD IN OUR HEARTS. 2086 00:54:03,371 --> 00:54:05,373 WHICH THEY HOLD IN OUR HEARTS. 2087 00:54:05,373 --> 00:54:05,414 WHICH THEY HOLD IN OUR HEARTS. 2088 00:54:14,298 --> 00:54:15,383 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2089 00:54:15,383 --> 00:54:17,385 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2090 00:54:17,385 --> 00:54:18,386 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2091 00:54:18,427 --> 00:54:19,387 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2092 00:54:19,387 --> 00:54:21,389 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2093 00:54:21,389 --> 00:54:22,348 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2094 00:54:22,390 --> 00:54:23,391 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2095 00:54:23,391 --> 00:54:25,393 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2096 00:54:25,393 --> 00:54:27,395 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2097 00:54:27,395 --> 00:54:27,728 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2098 00:54:27,770 --> 00:54:29,397 ♪ WHICH NOBODY CAN DENY ♪ 2099 00:54:29,397 --> 00:54:31,399 ♪ WHICH NOBODY CAN DENY ♪ 2100 00:54:31,440 --> 00:54:33,401 ♪ UNLESS HE TELLS A LIE ♪ 2101 00:54:33,401 --> 00:54:34,944 ♪ UNLESS HE TELLS A LIE ♪ 2102 00:54:34,985 --> 00:54:35,403 ♪ UNLESS HE TELLS A LIE ♪ 2103 00:54:35,403 --> 00:54:37,405 ♪ UNLESS HE TELLS A LIE ♪ 2104 00:54:37,405 --> 00:54:38,406 ♪ UNLESS HE TELLS A LIE ♪ 2105 00:54:38,447 --> 00:54:39,407 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2106 00:54:39,407 --> 00:54:41,409 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2107 00:54:41,409 --> 00:54:42,326 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2108 00:54:42,368 --> 00:54:43,411 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2109 00:54:43,411 --> 00:54:45,413 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2110 00:54:45,413 --> 00:54:45,746 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2111 00:54:45,788 --> 00:54:47,415 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2112 00:54:47,415 --> 00:54:49,417 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2113 00:54:49,417 --> 00:54:51,419 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2114 00:54:51,419 --> 00:54:52,753 ♪ FOR THEY ARE JOLLY FINE FELLOWS ♪ 2115 00:54:52,795 --> 00:54:53,421 ♪ WHICH NOBODY CAN DENY ♪ 2116 00:54:53,421 --> 00:54:55,423 ♪ WHICH NOBODY CAN DENY ♪ 2117 00:54:55,423 --> 00:54:57,425 ♪ WHICH NOBODY CAN DENY ♪ 2118 00:54:57,425 --> 00:54:57,716 ♪ WHICH NOBODY CAN DENY ♪ 2119 00:54:57,758 --> 00:54:59,427 [CHEERING] 2120 00:54:59,427 --> 00:55:00,386 [CHEERING] 2121 00:55:14,150 --> 00:55:15,443 [LAUGHTER] 2122 00:55:15,443 --> 00:55:16,527 [LAUGHTER] 2123 00:55:17,778 --> 00:55:19,280 STOP. BOTH OF YOU. 2124 00:55:19,321 --> 00:55:19,447 OH, LOOK. IT'S STOPPED SNOWING. 2125 00:55:19,447 --> 00:55:21,449 OH, LOOK. IT'S STOPPED SNOWING. 2126 00:55:21,449 --> 00:55:22,324 OH, LOOK. IT'S STOPPED SNOWING. 2127 00:55:22,741 --> 00:55:23,451 ICY ENOUGH TO BE INSIDE THOUGH. 2128 00:55:23,451 --> 00:55:24,410 ICY ENOUGH TO BE INSIDE THOUGH. 2129 00:55:24,452 --> 00:55:25,453 OH, OUR BEDS ARE GOING TO BE ICY TONIGHT. 2130 00:55:25,453 --> 00:55:26,495 OH, OUR BEDS ARE GOING TO BE ICY TONIGHT. 2131 00:55:26,537 --> 00:55:27,455 IT WOULD BE WORTH GETTING MARRIED JUST TO KEEP WARM. 2132 00:55:27,455 --> 00:55:29,457 IT WOULD BE WORTH GETTING MARRIED JUST TO KEEP WARM. 2133 00:55:29,457 --> 00:55:29,790 IT WOULD BE WORTH GETTING MARRIED JUST TO KEEP WARM. 2134 00:55:29,832 --> 00:55:31,459 [LAUGHTER] 2135 00:55:31,459 --> 00:55:31,542 [LAUGHTER] 2136 00:55:33,377 --> 00:55:33,461 LOVELY, SWEET. ENJOYED MYSELF ENORMOUSLY. 2137 00:55:33,461 --> 00:55:35,463 LOVELY, SWEET. ENJOYED MYSELF ENORMOUSLY. 2138 00:55:35,463 --> 00:55:36,213 LOVELY, SWEET. ENJOYED MYSELF ENORMOUSLY. 2139 00:55:36,255 --> 00:55:37,465 THANK YOU SO MUCH. 2140 00:55:37,465 --> 00:55:37,715 THANK YOU SO MUCH. 2141 00:55:37,756 --> 00:55:39,425 THANK YOU, MY DEAR. 2142 00:55:39,467 --> 00:55:41,218 SUCCULENT MEAL AS USUAL, 2143 00:55:41,260 --> 00:55:41,469 AND, JULIA, THANK YOU FOR A LOVELY EVENING. 2144 00:55:41,469 --> 00:55:43,471 AND, JULIA, THANK YOU FOR A LOVELY EVENING. 2145 00:55:43,471 --> 00:55:44,346 AND, JULIA, THANK YOU FOR A LOVELY EVENING. 2146 00:55:44,388 --> 00:55:45,473 MY GRANDMOTHER'S OLD GARDENER SAID IN NOVEMBER 2147 00:55:45,473 --> 00:55:47,475 MY GRANDMOTHER'S OLD GARDENER SAID IN NOVEMBER 2148 00:55:47,475 --> 00:55:48,184 MY GRANDMOTHER'S OLD GARDENER SAID IN NOVEMBER 2149 00:55:48,225 --> 00:55:49,477 IT WAS GOING TO BE A HARD WINTER. 2150 00:55:49,477 --> 00:55:50,603 IT WAS GOING TO BE A HARD WINTER. 2151 00:55:50,644 --> 00:55:51,479 HOW DID HE KNOW? 2152 00:55:51,479 --> 00:55:52,313 HOW DID HE KNOW? 2153 00:55:52,354 --> 00:55:53,481 THE ALMANAC. 2154 00:55:53,481 --> 00:55:54,231 THE ALMANAC. 2155 00:55:54,273 --> 00:55:54,940 UH-HUH. 2156 00:55:54,940 --> 00:55:55,483 AND HE SAID THE BERRIES WERE VERY RED ON THE HOLLY, 2157 00:55:55,483 --> 00:55:56,859 AND HE SAID THE BERRIES WERE VERY RED ON THE HOLLY, 2158 00:55:56,901 --> 00:55:57,485 AND THAT THERE WERE A LOT OF THEM. 2159 00:55:57,485 --> 00:55:59,195 AND THAT THERE WERE A LOT OF THEM. 2160 00:55:59,236 --> 00:55:59,487 THAT MEANS A HARD WINTER. 2161 00:55:59,487 --> 00:56:01,489 THAT MEANS A HARD WINTER. 2162 00:56:01,489 --> 00:56:01,572 THAT MEANS A HARD WINTER. 2163 00:56:01,614 --> 00:56:03,491 THE BIRDS ALSO, I HEARD A LOT OF FIELD FARES 2164 00:56:03,491 --> 00:56:04,867 THE BIRDS ALSO, I HEARD A LOT OF FIELD FARES 2165 00:56:04,909 --> 00:56:05,493 AND RED WINGS PASS THROUGH EARLY. 2166 00:56:05,493 --> 00:56:06,452 AND RED WINGS PASS THROUGH EARLY. 2167 00:56:06,494 --> 00:56:07,495 ARE YOU AN ORNITHOLOGIST, AS WELL? 2168 00:56:07,495 --> 00:56:09,497 ARE YOU AN ORNITHOLOGIST, AS WELL? 2169 00:56:09,497 --> 00:56:10,164 ARE YOU AN ORNITHOLOGIST, AS WELL? 2170 00:56:10,206 --> 00:56:11,499 AN AMATEUR. 2171 00:56:11,499 --> 00:56:11,624 AN AMATEUR. 2172 00:56:11,665 --> 00:56:13,501 I SUPPOSE BEING A SINGER MAKES ME SUSCEPTIBLE 2173 00:56:13,501 --> 00:56:14,793 I SUPPOSE BEING A SINGER MAKES ME SUSCEPTIBLE 2174 00:56:14,835 --> 00:56:15,503 TO OTHER CREATURES THAT SING, 2175 00:56:15,503 --> 00:56:16,545 TO OTHER CREATURES THAT SING, 2176 00:56:16,587 --> 00:56:17,505 AND BIRDS ARE THE MOST BEAUTIFUL SINGERS OF ALL. 2177 00:56:17,505 --> 00:56:19,215 AND BIRDS ARE THE MOST BEAUTIFUL SINGERS OF ALL. 2178 00:56:19,256 --> 00:56:19,507 JUST THINK OF THE WILLOW WARBLER, OR THE WREN, 2179 00:56:19,507 --> 00:56:21,509 JUST THINK OF THE WILLOW WARBLER, OR THE WREN, 2180 00:56:21,509 --> 00:56:23,511 JUST THINK OF THE WILLOW WARBLER, OR THE WREN, 2181 00:56:23,511 --> 00:56:24,220 JUST THINK OF THE WILLOW WARBLER, OR THE WREN, 2182 00:56:24,261 --> 00:56:25,513 AND IN ITALY I HEARD WONDERFUL BIRDS, 2183 00:56:25,513 --> 00:56:27,515 AND IN ITALY I HEARD WONDERFUL BIRDS, 2184 00:56:27,515 --> 00:56:28,390 AND IN ITALY I HEARD WONDERFUL BIRDS, 2185 00:56:28,432 --> 00:56:29,517 THE NIGHTINGALE, OF COURSE. 2186 00:56:29,517 --> 00:56:31,393 THE NIGHTINGALE, OF COURSE. 2187 00:56:31,435 --> 00:56:31,519 IS IT LIKE IN THE ODE OF MR. KEATS? 2188 00:56:31,519 --> 00:56:33,521 IS IT LIKE IN THE ODE OF MR. KEATS? 2189 00:56:33,521 --> 00:56:35,314 IS IT LIKE IN THE ODE OF MR. KEATS? 2190 00:56:35,356 --> 00:56:35,523 NOT AT ALL. 2191 00:56:35,523 --> 00:56:37,525 NOT AT ALL. 2192 00:56:37,525 --> 00:56:38,734 NOT AT ALL. 2193 00:56:38,776 --> 00:56:39,527 GOOD NIGHT! GOOD NIGHT, ALL! 2194 00:56:39,527 --> 00:56:40,778 GOOD NIGHT! GOOD NIGHT, ALL! 2195 00:56:40,819 --> 00:56:41,529 COME ALONG, DEAR. 2196 00:56:41,529 --> 00:56:41,695 COME ALONG, DEAR. 2197 00:56:41,737 --> 00:56:43,531 [ALL TALKING AT ONCE] 2198 00:56:43,531 --> 00:56:44,532 [ALL TALKING AT ONCE] 2199 00:56:44,573 --> 00:56:45,407 GOOD NIGHT. 2200 00:56:45,407 --> 00:56:45,533 OH, INCIDENTALLY, GABRIEL, I'VE BEEN MEANING TO ASK YOU ALL EVENING, 2201 00:56:45,533 --> 00:56:47,535 OH, INCIDENTALLY, GABRIEL, I'VE BEEN MEANING TO ASK YOU ALL EVENING, 2202 00:56:47,535 --> 00:56:48,536 OH, INCIDENTALLY, GABRIEL, I'VE BEEN MEANING TO ASK YOU ALL EVENING, 2203 00:56:48,577 --> 00:56:49,078 AND I KEEP FORGETTING IT. 2204 00:56:49,119 --> 00:56:49,537 HAVE YOU FINISHED MARKING THE EXAMS YET? 2205 00:56:49,537 --> 00:56:51,539 HAVE YOU FINISHED MARKING THE EXAMS YET? 2206 00:56:51,539 --> 00:56:52,248 HAVE YOU FINISHED MARKING THE EXAMS YET? 2207 00:56:52,289 --> 00:56:52,706 ALMOST. 2208 00:56:52,748 --> 00:56:53,541 AH, WELL, TRY AND GET THEM TO ME 2209 00:56:53,541 --> 00:56:54,708 AH, WELL, TRY AND GET THEM TO ME 2210 00:56:54,750 --> 00:56:55,334 AS QUICKLY AS YOU POSSIBLY CAN, 2211 00:56:55,376 --> 00:56:55,543 SO THAT I CAN POST THE RESULTS AT FIRST OF TERM. 2212 00:56:55,543 --> 00:56:57,545 SO THAT I CAN POST THE RESULTS AT FIRST OF TERM. 2213 00:56:57,545 --> 00:56:58,295 SO THAT I CAN POST THE RESULTS AT FIRST OF TERM. 2214 00:56:58,337 --> 00:56:59,547 FIRST THING MONDAY MORNING. 2215 00:56:59,547 --> 00:56:59,964 FIRST THING MONDAY MORNING. 2216 00:57:00,005 --> 00:57:01,549 AH, VERY GOOD, MY BOY, THANK YOU. 2217 00:57:01,549 --> 00:57:01,924 AH, VERY GOOD, MY BOY, THANK YOU. 2218 00:57:01,966 --> 00:57:02,675 WELL, ONCE AGAIN, GOOD NIGHT, ALL. 2219 00:57:02,675 --> 00:57:03,551 WE'RE REALLY GRATEFUL FOR YOUR HOSPITALITY, MISS MORKAN. 2220 00:57:03,551 --> 00:57:05,553 WE'RE REALLY GRATEFUL FOR YOUR HOSPITALITY, MISS MORKAN. 2221 00:57:05,553 --> 00:57:07,555 WE'RE REALLY GRATEFUL FOR YOUR HOSPITALITY, MISS MORKAN. 2222 00:57:07,555 --> 00:57:07,846 WE'RE REALLY GRATEFUL FOR YOUR HOSPITALITY, MISS MORKAN. 2223 00:57:07,888 --> 00:57:09,390 IT REALLY WAS A TREAT, 2224 00:57:09,431 --> 00:57:09,557 EVEN BETTER THAN LAST YEAR. WASN'T IT, FREDDY? 2225 00:57:09,557 --> 00:57:11,559 EVEN BETTER THAN LAST YEAR. WASN'T IT, FREDDY? 2226 00:57:11,559 --> 00:57:12,309 EVEN BETTER THAN LAST YEAR. WASN'T IT, FREDDY? 2227 00:57:12,351 --> 00:57:13,561 WAS I HERE LAST YEAR? 2228 00:57:13,561 --> 00:57:14,061 WAS I HERE LAST YEAR? 2229 00:57:14,103 --> 00:57:15,145 [LAUGHTER] 2230 00:57:15,187 --> 00:57:15,563 IT WAS OUR PLEASURE. 2231 00:57:15,563 --> 00:57:15,688 IT WAS OUR PLEASURE. 2232 00:57:15,688 --> 00:57:16,480 WHEN DO YOU GO BACK TO SCOTLAND AGAIN? 2233 00:57:16,522 --> 00:57:17,565 OH, ON MONDAY, I NEVER TRAVEL ON THE LORD'S DAY IF I CAN HELP IT. 2234 00:57:17,565 --> 00:57:19,567 OH, ON MONDAY, I NEVER TRAVEL ON THE LORD'S DAY IF I CAN HELP IT. 2235 00:57:19,567 --> 00:57:20,526 OH, ON MONDAY, I NEVER TRAVEL ON THE LORD'S DAY IF I CAN HELP IT. 2236 00:57:20,568 --> 00:57:21,569 AND WHEN DO WE HAVE THE PLEASURE OF SEEING YOU BACK IN IRELAND? 2237 00:57:21,569 --> 00:57:23,237 AND WHEN DO WE HAVE THE PLEASURE OF SEEING YOU BACK IN IRELAND? 2238 00:57:23,279 --> 00:57:23,571 WELL, PERHAPS WHEN MY SON-IN-LAW TAKES THE FAMILY FISHING. 2239 00:57:23,571 --> 00:57:25,573 WELL, PERHAPS WHEN MY SON-IN-LAW TAKES THE FAMILY FISHING. 2240 00:57:25,573 --> 00:57:26,490 WELL, PERHAPS WHEN MY SON-IN-LAW TAKES THE FAMILY FISHING. 2241 00:57:26,532 --> 00:57:27,575 DURING AUGUST THE VISAGES AND THE HIGHLANDS ARE BEST. 2242 00:57:27,575 --> 00:57:29,577 DURING AUGUST THE VISAGES AND THE HIGHLANDS ARE BEST. 2243 00:57:29,577 --> 00:57:31,036 DURING AUGUST THE VISAGES AND THE HIGHLANDS ARE BEST. 2244 00:57:31,078 --> 00:57:31,579 FREDDY, WILL YOU BRING A CHAIR? 2245 00:57:31,579 --> 00:57:31,870 FREDDY, WILL YOU BRING A CHAIR? 2246 00:57:31,870 --> 00:57:33,581 THAT WILL BE SOMETHING FOR FREDDY TO LOOK FORWARD TO, MRS. MALINS. 2247 00:57:33,581 --> 00:57:35,583 THAT WILL BE SOMETHING FOR FREDDY TO LOOK FORWARD TO, MRS. MALINS. 2248 00:57:35,583 --> 00:57:36,542 THAT WILL BE SOMETHING FOR FREDDY TO LOOK FORWARD TO, MRS. MALINS. 2249 00:57:36,584 --> 00:57:37,585 ROUND ABOUT THERE, FREDDY. 2250 00:57:37,585 --> 00:57:38,168 ROUND ABOUT THERE, FREDDY. 2251 00:57:38,210 --> 00:57:39,295 HERE WE ARE. 2252 00:57:39,336 --> 00:57:39,587 EXCUSE ME, LADIES. 2253 00:57:39,587 --> 00:57:41,213 EXCUSE ME, LADIES. 2254 00:57:41,255 --> 00:57:41,589 GOOD-BYE, FREDDY. 2255 00:57:41,589 --> 00:57:42,423 GOOD-BYE, FREDDY. 2256 00:57:42,464 --> 00:57:43,424 GOOD NIGHT, FREDDY. 2257 00:57:43,465 --> 00:57:43,591 GOOD NIGHT, GOOD NIGHT. 2258 00:57:43,591 --> 00:57:45,009 GOOD NIGHT, GOOD NIGHT. 2259 00:57:45,050 --> 00:57:45,593 AH, SURE, GOD LOVE HER. 2260 00:57:45,593 --> 00:57:46,051 AH, SURE, GOD LOVE HER. 2261 00:57:46,093 --> 00:57:47,595 I'M SURE HE WASN'T SO BAD THIS YEAR. 2262 00:57:47,595 --> 00:57:48,512 I'M SURE HE WASN'T SO BAD THIS YEAR. 2263 00:57:48,554 --> 00:57:49,597 NOT AT ALL, NO. 2264 00:57:49,597 --> 00:57:49,763 NOT AT ALL, NO. 2265 00:57:49,805 --> 00:57:51,599 YOU FEEL LIKE A POST STUCK IN THE GROUND, 2266 00:57:51,599 --> 00:57:53,350 YOU FEEL LIKE A POST STUCK IN THE GROUND, 2267 00:57:53,392 --> 00:57:53,601 MR. CONROY, A FINE STRONG MAN. 2268 00:57:53,601 --> 00:57:55,603 MR. CONROY, A FINE STRONG MAN. 2269 00:57:55,603 --> 00:57:57,605 MR. CONROY, A FINE STRONG MAN. 2270 00:57:57,605 --> 00:57:58,105 MR. CONROY, A FINE STRONG MAN. 2271 00:58:00,024 --> 00:58:01,609 I WISH THE SAME COULD BE SAID ABOUT MY FREDDY. 2272 00:58:01,609 --> 00:58:03,277 I WISH THE SAME COULD BE SAID ABOUT MY FREDDY. 2273 00:58:03,319 --> 00:58:03,611 FREDDY, WILL YOU GO AND GET A CAB, I'LL LOOK AFTER YOUR MOTHER. 2274 00:58:03,611 --> 00:58:05,613 FREDDY, WILL YOU GO AND GET A CAB, I'LL LOOK AFTER YOUR MOTHER. 2275 00:58:05,613 --> 00:58:07,281 FREDDY, WILL YOU GO AND GET A CAB, I'LL LOOK AFTER YOUR MOTHER. 2276 00:58:07,323 --> 00:58:07,615 I'M ON MY WAY. 2277 00:58:07,615 --> 00:58:08,365 I'M ON MY WAY. 2278 00:58:08,407 --> 00:58:09,617 CAN'T THINK THE PAIR OF YOU AS BOYS, 2279 00:58:09,617 --> 00:58:11,619 CAN'T THINK THE PAIR OF YOU AS BOYS, 2280 00:58:11,619 --> 00:58:11,785 CAN'T THINK THE PAIR OF YOU AS BOYS, 2281 00:58:11,827 --> 00:58:13,621 WHO WOULD THINK THERE WOULD BE SUCH A DIFFERENCE. 2282 00:58:13,621 --> 00:58:15,623 WHO WOULD THINK THERE WOULD BE SUCH A DIFFERENCE. 2283 00:58:15,623 --> 00:58:16,290 WHO WOULD THINK THERE WOULD BE SUCH A DIFFERENCE. 2284 00:58:18,584 --> 00:58:19,627 WILL YOU DO ME A FAVOR, MR. CONROY? 2285 00:58:19,627 --> 00:58:21,378 WILL YOU DO ME A FAVOR, MR. CONROY? 2286 00:58:21,420 --> 00:58:21,629 OF COURSE. 2287 00:58:21,629 --> 00:58:21,962 OF COURSE. 2288 00:58:21,962 --> 00:58:22,379 WILL YOU KEEP AN EYE ON HIM WHILE I'M AWAY? 2289 00:58:22,421 --> 00:58:23,631 I WILL, OF COURSE, MRS. MALINS. 2290 00:58:23,631 --> 00:58:25,215 I WILL, OF COURSE, MRS. MALINS. 2291 00:58:25,257 --> 00:58:25,633 [FREDDY WHISTLING] 2292 00:58:25,633 --> 00:58:25,716 [FREDDY WHISTLING] 2293 00:58:25,716 --> 00:58:27,635 HE'LL HAVE EVERY CAB IN DUBLIN OUT. 2294 00:58:27,635 --> 00:58:27,843 HE'LL HAVE EVERY CAB IN DUBLIN OUT. 2295 00:58:27,885 --> 00:58:29,637 I THINK FREDDY WILL NEVER GET MARRIED NOW. 2296 00:58:29,637 --> 00:58:31,639 I THINK FREDDY WILL NEVER GET MARRIED NOW. 2297 00:58:31,639 --> 00:58:32,931 I THINK FREDDY WILL NEVER GET MARRIED NOW. 2298 00:58:34,433 --> 00:58:35,392 [SNORING] 2299 00:58:35,434 --> 00:58:35,643 TIME TO GO HOME, MR. BROWNE. 2300 00:58:35,643 --> 00:58:37,645 TIME TO GO HOME, MR. BROWNE. 2301 00:58:37,645 --> 00:58:38,896 TIME TO GO HOME, MR. BROWNE. 2302 00:58:39,688 --> 00:58:41,649 MR. BROWNE, WAKE UP! 2303 00:58:41,649 --> 00:58:42,358 MR. BROWNE, WAKE UP! 2304 00:58:42,399 --> 00:58:43,651 IT'S TIME TO GO. 2305 00:58:43,651 --> 00:58:45,110 IT'S TIME TO GO. 2306 00:58:46,278 --> 00:58:47,655 OH. 2307 00:58:47,655 --> 00:58:48,280 OH. 2308 00:58:49,365 --> 00:58:49,657 OH. 2309 00:58:49,657 --> 00:58:51,158 OH. 2310 00:58:56,747 --> 00:58:57,665 NOW... 2311 00:58:57,665 --> 00:58:58,290 NOW... 2312 00:59:12,638 --> 00:59:13,681 I'VE GOT ONE. 2313 00:59:13,681 --> 00:59:14,264 I'VE GOT ONE. 2314 00:59:14,306 --> 00:59:15,683 I'VE GOT A CAB. 2315 00:59:15,683 --> 00:59:15,974 I'VE GOT A CAB. 2316 00:59:16,016 --> 00:59:16,642 OH, GOOD MAN, FREDDY. 2317 00:59:16,684 --> 00:59:17,685 YOU CAN TAKE MR. BROWNE ON YOUR WAY HOME, CAN'T YOU? 2318 00:59:17,685 --> 00:59:19,019 YOU CAN TAKE MR. BROWNE ON YOUR WAY HOME, CAN'T YOU? 2319 00:59:19,061 --> 00:59:19,687 I'LL JUST ASK MY MOTHER. 2320 00:59:19,687 --> 00:59:20,771 I'LL JUST ASK MY MOTHER. 2321 00:59:20,813 --> 00:59:21,522 IS THAT ALL RIGHT? 2322 00:59:21,522 --> 00:59:21,689 BROWNE HAS DONE THE SAME FOR ME ON SIMILAR CIRCUMSTANCES. 2323 00:59:21,689 --> 00:59:23,691 BROWNE HAS DONE THE SAME FOR ME ON SIMILAR CIRCUMSTANCES. 2324 00:59:23,691 --> 00:59:25,693 BROWNE HAS DONE THE SAME FOR ME ON SIMILAR CIRCUMSTANCES. 2325 00:59:25,693 --> 00:59:26,276 BROWNE HAS DONE THE SAME FOR ME ON SIMILAR CIRCUMSTANCES. 2326 00:59:26,318 --> 00:59:27,695 WAY OUT OF OUR WAY HOME. 2327 00:59:27,695 --> 00:59:28,237 WAY OUT OF OUR WAY HOME. 2328 00:59:28,278 --> 00:59:29,697 MY LEG IS HURTING ME! 2329 00:59:29,697 --> 00:59:31,281 MY LEG IS HURTING ME! 2330 00:59:31,323 --> 00:59:31,699 OH, MOTHER, I OWE IT TO HIM. 2331 00:59:31,699 --> 00:59:32,991 OH, MOTHER, I OWE IT TO HIM. 2332 00:59:33,033 --> 00:59:33,701 OH, I WISH YOU COULD GET AWAY FROM THAT MAN. 2333 00:59:33,701 --> 00:59:35,703 OH, I WISH YOU COULD GET AWAY FROM THAT MAN. 2334 00:59:35,703 --> 00:59:36,286 OH, I WISH YOU COULD GET AWAY FROM THAT MAN. 2335 00:59:40,124 --> 00:59:40,833 PUT BROWNE IN FIRST, 2336 00:59:40,833 --> 00:59:41,709 I DON'T WANT TO GET KICKED WHEN YOU ARE SORTING HIM OUT. 2337 00:59:41,709 --> 00:59:43,711 I DON'T WANT TO GET KICKED WHEN YOU ARE SORTING HIM OUT. 2338 00:59:43,711 --> 00:59:45,129 I DON'T WANT TO GET KICKED WHEN YOU ARE SORTING HIM OUT. 2339 00:59:45,170 --> 00:59:45,713 27 MUNSTER ROAD, JONATHAN'S BARN, 2340 00:59:45,713 --> 00:59:47,715 27 MUNSTER ROAD, JONATHAN'S BARN, 2341 00:59:47,715 --> 00:59:48,424 27 MUNSTER ROAD, JONATHAN'S BARN, 2342 00:59:48,465 --> 00:59:49,717 THEN HEAD STRAIGHT ON FOR RALPH MINES. 2343 00:59:49,717 --> 00:59:51,719 THEN HEAD STRAIGHT ON FOR RALPH MINES. 2344 00:59:51,719 --> 00:59:52,344 THEN HEAD STRAIGHT ON FOR RALPH MINES. 2345 00:59:52,386 --> 00:59:53,721 EXCUSE ME, SIR? WHAT? 2346 00:59:53,762 --> 00:59:55,013 HOW WOULD I FIND THAT PLACE? 2347 00:59:55,055 --> 00:59:55,723 YOU DON'T KNOW HOW TO GET TO RALPH MINES? 2348 00:59:55,723 --> 00:59:57,725 YOU DON'T KNOW HOW TO GET TO RALPH MINES? 2349 00:59:57,725 --> 00:59:57,933 YOU DON'T KNOW HOW TO GET TO RALPH MINES? 2350 00:59:57,975 --> 00:59:59,143 NO, SIR, NOR THE OTHER PLACE. 2351 00:59:59,184 --> 00:59:59,727 YOU'RE NOT A DUBLIN MAN, ARE YA, DRIVER? 2352 00:59:59,727 --> 01:00:01,729 YOU'RE NOT A DUBLIN MAN, ARE YA, DRIVER? 2353 01:00:01,729 --> 01:00:01,854 YOU'RE NOT A DUBLIN MAN, ARE YA, DRIVER? 2354 01:00:01,895 --> 01:00:02,354 NO, SIR. 2355 01:00:02,354 --> 01:00:03,731 SOMEWHERE FROM THE WEST OF IRELAND? 2356 01:00:03,731 --> 01:00:04,189 SOMEWHERE FROM THE WEST OF IRELAND? 2357 01:00:04,231 --> 01:00:05,566 [SPEAKING IN GAELIC] 2358 01:00:05,607 --> 01:00:05,733 HOW WELL DO YOU KNOW DUBLIN 2359 01:00:05,733 --> 01:00:07,735 HOW WELL DO YOU KNOW DUBLIN 2360 01:00:07,776 --> 01:00:09,486 OR [SPEAKING IN GAELIC] 2361 01:00:09,528 --> 01:00:09,737 AS YOU CALL YOURSELF THERE? 2362 01:00:09,737 --> 01:00:11,071 AS YOU CALL YOURSELF THERE? 2363 01:00:11,113 --> 01:00:11,572 OH, MY NIGHT BACK. 2364 01:00:11,572 --> 01:00:11,739 AH, BADLY SIR, AS A MATTER OF FACT, 2365 01:00:11,739 --> 01:00:13,741 AH, BADLY SIR, AS A MATTER OF FACT, 2366 01:00:13,741 --> 01:00:14,324 AH, BADLY SIR, AS A MATTER OF FACT, 2367 01:00:14,366 --> 01:00:15,743 I'M NOT REALLY A CAB DRIVER, 2368 01:00:15,743 --> 01:00:15,951 I'M NOT REALLY A CAB DRIVER, 2369 01:00:15,993 --> 01:00:17,745 JUST HELPING THE SISTER'S HUSBAND 2370 01:00:17,786 --> 01:00:19,747 TO MAKE A FEW EXTRA BUB OVER THE CHRISTMAS. 2371 01:00:19,747 --> 01:00:19,913 TO MAKE A FEW EXTRA BUB OVER THE CHRISTMAS. 2372 01:00:19,955 --> 01:00:21,749 IN FACT, SIR, I WAS LOST WHEN YOUR OTHER FOUND ME. 2373 01:00:21,749 --> 01:00:23,751 IN FACT, SIR, I WAS LOST WHEN YOUR OTHER FOUND ME. 2374 01:00:23,751 --> 01:00:25,252 IN FACT, SIR, I WAS LOST WHEN YOUR OTHER FOUND ME. 2375 01:00:26,378 --> 01:00:27,755 HOW ARE YOU, MOTHER. ARE YOU COMFORTABLE? 2376 01:00:27,755 --> 01:00:28,839 HOW ARE YOU, MOTHER. ARE YOU COMFORTABLE? 2377 01:00:28,881 --> 01:00:29,757 I AM NOT. 2378 01:00:29,757 --> 01:00:29,965 I AM NOT. 2379 01:00:30,007 --> 01:00:31,759 COULD YOU WEDGE A PILLOW UNDER MY KNEE? 2380 01:00:31,759 --> 01:00:33,260 COULD YOU WEDGE A PILLOW UNDER MY KNEE? 2381 01:00:33,302 --> 01:00:33,761 I'LL GET A PILLOW INSIDE. 2382 01:00:33,761 --> 01:00:33,969 I'LL GET A PILLOW INSIDE. 2383 01:00:33,969 --> 01:00:35,763 IT'S NOT NECESSARY, THERE'S PLENTY OF PILLOWS IN HERE. 2384 01:00:35,763 --> 01:00:37,181 IT'S NOT NECESSARY, THERE'S PLENTY OF PILLOWS IN HERE. 2385 01:00:37,222 --> 01:00:37,765 I PUT ONE ON THE FLOOR UNDER MY FOOT! 2386 01:00:37,765 --> 01:00:39,308 I PUT ONE ON THE FLOOR UNDER MY FOOT! 2387 01:00:39,349 --> 01:00:39,767 OH, OH! 2388 01:00:39,767 --> 01:00:40,309 OH, OH! 2389 01:00:40,350 --> 01:00:40,934 IF THE DRIVER DOESN'T MIND. 2390 01:00:40,934 --> 01:00:41,769 I'M SURE THEY'VE BEEN USED FOR OTHER PURPOSES, 2391 01:00:41,769 --> 01:00:43,771 I'M SURE THEY'VE BEEN USED FOR OTHER PURPOSES, 2392 01:00:43,771 --> 01:00:44,229 I'M SURE THEY'VE BEEN USED FOR OTHER PURPOSES, 2393 01:00:44,271 --> 01:00:45,773 GOING TWICE AROUND THE PARK. 2394 01:00:45,773 --> 01:00:45,898 GOING TWICE AROUND THE PARK. 2395 01:00:45,939 --> 01:00:47,775 YOU WATCH YOUR TONGUE, BROWNE, IN THE PRESENCE OF MY MOTHER! 2396 01:00:47,775 --> 01:00:49,777 YOU WATCH YOUR TONGUE, BROWNE, IN THE PRESENCE OF MY MOTHER! 2397 01:00:49,777 --> 01:00:50,360 YOU WATCH YOUR TONGUE, BROWNE, IN THE PRESENCE OF MY MOTHER! 2398 01:00:50,402 --> 01:00:51,653 HOW'S THAT? 2399 01:00:51,695 --> 01:00:51,779 OH, IT WILL DO. 2400 01:00:51,779 --> 01:00:53,238 OH, IT WILL DO. 2401 01:00:53,280 --> 01:00:53,781 WELL, DO YOU KNOW WHERE YOU ARE NOW? 2402 01:00:53,781 --> 01:00:55,365 WELL, DO YOU KNOW WHERE YOU ARE NOW? 2403 01:00:55,407 --> 01:00:55,783 JUST ABOUT, SIR. 2404 01:00:55,783 --> 01:00:55,949 JUST ABOUT, SIR. 2405 01:00:55,949 --> 01:00:57,785 DO YOU KNOW HOW TO GET TO TRINITY COLLEGE? 2406 01:00:57,785 --> 01:00:58,744 DO YOU KNOW HOW TO GET TO TRINITY COLLEGE? 2407 01:00:58,786 --> 01:00:59,787 TRINITY COLLEGE. AH, I BELIEVE I DO, SIR. 2408 01:00:59,787 --> 01:01:01,789 TRINITY COLLEGE. AH, I BELIEVE I DO, SIR. 2409 01:01:01,789 --> 01:01:01,914 TRINITY COLLEGE. AH, I BELIEVE I DO, SIR. 2410 01:01:01,955 --> 01:01:03,791 RIGHT, DRIVE, BANG UP AGAINST ITS GATES, 2411 01:01:03,791 --> 01:01:05,793 RIGHT, DRIVE, BANG UP AGAINST ITS GATES, 2412 01:01:05,793 --> 01:01:06,168 RIGHT, DRIVE, BANG UP AGAINST ITS GATES, 2413 01:01:06,210 --> 01:01:07,795 AND I'LL TELL YOU WHERE TO GO FROM THERE. 2414 01:01:07,795 --> 01:01:08,796 AND I'LL TELL YOU WHERE TO GO FROM THERE. 2415 01:01:08,837 --> 01:01:09,797 DRIVE LIKE A BIRD TO TRINITY COLLEGE! 2416 01:01:09,797 --> 01:01:11,799 DRIVE LIKE A BIRD TO TRINITY COLLEGE! 2417 01:01:11,799 --> 01:01:12,299 DRIVE LIKE A BIRD TO TRINITY COLLEGE! 2418 01:01:12,341 --> 01:01:13,217 RIGHT YOU ARE, MA'AM! 2419 01:01:13,258 --> 01:01:13,801 COME ON! GIDDY UP! 2420 01:01:13,801 --> 01:01:15,803 COME ON! GIDDY UP! 2421 01:01:15,803 --> 01:01:16,136 COME ON! GIDDY UP! 2422 01:01:24,561 --> 01:01:25,813 YOU FORGOT YOUR THINGA MA JIGS, MR. CONROY. 2423 01:01:25,813 --> 01:01:27,523 YOU FORGOT YOUR THINGA MA JIGS, MR. CONROY. 2424 01:01:27,564 --> 01:01:27,815 MY GALOSHES, LILY, MY GALOSHES. 2425 01:01:27,815 --> 01:01:29,817 MY GALOSHES, LILY, MY GALOSHES. 2426 01:01:29,817 --> 01:01:30,776 MY GALOSHES, LILY, MY GALOSHES. 2427 01:01:30,818 --> 01:01:31,819 GALOSHES. 2428 01:01:31,819 --> 01:01:32,236 GALOSHES. 2429 01:01:32,277 --> 01:01:33,821 WHERE ON EARTH IS THIS WIFE OF MINE, HUH? 2430 01:01:33,821 --> 01:01:35,239 WHERE ON EARTH IS THIS WIFE OF MINE, HUH? 2431 01:01:35,280 --> 01:01:35,823 I DON'T KNOW, SIR. 2432 01:01:35,823 --> 01:01:36,865 I DON'T KNOW, SIR. 2433 01:01:36,907 --> 01:01:37,825 GRETTA? 2434 01:01:37,825 --> 01:01:38,617 GRETTA? 2435 01:01:38,659 --> 01:01:39,827 GRETTA? 2436 01:01:39,827 --> 01:01:41,119 GRETTA? 2437 01:01:45,332 --> 01:01:45,833 ♪ IF YOU'LL BE THE LASS OF AUGHRIM ♪ 2438 01:01:45,833 --> 01:01:47,835 ♪ IF YOU'LL BE THE LASS OF AUGHRIM ♪ 2439 01:01:47,835 --> 01:01:49,837 ♪ IF YOU'LL BE THE LASS OF AUGHRIM ♪ 2440 01:01:49,837 --> 01:01:51,839 ♪ IF YOU'LL BE THE LASS OF AUGHRIM ♪ 2441 01:01:51,839 --> 01:01:53,841 ♪ IF YOU'LL BE THE LASS OF AUGHRIM ♪ 2442 01:01:53,841 --> 01:01:55,843 ♪ IF YOU'LL BE THE LASS OF AUGHRIM ♪ 2443 01:01:55,843 --> 01:01:56,051 ♪ IF YOU'LL BE THE LASS OF AUGHRIM ♪ 2444 01:01:56,093 --> 01:01:57,845 ♪ AS I AM TAKING YOU MEAN TO BE ♪ 2445 01:01:57,845 --> 01:01:59,847 ♪ AS I AM TAKING YOU MEAN TO BE ♪ 2446 01:01:59,847 --> 01:02:01,849 ♪ AS I AM TAKING YOU MEAN TO BE ♪ 2447 01:02:01,849 --> 01:02:03,851 ♪ AS I AM TAKING YOU MEAN TO BE ♪ 2448 01:02:03,851 --> 01:02:04,601 ♪ AS I AM TAKING YOU MEAN TO BE ♪ 2449 01:02:04,643 --> 01:02:05,853 ♪ TELL ME THE FIRST TOKEN ♪ 2450 01:02:05,853 --> 01:02:07,855 ♪ TELL ME THE FIRST TOKEN ♪ 2451 01:02:07,855 --> 01:02:09,857 ♪ TELL ME THE FIRST TOKEN ♪ 2452 01:02:09,857 --> 01:02:11,859 ♪ TELL ME THE FIRST TOKEN ♪ 2453 01:02:11,859 --> 01:02:13,569 ♪ TELL ME THE FIRST TOKEN ♪ 2454 01:02:13,610 --> 01:02:13,861 ♪ THAT PASSED BETWEEN YOU AND ME ♪ 2455 01:02:13,861 --> 01:02:15,863 ♪ THAT PASSED BETWEEN YOU AND ME ♪ 2456 01:02:15,863 --> 01:02:17,865 ♪ THAT PASSED BETWEEN YOU AND ME ♪ 2457 01:02:17,865 --> 01:02:19,867 ♪ THAT PASSED BETWEEN YOU AND ME ♪ 2458 01:02:19,867 --> 01:02:21,869 ♪ THAT PASSED BETWEEN YOU AND ME ♪ 2459 01:02:21,869 --> 01:02:23,871 ♪ THAT PASSED BETWEEN YOU AND ME ♪ 2460 01:02:23,871 --> 01:02:24,037 ♪ THAT PASSED BETWEEN YOU AND ME ♪ 2461 01:02:24,079 --> 01:02:25,873 ♪ OH, DON'T YOU REMEMBER ♪ 2462 01:02:25,873 --> 01:02:27,875 ♪ OH, DON'T YOU REMEMBER ♪ 2463 01:02:27,875 --> 01:02:29,877 ♪ OH, DON'T YOU REMEMBER ♪ 2464 01:02:29,877 --> 01:02:31,879 ♪ OH, DON'T YOU REMEMBER ♪ 2465 01:02:31,879 --> 01:02:33,422 ♪ OH, DON'T YOU REMEMBER ♪ 2466 01:02:33,463 --> 01:02:33,881 ♪ THAT NIGHT ON YON LEAN HILL ♪ 2467 01:02:33,881 --> 01:02:35,883 ♪ THAT NIGHT ON YON LEAN HILL ♪ 2468 01:02:35,883 --> 01:02:37,885 ♪ THAT NIGHT ON YON LEAN HILL ♪ 2469 01:02:37,885 --> 01:02:39,887 ♪ THAT NIGHT ON YON LEAN HILL ♪ 2470 01:02:39,887 --> 01:02:41,889 ♪ THAT NIGHT ON YON LEAN HILL ♪ 2471 01:02:41,889 --> 01:02:43,348 ♪ THAT NIGHT ON YON LEAN HILL ♪ 2472 01:02:43,390 --> 01:02:43,891 ♪ WHEN WE BOTH MET TOGETHER ♪ 2473 01:02:43,891 --> 01:02:45,893 ♪ WHEN WE BOTH MET TOGETHER ♪ 2474 01:02:45,893 --> 01:02:47,895 ♪ WHEN WE BOTH MET TOGETHER ♪ 2475 01:02:47,895 --> 01:02:49,897 ♪ WHEN WE BOTH MET TOGETHER ♪ 2476 01:02:49,897 --> 01:02:51,565 ♪ WHEN WE BOTH MET TOGETHER ♪ 2477 01:02:51,607 --> 01:02:51,899 ♪ WHICH I'M SORRY NOW TO TELL ♪ 2478 01:02:51,899 --> 01:02:53,901 ♪ WHICH I'M SORRY NOW TO TELL ♪ 2479 01:02:53,901 --> 01:02:55,903 ♪ WHICH I'M SORRY NOW TO TELL ♪ 2480 01:02:55,903 --> 01:02:57,905 ♪ WHICH I'M SORRY NOW TO TELL ♪ 2481 01:02:57,905 --> 01:02:59,907 ♪ WHICH I'M SORRY NOW TO TELL ♪ 2482 01:02:59,907 --> 01:03:01,909 ♪ WHICH I'M SORRY NOW TO TELL ♪ 2483 01:03:01,909 --> 01:03:01,992 ♪ WHICH I'M SORRY NOW TO TELL ♪ 2484 01:03:02,034 --> 01:03:03,911 ♪ OH, THE RAIN FALLS ON MY HEAVY LOCKS ♪ 2485 01:03:03,911 --> 01:03:05,913 ♪ OH, THE RAIN FALLS ON MY HEAVY LOCKS ♪ 2486 01:03:05,913 --> 01:03:07,915 ♪ OH, THE RAIN FALLS ON MY HEAVY LOCKS ♪ 2487 01:03:07,915 --> 01:03:09,917 ♪ OH, THE RAIN FALLS ON MY HEAVY LOCKS ♪ 2488 01:03:09,917 --> 01:03:11,919 ♪ OH, THE RAIN FALLS ON MY HEAVY LOCKS ♪ 2489 01:03:11,919 --> 01:03:13,921 ♪ OH, THE RAIN FALLS ON MY HEAVY LOCKS ♪ 2490 01:03:13,921 --> 01:03:14,963 ♪ OH, THE RAIN FALLS ON MY HEAVY LOCKS ♪ 2491 01:03:15,005 --> 01:03:15,923 ♪ AND THE DEW WETS MY SKIN ♪ 2492 01:03:15,923 --> 01:03:17,925 ♪ AND THE DEW WETS MY SKIN ♪ 2493 01:03:17,925 --> 01:03:19,927 ♪ AND THE DEW WETS MY SKIN ♪ 2494 01:03:19,927 --> 01:03:21,929 ♪ AND THE DEW WETS MY SKIN ♪ 2495 01:03:21,929 --> 01:03:23,931 ♪ AND THE DEW WETS MY SKIN ♪ 2496 01:03:23,931 --> 01:03:25,933 ♪ AND THE DEW WETS MY SKIN ♪ 2497 01:03:25,933 --> 01:03:26,183 ♪ AND THE DEW WETS MY SKIN ♪ 2498 01:03:26,224 --> 01:03:27,935 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2499 01:03:27,935 --> 01:03:29,937 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2500 01:03:29,937 --> 01:03:31,939 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2501 01:03:31,939 --> 01:03:33,941 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2502 01:03:33,941 --> 01:03:35,943 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2503 01:03:35,943 --> 01:03:37,110 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2504 01:03:37,152 --> 01:03:37,945 ♪ BUT NONE WILL LET ME IN ♪ 2505 01:03:37,945 --> 01:03:39,947 ♪ BUT NONE WILL LET ME IN ♪ 2506 01:03:39,947 --> 01:03:41,949 ♪ BUT NONE WILL LET ME IN ♪ 2507 01:03:41,949 --> 01:03:43,951 ♪ BUT NONE WILL LET ME IN ♪ 2508 01:03:43,951 --> 01:03:45,953 ♪ BUT NONE WILL LET ME IN ♪ 2509 01:03:45,953 --> 01:03:47,579 ♪ BUT NONE WILL LET ME IN ♪ 2510 01:03:47,621 --> 01:03:47,955 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2511 01:03:47,955 --> 01:03:49,957 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2512 01:03:49,957 --> 01:03:51,959 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2513 01:03:51,959 --> 01:03:53,961 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2514 01:03:53,961 --> 01:03:55,963 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2515 01:03:55,963 --> 01:03:57,965 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2516 01:03:57,965 --> 01:03:59,883 ♪ MY BABE LIES COLD WITHIN MY ARMS ♪ 2517 01:03:59,925 --> 01:03:59,967 ♪ BUT NONE WILL LET ME IN ♪ 2518 01:03:59,967 --> 01:04:01,969 ♪ BUT NONE WILL LET ME IN ♪ 2519 01:04:01,969 --> 01:04:03,971 ♪ BUT NONE WILL LET ME IN ♪ 2520 01:04:03,971 --> 01:04:05,973 ♪ BUT NONE WILL LET ME IN ♪ 2521 01:04:05,973 --> 01:04:07,975 ♪ BUT NONE WILL LET ME IN ♪ 2522 01:04:07,975 --> 01:04:09,977 ♪ BUT NONE WILL LET ME IN ♪ 2523 01:04:09,977 --> 01:04:11,979 ♪ BUT NONE WILL LET ME IN ♪ 2524 01:04:11,979 --> 01:04:13,981 ♪ BUT NONE WILL LET ME IN ♪ 2525 01:04:13,981 --> 01:04:15,148 ♪ BUT NONE WILL LET ME IN ♪ 2526 01:04:22,072 --> 01:04:23,991 OH, MR. D'ARCY, WE WERE IN RAPTURES LISTENING TO YOU. 2527 01:04:23,991 --> 01:04:25,200 OH, MR. D'ARCY, WE WERE IN RAPTURES LISTENING TO YOU. 2528 01:04:25,242 --> 01:04:25,993 AND HE SAID HE HAD A FROG IN HIS THROAT AND COULDN'T SING. 2529 01:04:25,993 --> 01:04:27,995 AND HE SAID HE HAD A FROG IN HIS THROAT AND COULDN'T SING. 2530 01:04:27,995 --> 01:04:28,328 AND HE SAID HE HAD A FROG IN HIS THROAT AND COULDN'T SING. 2531 01:04:28,370 --> 01:04:29,997 OH, NO, MR. D'ARCY WHAT A FIB. 2532 01:04:29,997 --> 01:04:30,205 OH, NO, MR. D'ARCY WHAT A FIB. 2533 01:04:30,247 --> 01:04:31,999 DON'T YOU ANNOY HIM, MARY JANE, I WON'T HAVE MR. D'ARCY ANNOYED. 2534 01:04:31,999 --> 01:04:34,001 DON'T YOU ANNOY HIM, MARY JANE, I WON'T HAVE MR. D'ARCY ANNOYED. 2535 01:04:34,001 --> 01:04:34,543 DON'T YOU ANNOY HIM, MARY JANE, I WON'T HAVE MR. D'ARCY ANNOYED. 2536 01:04:34,584 --> 01:04:36,003 WOULD YOU TAKE TIME AND TRY THE HORSE? 2537 01:04:36,003 --> 01:04:36,628 WOULD YOU TAKE TIME AND TRY THE HORSE? 2538 01:04:36,670 --> 01:04:38,005 NO, NOT IN THIS SNOW. 2539 01:04:38,005 --> 01:04:38,088 NO, NOT IN THIS SNOW. 2540 01:04:38,130 --> 01:04:38,839 NOT EVEN IN THE HIGHEST-- 2541 01:04:38,839 --> 01:04:40,007 IT WAS A GREAT PRIVILEGE TO HEAR YOU, NO MATTER HOW BRIEF. 2542 01:04:40,007 --> 01:04:41,216 IT WAS A GREAT PRIVILEGE TO HEAR YOU, NO MATTER HOW BRIEF. 2543 01:04:41,258 --> 01:04:42,009 ONE MUST BE VERY CAREFUL IN THIS WEATHER, YOU SEE. 2544 01:04:42,009 --> 01:04:43,343 ONE MUST BE VERY CAREFUL IN THIS WEATHER, YOU SEE. 2545 01:04:43,385 --> 01:04:44,011 IT AFFECTS THE VOCAL CHORDS. 2546 01:04:44,011 --> 01:04:44,219 IT AFFECTS THE VOCAL CHORDS. 2547 01:04:44,219 --> 01:04:46,013 INDEED. REMEMBER WHAT MARY JANE WAS SAYING ABOUT POOR GEORGINA BURNS. 2548 01:04:46,013 --> 01:04:48,015 INDEED. REMEMBER WHAT MARY JANE WAS SAYING ABOUT POOR GEORGINA BURNS. 2549 01:04:48,015 --> 01:04:49,433 INDEED. REMEMBER WHAT MARY JANE WAS SAYING ABOUT POOR GEORGINA BURNS. 2550 01:04:49,474 --> 01:04:50,017 MMM. YES. 2551 01:04:50,017 --> 01:04:51,309 MMM. YES. 2552 01:05:39,399 --> 01:05:40,067 THEY SAY NEVER PASS O'CONNELL BRIDGE WITHOUT SEEING A WHITE HORSE. 2553 01:05:40,067 --> 01:05:42,069 THEY SAY NEVER PASS O'CONNELL BRIDGE WITHOUT SEEING A WHITE HORSE. 2554 01:05:42,069 --> 01:05:44,071 THEY SAY NEVER PASS O'CONNELL BRIDGE WITHOUT SEEING A WHITE HORSE. 2555 01:05:44,071 --> 01:05:45,363 THEY SAY NEVER PASS O'CONNELL BRIDGE WITHOUT SEEING A WHITE HORSE. 2556 01:05:50,410 --> 01:05:52,079 I SEE A WHITE MAN THIS TIME. 2557 01:05:52,079 --> 01:05:54,081 I SEE A WHITE MAN THIS TIME. 2558 01:05:54,081 --> 01:05:54,206 I SEE A WHITE MAN THIS TIME. 2559 01:06:02,798 --> 01:06:04,091 DID I EVER TELL YOU ABOUT JOHNNY AND KING BILLY'S STATUE? 2560 01:06:04,091 --> 01:06:06,093 DID I EVER TELL YOU ABOUT JOHNNY AND KING BILLY'S STATUE? 2561 01:06:06,093 --> 01:06:08,095 DID I EVER TELL YOU ABOUT JOHNNY AND KING BILLY'S STATUE? 2562 01:06:08,095 --> 01:06:09,387 DID I EVER TELL YOU ABOUT JOHNNY AND KING BILLY'S STATUE? 2563 01:06:09,429 --> 01:06:10,097 WHO'S JOHNNY? 2564 01:06:10,097 --> 01:06:11,348 WHO'S JOHNNY? 2565 01:06:11,389 --> 01:06:12,099 WELL, THE LATE LAMENTED PATRICK MORKAN, 2566 01:06:12,099 --> 01:06:13,850 WELL, THE LATE LAMENTED PATRICK MORKAN, 2567 01:06:13,892 --> 01:06:14,101 MY GRANDFATHER, WELL, AS YOU KNOW, A GLUE BOILER. 2568 01:06:14,101 --> 01:06:16,103 MY GRANDFATHER, WELL, AS YOU KNOW, A GLUE BOILER. 2569 01:06:16,103 --> 01:06:18,105 MY GRANDFATHER, WELL, AS YOU KNOW, A GLUE BOILER. 2570 01:06:18,105 --> 01:06:20,107 MY GRANDFATHER, WELL, AS YOU KNOW, A GLUE BOILER. 2571 01:06:20,107 --> 01:06:20,232 MY GRANDFATHER, WELL, AS YOU KNOW, A GLUE BOILER. 2572 01:06:20,273 --> 01:06:22,109 YOUR AUNT SAID HE HAD A STARCH MAN. 2573 01:06:22,109 --> 01:06:22,400 YOUR AUNT SAID HE HAD A STARCH MAN. 2574 01:06:22,442 --> 01:06:24,111 WELL, A STARCH OF GLUE. 2575 01:06:24,111 --> 01:06:25,278 WELL, A STARCH OF GLUE. 2576 01:06:25,320 --> 01:06:26,113 ANYWAY HE HAD A HORSE CALLED JOHNNY, 2577 01:06:26,113 --> 01:06:27,489 ANYWAY HE HAD A HORSE CALLED JOHNNY, 2578 01:06:27,531 --> 01:06:28,115 AND JOHNNY USED TO WORK IN THE MILL. 2579 01:06:28,115 --> 01:06:29,407 AND JOHNNY USED TO WORK IN THE MILL. 2580 01:06:29,449 --> 01:06:30,117 WALKING ROUND AND ROUND IT IN ORDER TO DRIVE THE MILL, 2581 01:06:30,117 --> 01:06:32,119 WALKING ROUND AND ROUND IT IN ORDER TO DRIVE THE MILL, 2582 01:06:32,119 --> 01:06:34,121 WALKING ROUND AND ROUND IT IN ORDER TO DRIVE THE MILL, 2583 01:06:34,121 --> 01:06:34,162 WALKING ROUND AND ROUND IT IN ORDER TO DRIVE THE MILL, 2584 01:06:34,204 --> 01:06:36,123 AND ONE FINE DAY, THE OLD GENTLEMEN DECIDED 2585 01:06:36,123 --> 01:06:37,499 AND ONE FINE DAY, THE OLD GENTLEMEN DECIDED 2586 01:06:37,541 --> 01:06:38,125 HE'D LIKE TO DRIVE OUT WITH THE QUALITY 2587 01:06:38,125 --> 01:06:39,876 HE'D LIKE TO DRIVE OUT WITH THE QUALITY 2588 01:06:39,918 --> 01:06:40,127 TO A MILITARY REVIEW IN THE PARK. 2589 01:06:40,127 --> 01:06:42,129 TO A MILITARY REVIEW IN THE PARK. 2590 01:06:42,129 --> 01:06:43,672 TO A MILITARY REVIEW IN THE PARK. 2591 01:06:43,713 --> 01:06:44,131 SO HE DRESSED HIMSELF OUT IN HIS BEST, 2592 01:06:44,131 --> 01:06:45,799 SO HE DRESSED HIMSELF OUT IN HIS BEST, 2593 01:06:45,841 --> 01:06:46,133 HIS BEST TOP HAT, HIS BEST COLLAR, 2594 01:06:46,133 --> 01:06:47,968 HIS BEST TOP HAT, HIS BEST COLLAR, 2595 01:06:48,009 --> 01:06:48,135 AND OFF HE WENT, 2596 01:06:48,135 --> 01:06:49,803 AND OFF HE WENT, 2597 01:06:49,845 --> 01:06:50,137 AND EVERYTHING WENT ALONG BEAUTIFULLY 2598 01:06:50,137 --> 01:06:52,139 AND EVERYTHING WENT ALONG BEAUTIFULLY 2599 01:06:52,139 --> 01:06:52,264 AND EVERYTHING WENT ALONG BEAUTIFULLY 2600 01:06:52,305 --> 01:06:54,141 UNTIL THEY CAME TO KING BILLY'S STATUE, 2601 01:06:54,141 --> 01:06:55,642 UNTIL THEY CAME TO KING BILLY'S STATUE, 2602 01:06:55,684 --> 01:06:56,143 AND--HA HA--WELL, JOHNNY FELL IN LOVE 2603 01:06:56,143 --> 01:06:58,145 AND--HA HA--WELL, JOHNNY FELL IN LOVE 2604 01:06:58,145 --> 01:07:00,147 AND--HA HA--WELL, JOHNNY FELL IN LOVE 2605 01:07:00,147 --> 01:07:00,438 AND--HA HA--WELL, JOHNNY FELL IN LOVE 2606 01:07:00,480 --> 01:07:02,149 WITH THE HORSE KING BILLY SITS ON, 2607 01:07:02,190 --> 01:07:04,151 OR WHETHER HE THOUGHT HE WAS BACK AGAIN IN THE MILL, 2608 01:07:04,151 --> 01:07:06,153 OR WHETHER HE THOUGHT HE WAS BACK AGAIN IN THE MILL, 2609 01:07:06,153 --> 01:07:06,236 OR WHETHER HE THOUGHT HE WAS BACK AGAIN IN THE MILL, 2610 01:07:06,278 --> 01:07:08,155 HE STARTED TO WALK ROUND AND ROUND THE STATUE. 2611 01:07:08,155 --> 01:07:10,157 HE STARTED TO WALK ROUND AND ROUND THE STATUE. 2612 01:07:10,157 --> 01:07:11,283 HE STARTED TO WALK ROUND AND ROUND THE STATUE. 2613 01:07:11,324 --> 01:07:12,159 THE OLD GENTLEMEN, HE WAS HIGHLY INDIGNANT. 2614 01:07:12,159 --> 01:07:14,077 THE OLD GENTLEMEN, HE WAS HIGHLY INDIGNANT. 2615 01:07:14,119 --> 01:07:14,161 HE COULDN'T STOP HIM. HE SAID, JOHNNY, JOHNNY. 2616 01:07:14,161 --> 01:07:16,163 HE COULDN'T STOP HIM. HE SAID, JOHNNY, JOHNNY. 2617 01:07:16,163 --> 01:07:16,329 HE COULDN'T STOP HIM. HE SAID, JOHNNY, JOHNNY. 2618 01:07:16,371 --> 01:07:18,165 WHAT'S THE MATTER WITH THE ANIMAL? 2619 01:07:18,165 --> 01:07:18,748 WHAT'S THE MATTER WITH THE ANIMAL? 2620 01:07:18,790 --> 01:07:20,167 I CAN'T UNDERSTAND THE BEAST, 2621 01:07:20,167 --> 01:07:20,375 I CAN'T UNDERSTAND THE BEAST, 2622 01:07:20,417 --> 01:07:22,169 MOST EXTRAORDINARY CONDUCT, 2623 01:07:22,169 --> 01:07:24,171 MOST EXTRAORDINARY CONDUCT, 2624 01:07:24,171 --> 01:07:24,629 MOST EXTRAORDINARY CONDUCT, 2625 01:07:24,671 --> 01:07:26,173 AND HE HAD--HE HAD TO GET OUT AND--AND WALK JOHNNY HOME. 2626 01:07:26,173 --> 01:07:28,175 AND HE HAD--HE HAD TO GET OUT AND--AND WALK JOHNNY HOME. 2627 01:07:28,175 --> 01:07:30,177 AND HE HAD--HE HAD TO GET OUT AND--AND WALK JOHNNY HOME. 2628 01:07:30,177 --> 01:07:31,303 AND HE HAD--HE HAD TO GET OUT AND--AND WALK JOHNNY HOME. 2629 01:07:58,413 --> 01:08:00,207 [BELL RINGING] 2630 01:08:00,207 --> 01:08:00,498 [BELL RINGING] 2631 01:08:01,291 --> 01:08:02,209 GOOD EVENING. WHAT ROOM NUMBER? 2632 01:08:02,209 --> 01:08:04,211 GOOD EVENING. WHAT ROOM NUMBER? 2633 01:08:04,211 --> 01:08:04,419 GOOD EVENING. WHAT ROOM NUMBER? 2634 01:08:04,461 --> 01:08:05,503 14, PLEASE. 2635 01:08:05,545 --> 01:08:06,213 14. 2636 01:08:06,213 --> 01:08:07,339 14. 2637 01:08:12,093 --> 01:08:12,219 THIS WAY. 2638 01:08:12,219 --> 01:08:13,929 THIS WAY. 2639 01:08:37,244 --> 01:08:38,245 YOU LOOK TIRED. 2640 01:08:38,245 --> 01:08:38,828 YOU LOOK TIRED. 2641 01:08:38,870 --> 01:08:40,038 I AM A LITTLE. 2642 01:08:40,080 --> 01:08:40,247 YOU DON'T FEEL ILL OR WEAK? 2643 01:08:40,247 --> 01:08:41,289 YOU DON'T FEEL ILL OR WEAK? 2644 01:08:41,331 --> 01:08:42,249 I'M A LITTLE TIRED, THAT'S ALL. 2645 01:08:42,249 --> 01:08:44,251 I'M A LITTLE TIRED, THAT'S ALL. 2646 01:08:44,251 --> 01:08:44,834 I'M A LITTLE TIRED, THAT'S ALL. 2647 01:08:44,876 --> 01:08:46,253 UH, FREDDY MALINS. 2648 01:08:46,253 --> 01:08:47,379 UH, FREDDY MALINS. 2649 01:08:47,420 --> 01:08:48,255 POOR FREDDY MALINS. 2650 01:08:48,255 --> 01:08:49,089 POOR FREDDY MALINS. 2651 01:08:49,130 --> 01:08:49,714 WHAT ABOUT HIM? 2652 01:08:49,756 --> 01:08:50,257 WELL, POOR FELLOW, IF I HAD A MOTHER LIKE THAT, 2653 01:08:50,257 --> 01:08:52,259 WELL, POOR FELLOW, IF I HAD A MOTHER LIKE THAT, 2654 01:08:52,259 --> 01:08:52,884 WELL, POOR FELLOW, IF I HAD A MOTHER LIKE THAT, 2655 01:08:52,926 --> 01:08:54,261 I SUPPOSE I WOULD HAVE TAKEN TO THE DRINK, TOO. 2656 01:08:54,261 --> 01:08:55,387 I SUPPOSE I WOULD HAVE TAKEN TO THE DRINK, TOO. 2657 01:08:55,428 --> 01:08:56,263 OH, NO. YOU'RE FAR TOO RESPONSIBLE, GABRIEL. 2658 01:08:56,263 --> 01:08:58,265 OH, NO. YOU'RE FAR TOO RESPONSIBLE, GABRIEL. 2659 01:08:58,265 --> 01:09:00,267 OH, NO. YOU'RE FAR TOO RESPONSIBLE, GABRIEL. 2660 01:09:00,267 --> 01:09:01,351 OH, NO. YOU'RE FAR TOO RESPONSIBLE, GABRIEL. 2661 01:09:06,398 --> 01:09:08,275 TELL ME WHAT YOU'RE THINKING. 2662 01:09:08,275 --> 01:09:09,025 TELL ME WHAT YOU'RE THINKING. 2663 01:09:09,067 --> 01:09:10,277 TELL ME. I THINK I KNOW WHAT THE MATTER IS. 2664 01:09:10,277 --> 01:09:12,195 TELL ME. I THINK I KNOW WHAT THE MATTER IS. 2665 01:09:12,237 --> 01:09:12,279 DO I KNOW? 2666 01:09:12,279 --> 01:09:12,988 DO I KNOW? 2667 01:09:13,029 --> 01:09:14,281 OH, I'M THINKING ABOUT THAT SONG THE LAST OF LOCHROYAN. 2668 01:09:14,281 --> 01:09:16,283 OH, I'M THINKING ABOUT THAT SONG THE LAST OF LOCHROYAN. 2669 01:09:16,283 --> 01:09:18,285 OH, I'M THINKING ABOUT THAT SONG THE LAST OF LOCHROYAN. 2670 01:09:18,285 --> 01:09:18,493 OH, I'M THINKING ABOUT THAT SONG THE LAST OF LOCHROYAN. 2671 01:09:18,535 --> 01:09:20,287 WELL, WHAT ABOUT THAT SONG? WHY SHOULD THAT MAKE YOU CRY? 2672 01:09:20,287 --> 01:09:22,289 WELL, WHAT ABOUT THAT SONG? WHY SHOULD THAT MAKE YOU CRY? 2673 01:09:22,289 --> 01:09:22,539 WELL, WHAT ABOUT THAT SONG? WHY SHOULD THAT MAKE YOU CRY? 2674 01:09:22,580 --> 01:09:24,291 I'M THINKING ABOUT A PERSON LONG AGO WHO USED TO SING THAT SONG. 2675 01:09:24,291 --> 01:09:26,293 I'M THINKING ABOUT A PERSON LONG AGO WHO USED TO SING THAT SONG. 2676 01:09:26,293 --> 01:09:27,836 I'M THINKING ABOUT A PERSON LONG AGO WHO USED TO SING THAT SONG. 2677 01:09:27,877 --> 01:09:28,295 AND WHO WAS THAT PERSON LONG AGO? 2678 01:09:28,295 --> 01:09:30,297 AND WHO WAS THAT PERSON LONG AGO? 2679 01:09:30,297 --> 01:09:32,090 AND WHO WAS THAT PERSON LONG AGO? 2680 01:09:32,132 --> 01:09:32,299 IT WAS A PERSON I USED TO KNOW IN GALWAY 2681 01:09:32,299 --> 01:09:34,175 IT WAS A PERSON I USED TO KNOW IN GALWAY 2682 01:09:34,217 --> 01:09:34,301 WHEN I WAS LIVING WITH MY GRANDMOTHER. 2683 01:09:34,301 --> 01:09:36,303 WHEN I WAS LIVING WITH MY GRANDMOTHER. 2684 01:09:36,303 --> 01:09:36,511 WHEN I WAS LIVING WITH MY GRANDMOTHER. 2685 01:09:36,553 --> 01:09:38,305 SOMEONE YOU WERE IN LOVE WITH? 2686 01:09:38,305 --> 01:09:40,307 SOMEONE YOU WERE IN LOVE WITH? 2687 01:09:40,307 --> 01:09:40,557 SOMEONE YOU WERE IN LOVE WITH? 2688 01:09:40,598 --> 01:09:42,309 IT WAS A YOUNG BOY I USED TO KNOW, NAMED MICHAEL FUREY. 2689 01:09:42,309 --> 01:09:44,311 IT WAS A YOUNG BOY I USED TO KNOW, NAMED MICHAEL FUREY. 2690 01:09:44,311 --> 01:09:46,313 IT WAS A YOUNG BOY I USED TO KNOW, NAMED MICHAEL FUREY. 2691 01:09:46,313 --> 01:09:47,105 IT WAS A YOUNG BOY I USED TO KNOW, NAMED MICHAEL FUREY. 2692 01:09:47,147 --> 01:09:48,315 HE USED TO SING THAT SONG THE LAST OF LOCHROYAN. 2693 01:09:48,315 --> 01:09:50,317 HE USED TO SING THAT SONG THE LAST OF LOCHROYAN. 2694 01:09:50,317 --> 01:09:51,359 HE USED TO SING THAT SONG THE LAST OF LOCHROYAN. 2695 01:09:51,401 --> 01:09:52,319 HE WAS VERY DELICATE. I CAN SEE HIM SO PLAINLY. 2696 01:09:52,319 --> 01:09:54,321 HE WAS VERY DELICATE. I CAN SEE HIM SO PLAINLY. 2697 01:09:54,321 --> 01:09:56,323 HE WAS VERY DELICATE. I CAN SEE HIM SO PLAINLY. 2698 01:09:56,323 --> 01:09:58,325 HE WAS VERY DELICATE. I CAN SEE HIM SO PLAINLY. 2699 01:09:58,325 --> 01:10:00,035 HE WAS VERY DELICATE. I CAN SEE HIM SO PLAINLY. 2700 01:10:00,076 --> 01:10:00,327 SUCH EYES AS HE HAD, 2701 01:10:00,327 --> 01:10:02,329 SUCH EYES AS HE HAD, 2702 01:10:02,329 --> 01:10:04,331 SUCH EYES AS HE HAD, 2703 01:10:04,331 --> 01:10:04,831 SUCH EYES AS HE HAD, 2704 01:10:04,873 --> 01:10:06,333 BIG DARK EYES, 2705 01:10:06,333 --> 01:10:08,335 BIG DARK EYES, 2706 01:10:08,335 --> 01:10:08,418 BIG DARK EYES, 2707 01:10:08,460 --> 01:10:10,337 AND AN EXPRESSION IN THEM, 2708 01:10:10,337 --> 01:10:11,880 AND AN EXPRESSION IN THEM, 2709 01:10:11,921 --> 01:10:12,339 AN EXPRESSION. 2710 01:10:12,339 --> 01:10:14,257 AN EXPRESSION. 2711 01:10:14,299 --> 01:10:14,341 OH, SO YOU ARE IN LOVE WITH HIM? 2712 01:10:14,341 --> 01:10:16,343 OH, SO YOU ARE IN LOVE WITH HIM? 2713 01:10:16,343 --> 01:10:17,635 OH, SO YOU ARE IN LOVE WITH HIM? 2714 01:10:17,677 --> 01:10:18,345 I USED TO GO OUT WALKING WITH HIM WHEN I WAS IN GALWAY. 2715 01:10:18,345 --> 01:10:20,347 I USED TO GO OUT WALKING WITH HIM WHEN I WAS IN GALWAY. 2716 01:10:20,347 --> 01:10:21,222 I USED TO GO OUT WALKING WITH HIM WHEN I WAS IN GALWAY. 2717 01:10:21,264 --> 01:10:22,349 PERHAPS THAT WAS WHY YOU WANTED TO GALWAY WITH THAT IVORS WOMAN. 2718 01:10:22,349 --> 01:10:24,351 PERHAPS THAT WAS WHY YOU WANTED TO GALWAY WITH THAT IVORS WOMAN. 2719 01:10:24,351 --> 01:10:25,810 PERHAPS THAT WAS WHY YOU WANTED TO GALWAY WITH THAT IVORS WOMAN. 2720 01:10:25,852 --> 01:10:26,353 WHAT FOR? 2721 01:10:26,394 --> 01:10:28,355 WELL, HOW DO I KNOW? TO SEE HIM PERHAPS. 2722 01:10:28,355 --> 01:10:29,898 WELL, HOW DO I KNOW? TO SEE HIM PERHAPS. 2723 01:10:31,274 --> 01:10:32,359 HE'S DEAD. 2724 01:10:32,359 --> 01:10:33,735 HE'S DEAD. 2725 01:10:33,777 --> 01:10:34,361 HE DIED WHEN HE WAS ONLY 17. 2726 01:10:34,361 --> 01:10:36,363 HE DIED WHEN HE WAS ONLY 17. 2727 01:10:36,363 --> 01:10:37,614 HE DIED WHEN HE WAS ONLY 17. 2728 01:10:37,655 --> 01:10:38,365 ISN'T IT A TERRIBLE THING TO DIE SO YOUNG AS THAT? 2729 01:10:38,365 --> 01:10:40,367 ISN'T IT A TERRIBLE THING TO DIE SO YOUNG AS THAT? 2730 01:10:40,367 --> 01:10:42,369 ISN'T IT A TERRIBLE THING TO DIE SO YOUNG AS THAT? 2731 01:10:42,369 --> 01:10:43,328 ISN'T IT A TERRIBLE THING TO DIE SO YOUNG AS THAT? 2732 01:10:43,370 --> 01:10:44,371 WHAT WAS HE? 2733 01:10:44,371 --> 01:10:45,330 WHAT WAS HE? 2734 01:10:45,372 --> 01:10:46,373 HE WAS IN THE GASWORKS. 2735 01:10:46,373 --> 01:10:48,375 HE WAS IN THE GASWORKS. 2736 01:10:48,375 --> 01:10:49,292 HE WAS IN THE GASWORKS. 2737 01:10:54,923 --> 01:10:56,383 I SUPPOSE YOU WERE IN LOVE WITH THIS MICHAEL FUREY, GRETTA. 2738 01:10:56,383 --> 01:10:58,385 I SUPPOSE YOU WERE IN LOVE WITH THIS MICHAEL FUREY, GRETTA. 2739 01:10:58,385 --> 01:11:00,387 I SUPPOSE YOU WERE IN LOVE WITH THIS MICHAEL FUREY, GRETTA. 2740 01:11:00,387 --> 01:11:02,263 I SUPPOSE YOU WERE IN LOVE WITH THIS MICHAEL FUREY, GRETTA. 2741 01:11:02,305 --> 01:11:02,389 I WAS GREAT WITH HIM AT THE TIME. 2742 01:11:02,389 --> 01:11:04,391 I WAS GREAT WITH HIM AT THE TIME. 2743 01:11:04,391 --> 01:11:06,309 I WAS GREAT WITH HIM AT THE TIME. 2744 01:11:08,436 --> 01:11:10,397 WHAT WAS IT HE DIED OF SO YOUNG? 2745 01:11:10,397 --> 01:11:12,315 WHAT WAS IT HE DIED OF SO YOUNG? 2746 01:11:12,357 --> 01:11:12,399 CONSUMPTION, WAS IT? 2747 01:11:12,399 --> 01:11:14,401 CONSUMPTION, WAS IT? 2748 01:11:14,401 --> 01:11:15,777 CONSUMPTION, WAS IT? 2749 01:11:15,819 --> 01:11:16,403 I THINK HE DIED FOR ME. 2750 01:11:16,403 --> 01:11:18,405 I THINK HE DIED FOR ME. 2751 01:11:18,405 --> 01:11:19,280 I THINK HE DIED FOR ME. 2752 01:11:21,366 --> 01:11:22,409 IT WAS IN THE WINTER, 2753 01:11:22,409 --> 01:11:23,827 IT WAS IN THE WINTER, 2754 01:11:23,868 --> 01:11:24,411 ABOUT THE BEGINNING OF THE WINTER. 2755 01:11:24,411 --> 01:11:25,995 ABOUT THE BEGINNING OF THE WINTER. 2756 01:11:26,037 --> 01:11:26,413 I WAS LEAVING MY GRANDMOTHER'S HOUSE 2757 01:11:26,413 --> 01:11:28,415 I WAS LEAVING MY GRANDMOTHER'S HOUSE 2758 01:11:28,415 --> 01:11:28,623 I WAS LEAVING MY GRANDMOTHER'S HOUSE 2759 01:11:28,665 --> 01:11:30,417 TO COME UP TO THE CONVENT IN DUBLIN. 2760 01:11:30,417 --> 01:11:31,668 TO COME UP TO THE CONVENT IN DUBLIN. 2761 01:11:31,709 --> 01:11:32,419 AND HE WAS ILL AT THE TIME IN HIS LODGINGS IN GALWAY, 2762 01:11:32,419 --> 01:11:34,421 AND HE WAS ILL AT THE TIME IN HIS LODGINGS IN GALWAY, 2763 01:11:34,421 --> 01:11:36,423 AND HE WAS ILL AT THE TIME IN HIS LODGINGS IN GALWAY, 2764 01:11:36,423 --> 01:11:36,464 AND HE WAS ILL AT THE TIME IN HIS LODGINGS IN GALWAY, 2765 01:11:36,506 --> 01:11:38,425 WOULDN'T BE LET OUT, 2766 01:11:38,425 --> 01:11:39,342 WOULDN'T BE LET OUT, 2767 01:11:39,384 --> 01:11:40,427 AND HIS PEOPLE IN OUGHTERARD WERE WRITTEN TO. 2768 01:11:40,427 --> 01:11:42,429 AND HIS PEOPLE IN OUGHTERARD WERE WRITTEN TO. 2769 01:11:42,429 --> 01:11:44,389 AND HIS PEOPLE IN OUGHTERARD WERE WRITTEN TO. 2770 01:11:44,431 --> 01:11:46,433 HE WAS IN DECLINE, THEY SAID, OR SOMETHING LIKE THAT. 2771 01:11:46,433 --> 01:11:48,435 HE WAS IN DECLINE, THEY SAID, OR SOMETHING LIKE THAT. 2772 01:11:48,435 --> 01:11:49,352 HE WAS IN DECLINE, THEY SAID, OR SOMETHING LIKE THAT. 2773 01:11:49,394 --> 01:11:50,437 I NEVER KNEW RIGHTLY. 2774 01:11:50,437 --> 01:11:52,105 I NEVER KNEW RIGHTLY. 2775 01:11:53,982 --> 01:11:54,441 POOR FELLOW. 2776 01:11:54,441 --> 01:11:56,317 POOR FELLOW. 2777 01:11:56,359 --> 01:11:56,443 HE WAS VERY FOND OF ME 2778 01:11:56,443 --> 01:11:58,445 HE WAS VERY FOND OF ME 2779 01:11:58,445 --> 01:11:58,695 HE WAS VERY FOND OF ME 2780 01:11:58,736 --> 01:12:00,447 AND HE WAS SUCH A GENTLE BOY. 2781 01:12:00,447 --> 01:12:02,449 AND HE WAS SUCH A GENTLE BOY. 2782 01:12:02,449 --> 01:12:03,908 AND HE WAS SUCH A GENTLE BOY. 2783 01:12:03,950 --> 01:12:04,451 WE USED TO GO OUT WALKING TOGETHER, YOU KNOW, 2784 01:12:04,451 --> 01:12:06,453 WE USED TO GO OUT WALKING TOGETHER, YOU KNOW, 2785 01:12:06,494 --> 01:12:08,455 GABRIEL, THE WAY THEY DO IN THE COUNTRY. 2786 01:12:08,455 --> 01:12:10,457 GABRIEL, THE WAY THEY DO IN THE COUNTRY. 2787 01:12:10,457 --> 01:12:11,332 GABRIEL, THE WAY THEY DO IN THE COUNTRY. 2788 01:12:12,167 --> 01:12:12,459 HE WAS GOING TO STUDY SINGING ONLY FOR HIS HEALTH. 2789 01:12:12,459 --> 01:12:14,461 HE WAS GOING TO STUDY SINGING ONLY FOR HIS HEALTH. 2790 01:12:14,461 --> 01:12:16,463 HE WAS GOING TO STUDY SINGING ONLY FOR HIS HEALTH. 2791 01:12:16,463 --> 01:12:16,504 HE WAS GOING TO STUDY SINGING ONLY FOR HIS HEALTH. 2792 01:12:17,255 --> 01:12:18,465 HE HAD A VERY GOOD VOICE, POOR MICHAEL FUREY. 2793 01:12:18,465 --> 01:12:20,467 HE HAD A VERY GOOD VOICE, POOR MICHAEL FUREY. 2794 01:12:20,467 --> 01:12:22,469 HE HAD A VERY GOOD VOICE, POOR MICHAEL FUREY. 2795 01:12:22,469 --> 01:12:23,136 HE HAD A VERY GOOD VOICE, POOR MICHAEL FUREY. 2796 01:12:25,680 --> 01:12:26,473 WELL... 2797 01:12:26,473 --> 01:12:28,349 WELL... 2798 01:12:28,391 --> 01:12:28,475 AND THEN? 2799 01:12:28,475 --> 01:12:30,143 AND THEN? 2800 01:12:31,478 --> 01:12:32,479 THEN WHEN IT CAME TO THE TIME FOR ME TO LEAVE GALWAY 2801 01:12:32,479 --> 01:12:34,481 THEN WHEN IT CAME TO THE TIME FOR ME TO LEAVE GALWAY 2802 01:12:34,481 --> 01:12:35,356 THEN WHEN IT CAME TO THE TIME FOR ME TO LEAVE GALWAY 2803 01:12:35,398 --> 01:12:36,483 AND COME UP TO THE CONVENT, 2804 01:12:36,483 --> 01:12:36,900 AND COME UP TO THE CONVENT, 2805 01:12:36,941 --> 01:12:38,485 HE WAS MUCH WORSE 2806 01:12:38,485 --> 01:12:39,944 HE WAS MUCH WORSE 2807 01:12:39,986 --> 01:12:40,487 AND I WOULDN'T BE LET TO SEE HIM 2808 01:12:40,487 --> 01:12:42,489 AND I WOULDN'T BE LET TO SEE HIM 2809 01:12:42,489 --> 01:12:43,490 AND I WOULDN'T BE LET TO SEE HIM 2810 01:12:43,531 --> 01:12:44,491 SO I WROTE HIM A LETTER 2811 01:12:44,491 --> 01:12:45,575 SO I WROTE HIM A LETTER 2812 01:12:45,617 --> 01:12:46,493 SAYING I WAS GOING UP TO DUBLIN 2813 01:12:46,493 --> 01:12:48,244 SAYING I WAS GOING UP TO DUBLIN 2814 01:12:48,286 --> 01:12:48,495 WOULD BE BACK IN THE SUMMER, 2815 01:12:48,495 --> 01:12:50,497 WOULD BE BACK IN THE SUMMER, 2816 01:12:50,497 --> 01:12:50,747 WOULD BE BACK IN THE SUMMER, 2817 01:12:50,788 --> 01:12:52,499 AND HOPING HE'D BE BETTER BY THEN. 2818 01:12:52,499 --> 01:12:54,501 AND HOPING HE'D BE BETTER BY THEN. 2819 01:12:55,335 --> 01:12:56,503 THEN THE NIGHT BEFORE I LEFT, 2820 01:12:56,503 --> 01:12:57,295 THEN THE NIGHT BEFORE I LEFT, 2821 01:12:57,337 --> 01:12:58,505 I WAS IN MY GRANDMOTHER'S HOUSE IN NUNS' ISLAND, 2822 01:12:58,505 --> 01:13:00,507 I WAS IN MY GRANDMOTHER'S HOUSE IN NUNS' ISLAND, 2823 01:13:00,507 --> 01:13:01,382 I WAS IN MY GRANDMOTHER'S HOUSE IN NUNS' ISLAND, 2824 01:13:01,424 --> 01:13:02,008 PACKING UP. 2825 01:13:02,008 --> 01:13:02,509 I HEARD GRAVEL THROWN UP AGAINST THE WINDOW. 2826 01:13:02,509 --> 01:13:04,511 I HEARD GRAVEL THROWN UP AGAINST THE WINDOW. 2827 01:13:04,511 --> 01:13:06,513 I HEARD GRAVEL THROWN UP AGAINST THE WINDOW. 2828 01:13:06,513 --> 01:13:07,180 I HEARD GRAVEL THROWN UP AGAINST THE WINDOW. 2829 01:13:07,222 --> 01:13:08,515 THE WINDOW WAS SO WET I COULDN'T SEE OUT, 2830 01:13:08,515 --> 01:13:10,517 THE WINDOW WAS SO WET I COULDN'T SEE OUT, 2831 01:13:10,517 --> 01:13:10,600 THE WINDOW WAS SO WET I COULDN'T SEE OUT, 2832 01:13:10,642 --> 01:13:12,519 SO I RAN DOWNSTAIRS AS I WAS AND SLIPPED OUT 2833 01:13:12,519 --> 01:13:14,229 SO I RAN DOWNSTAIRS AS I WAS AND SLIPPED OUT 2834 01:13:14,270 --> 01:13:14,521 THE BACK INTO THE GARDEN 2835 01:13:14,521 --> 01:13:16,523 THE BACK INTO THE GARDEN 2836 01:13:16,523 --> 01:13:16,898 THE BACK INTO THE GARDEN 2837 01:13:16,940 --> 01:13:18,525 AND THERE WAS THE POOR FELLOW 2838 01:13:18,525 --> 01:13:19,192 AND THERE WAS THE POOR FELLOW 2839 01:13:19,234 --> 01:13:20,527 AT THE END OF THE GARDEN, SHIVERING. 2840 01:13:20,527 --> 01:13:22,529 AT THE END OF THE GARDEN, SHIVERING. 2841 01:13:22,529 --> 01:13:24,531 AT THE END OF THE GARDEN, SHIVERING. 2842 01:13:29,410 --> 01:13:30,537 DID YOU NOT TELL HIM TO GO BACK? 2843 01:13:30,537 --> 01:13:32,539 DID YOU NOT TELL HIM TO GO BACK? 2844 01:13:32,539 --> 01:13:33,164 DID YOU NOT TELL HIM TO GO BACK? 2845 01:13:33,206 --> 01:13:34,541 I IMPLORED OF HIM TO GO HOME AT ONCE 2846 01:13:34,541 --> 01:13:35,333 I IMPLORED OF HIM TO GO HOME AT ONCE 2847 01:13:35,375 --> 01:13:36,543 AND TOLD HIM HE WOULD GET HIS DEATH IN THE RAIN. 2848 01:13:36,543 --> 01:13:38,545 AND TOLD HIM HE WOULD GET HIS DEATH IN THE RAIN. 2849 01:13:38,545 --> 01:13:39,587 AND TOLD HIM HE WOULD GET HIS DEATH IN THE RAIN. 2850 01:13:39,629 --> 01:13:40,547 BUT HE SAID HE DID NOT WANT TO LIVE. 2851 01:13:40,547 --> 01:13:42,549 BUT HE SAID HE DID NOT WANT TO LIVE. 2852 01:13:42,549 --> 01:13:44,551 BUT HE SAID HE DID NOT WANT TO LIVE. 2853 01:13:44,551 --> 01:13:44,592 BUT HE SAID HE DID NOT WANT TO LIVE. 2854 01:13:44,634 --> 01:13:46,553 I CAN SEE HIS EYES AS WELL, AS WELL! 2855 01:13:46,553 --> 01:13:48,555 I CAN SEE HIS EYES AS WELL, AS WELL! 2856 01:13:48,555 --> 01:13:50,139 I CAN SEE HIS EYES AS WELL, AS WELL! 2857 01:13:50,807 --> 01:13:52,559 DID HE GO HOME? 2858 01:13:52,559 --> 01:13:54,435 DID HE GO HOME? 2859 01:13:55,436 --> 01:13:56,563 YES, HE WENT HOME. 2860 01:13:56,563 --> 01:13:58,565 YES, HE WENT HOME. 2861 01:13:58,565 --> 01:13:59,232 YES, HE WENT HOME. 2862 01:13:59,274 --> 01:14:00,567 AND AFTER I WAS ONLY A WEEK IN THE CONVENT HE DIED. 2863 01:14:00,567 --> 01:14:02,569 AND AFTER I WAS ONLY A WEEK IN THE CONVENT HE DIED. 2864 01:14:02,569 --> 01:14:04,571 AND AFTER I WAS ONLY A WEEK IN THE CONVENT HE DIED. 2865 01:14:04,571 --> 01:14:05,530 AND AFTER I WAS ONLY A WEEK IN THE CONVENT HE DIED. 2866 01:14:05,572 --> 01:14:06,573 HE WAS BURIED IN OUGHTERARD, 2867 01:14:06,573 --> 01:14:08,199 HE WAS BURIED IN OUGHTERARD, 2868 01:14:08,241 --> 01:14:08,575 WHERE HIS PEOPLE CAME FROM. 2869 01:14:08,575 --> 01:14:10,577 WHERE HIS PEOPLE CAME FROM. 2870 01:14:10,577 --> 01:14:11,286 WHERE HIS PEOPLE CAME FROM. 2871 01:14:12,412 --> 01:14:12,579 OH, THE DAY I HEARD THAT... 2872 01:14:12,579 --> 01:14:14,581 OH, THE DAY I HEARD THAT... 2873 01:14:14,581 --> 01:14:16,583 OH, THE DAY I HEARD THAT... 2874 01:14:16,583 --> 01:14:17,041 OH, THE DAY I HEARD THAT... 2875 01:14:17,083 --> 01:14:18,585 THAT HE WAS DEAD! 2876 01:14:18,585 --> 01:14:20,128 THAT HE WAS DEAD! 2877 01:14:22,630 --> 01:14:24,591 [SOBBING] 2878 01:14:24,591 --> 01:14:25,341 [SOBBING] 2879 01:15:16,601 --> 01:15:16,643 [THINKING] HOW POOR A PART I'VE PLAYED IN YOUR LIFE. 2880 01:15:16,643 --> 01:15:18,645 [THINKING] HOW POOR A PART I'VE PLAYED IN YOUR LIFE. 2881 01:15:18,645 --> 01:15:20,647 [THINKING] HOW POOR A PART I'VE PLAYED IN YOUR LIFE. 2882 01:15:20,647 --> 01:15:21,481 [THINKING] HOW POOR A PART I'VE PLAYED IN YOUR LIFE. 2883 01:15:21,522 --> 01:15:22,649 IT'S ALMOST AS THOUGH I'M NOT YOUR HUSBAND 2884 01:15:22,649 --> 01:15:24,651 IT'S ALMOST AS THOUGH I'M NOT YOUR HUSBAND 2885 01:15:24,692 --> 01:15:26,653 AND WE'VE NEVER LIVED TOGETHER AS MAN AND WIFE. 2886 01:15:26,653 --> 01:15:28,655 AND WE'VE NEVER LIVED TOGETHER AS MAN AND WIFE. 2887 01:15:28,655 --> 01:15:29,280 AND WE'VE NEVER LIVED TOGETHER AS MAN AND WIFE. 2888 01:15:30,365 --> 01:15:30,657 WHAT WERE YOU LIKE THEN? 2889 01:15:30,657 --> 01:15:32,659 WHAT WERE YOU LIKE THEN? 2890 01:15:32,659 --> 01:15:33,493 WHAT WERE YOU LIKE THEN? 2891 01:15:52,387 --> 01:15:52,679 TO ME YOUR FACE IS STILL BEAUTIFUL, 2892 01:15:52,679 --> 01:15:54,681 TO ME YOUR FACE IS STILL BEAUTIFUL, 2893 01:15:54,681 --> 01:15:56,516 TO ME YOUR FACE IS STILL BEAUTIFUL, 2894 01:15:56,557 --> 01:15:56,683 BUT IT'S NO LONGER THE ONE 2895 01:15:56,683 --> 01:15:58,685 BUT IT'S NO LONGER THE ONE 2896 01:15:58,685 --> 01:15:59,394 BUT IT'S NO LONGER THE ONE 2897 01:15:59,435 --> 01:16:00,687 FOR WHICH MICHAEL FUREY BRAVED DEATH. 2898 01:16:00,687 --> 01:16:02,522 FOR WHICH MICHAEL FUREY BRAVED DEATH. 2899 01:16:02,563 --> 01:16:02,689 WHY AM I FEELING THIS RIOT OF EMOTION? 2900 01:16:02,689 --> 01:16:04,691 WHY AM I FEELING THIS RIOT OF EMOTION? 2901 01:16:04,691 --> 01:16:06,693 WHY AM I FEELING THIS RIOT OF EMOTION? 2902 01:16:06,693 --> 01:16:07,944 WHY AM I FEELING THIS RIOT OF EMOTION? 2903 01:16:07,985 --> 01:16:08,695 WHAT STIRRED IT UP? 2904 01:16:08,695 --> 01:16:10,488 WHAT STIRRED IT UP? 2905 01:16:11,072 --> 01:16:12,699 THE RIDE IN THE CAB... 2906 01:16:12,699 --> 01:16:12,865 THE RIDE IN THE CAB... 2907 01:16:12,907 --> 01:16:14,701 HER NOT RESPONDING WHEN I KISSED HER HAND. 2908 01:16:14,701 --> 01:16:16,703 HER NOT RESPONDING WHEN I KISSED HER HAND. 2909 01:16:16,703 --> 01:16:17,412 HER NOT RESPONDING WHEN I KISSED HER HAND. 2910 01:16:17,453 --> 01:16:18,705 MY AUNT'S PARTY... 2911 01:16:18,705 --> 01:16:19,288 MY AUNT'S PARTY... 2912 01:16:19,330 --> 01:16:20,707 MY OWN FOOLISH SPEECH. 2913 01:16:20,707 --> 01:16:22,250 MY OWN FOOLISH SPEECH. 2914 01:16:22,291 --> 01:16:22,709 THE WINE, DANCING, MUSIC. 2915 01:16:22,709 --> 01:16:24,711 THE WINE, DANCING, MUSIC. 2916 01:16:24,711 --> 01:16:26,504 THE WINE, DANCING, MUSIC. 2917 01:16:26,546 --> 01:16:26,713 POOR AUNT JULIA! 2918 01:16:26,713 --> 01:16:27,505 POOR AUNT JULIA! 2919 01:16:27,547 --> 01:16:28,715 THAT HAGGARD LOOK ON HER FACE WHEN SHE WAS SINGING ARRAYED FOR THE BRIDAL. 2920 01:16:28,715 --> 01:16:30,717 THAT HAGGARD LOOK ON HER FACE WHEN SHE WAS SINGING ARRAYED FOR THE BRIDAL. 2921 01:16:30,717 --> 01:16:32,719 THAT HAGGARD LOOK ON HER FACE WHEN SHE WAS SINGING ARRAYED FOR THE BRIDAL. 2922 01:16:32,719 --> 01:16:34,721 THAT HAGGARD LOOK ON HER FACE WHEN SHE WAS SINGING ARRAYED FOR THE BRIDAL. 2923 01:16:34,721 --> 01:16:36,305 THAT HAGGARD LOOK ON HER FACE WHEN SHE WAS SINGING ARRAYED FOR THE BRIDAL. 2924 01:16:37,265 --> 01:16:38,725 SOON, SHE'LL BE A SHADE, TOO, 2925 01:16:38,725 --> 01:16:40,184 SOON, SHE'LL BE A SHADE, TOO, 2926 01:16:40,226 --> 01:16:40,727 WITH THE SHADE OF PATRICK MORKAN AND HIS HOUSE. 2927 01:16:40,727 --> 01:16:42,729 WITH THE SHADE OF PATRICK MORKAN AND HIS HOUSE. 2928 01:16:42,729 --> 01:16:44,731 WITH THE SHADE OF PATRICK MORKAN AND HIS HOUSE. 2929 01:16:44,731 --> 01:16:45,314 WITH THE SHADE OF PATRICK MORKAN AND HIS HOUSE. 2930 01:16:51,446 --> 01:16:52,739 SOON PERHAPS I'LL BE SITTING IN THAT SAME DRAWING ROOM, 2931 01:16:52,739 --> 01:16:54,741 SOON PERHAPS I'LL BE SITTING IN THAT SAME DRAWING ROOM, 2932 01:16:54,741 --> 01:16:54,824 SOON PERHAPS I'LL BE SITTING IN THAT SAME DRAWING ROOM, 2933 01:16:54,866 --> 01:16:56,743 DRESSED IN BLACK, THE BLINDS WOULD BE DRAWN DOWN, 2934 01:16:56,743 --> 01:16:58,202 DRESSED IN BLACK, THE BLINDS WOULD BE DRAWN DOWN, 2935 01:16:58,244 --> 01:16:58,745 AND I'D BE CASTING ABOUT IN HIS MIND FOR WORDS OF CONSOLATION... 2936 01:16:58,745 --> 01:17:00,747 AND I'D BE CASTING ABOUT IN HIS MIND FOR WORDS OF CONSOLATION... 2937 01:17:00,747 --> 01:17:02,749 AND I'D BE CASTING ABOUT IN HIS MIND FOR WORDS OF CONSOLATION... 2938 01:17:02,749 --> 01:17:03,666 AND I'D BE CASTING ABOUT IN HIS MIND FOR WORDS OF CONSOLATION... 2939 01:17:03,708 --> 01:17:04,751 AND WOULD FIND ONLY LAME AND USELESS ONES. 2940 01:17:04,751 --> 01:17:06,753 AND WOULD FIND ONLY LAME AND USELESS ONES. 2941 01:17:06,753 --> 01:17:08,755 AND WOULD FIND ONLY LAME AND USELESS ONES. 2942 01:17:08,755 --> 01:17:09,589 AND WOULD FIND ONLY LAME AND USELESS ONES. 2943 01:17:09,630 --> 01:17:10,757 YES, YES. THAT WILL HAPPEN VERY SOON. 2944 01:17:10,757 --> 01:17:12,759 YES, YES. THAT WILL HAPPEN VERY SOON. 2945 01:17:12,759 --> 01:17:14,510 YES, YES. THAT WILL HAPPEN VERY SOON. 2946 01:17:20,725 --> 01:17:20,767 YES, THE NEWSPAPERS ARE RIGHT. 2947 01:17:20,767 --> 01:17:22,769 YES, THE NEWSPAPERS ARE RIGHT. 2948 01:17:22,769 --> 01:17:23,394 YES, THE NEWSPAPERS ARE RIGHT. 2949 01:17:23,436 --> 01:17:24,771 SNOW IS GENERAL ALL OVER IRELAND. 2950 01:17:24,771 --> 01:17:26,773 SNOW IS GENERAL ALL OVER IRELAND. 2951 01:17:26,773 --> 01:17:27,273 SNOW IS GENERAL ALL OVER IRELAND. 2952 01:17:27,315 --> 01:17:28,775 FALLING ON EVERY PART OF THE DARK CENTRAL PLAIN, 2953 01:17:28,775 --> 01:17:30,777 FALLING ON EVERY PART OF THE DARK CENTRAL PLAIN, 2954 01:17:30,777 --> 01:17:31,444 FALLING ON EVERY PART OF THE DARK CENTRAL PLAIN, 2955 01:17:31,486 --> 01:17:32,779 ON THE TREELESS HILLS, 2956 01:17:32,779 --> 01:17:34,447 ON THE TREELESS HILLS, 2957 01:17:34,489 --> 01:17:34,781 SOFTLY UPON THE BOG OF ALLEN... 2958 01:17:34,781 --> 01:17:36,783 SOFTLY UPON THE BOG OF ALLEN... 2959 01:17:36,783 --> 01:17:37,617 SOFTLY UPON THE BOG OF ALLEN... 2960 01:17:37,658 --> 01:17:38,785 AND FARTHER WESTWARD, 2961 01:17:38,785 --> 01:17:39,410 AND FARTHER WESTWARD, 2962 01:17:39,452 --> 01:17:40,787 SOFTLY FALLING INTO THE DARK MUTINOUS SHANNON WAVES. 2963 01:17:40,787 --> 01:17:42,789 SOFTLY FALLING INTO THE DARK MUTINOUS SHANNON WAVES. 2964 01:17:42,789 --> 01:17:44,791 SOFTLY FALLING INTO THE DARK MUTINOUS SHANNON WAVES. 2965 01:17:44,791 --> 01:17:46,542 SOFTLY FALLING INTO THE DARK MUTINOUS SHANNON WAVES. 2966 01:17:46,584 --> 01:17:46,793 ONE BY ONE WE'RE ALL BECOMING SHADES. 2967 01:17:46,793 --> 01:17:48,795 ONE BY ONE WE'RE ALL BECOMING SHADES. 2968 01:17:48,795 --> 01:17:50,546 ONE BY ONE WE'RE ALL BECOMING SHADES. 2969 01:17:50,588 --> 01:17:50,797 BETTER TO PASS BOLDLY INTO THAT OTHER WORLD 2970 01:17:50,797 --> 01:17:52,799 BETTER TO PASS BOLDLY INTO THAT OTHER WORLD 2971 01:17:52,799 --> 01:17:54,217 BETTER TO PASS BOLDLY INTO THAT OTHER WORLD 2972 01:17:54,258 --> 01:17:54,801 IN THE FULL GLORY OF SOME PASSION 2973 01:17:54,801 --> 01:17:56,803 IN THE FULL GLORY OF SOME PASSION 2974 01:17:56,803 --> 01:17:57,011 IN THE FULL GLORY OF SOME PASSION 2975 01:17:57,053 --> 01:17:58,805 THEN FADE AND WITHER DISMALLY WITH AGE. 2976 01:17:58,805 --> 01:18:00,723 THEN FADE AND WITHER DISMALLY WITH AGE. 2977 01:18:00,765 --> 01:18:00,807 HOW LONG YOU LOCKED AWAY IN YOUR HEART? 2978 01:18:00,807 --> 01:18:02,809 HOW LONG YOU LOCKED AWAY IN YOUR HEART? 2979 01:18:02,809 --> 01:18:04,811 HOW LONG YOU LOCKED AWAY IN YOUR HEART? 2980 01:18:04,811 --> 01:18:05,311 HOW LONG YOU LOCKED AWAY IN YOUR HEART? 2981 01:18:05,353 --> 01:18:06,813 THE IMAGE OF YOUR LOVER'S EYES 2982 01:18:06,813 --> 01:18:06,979 THE IMAGE OF YOUR LOVER'S EYES 2983 01:18:07,021 --> 01:18:08,815 WHEN HE TOLD YOU THAT HE DID NOT WISH TO LIVE. 2984 01:18:08,815 --> 01:18:10,817 WHEN HE TOLD YOU THAT HE DID NOT WISH TO LIVE. 2985 01:18:10,817 --> 01:18:11,442 WHEN HE TOLD YOU THAT HE DID NOT WISH TO LIVE. 2986 01:18:11,484 --> 01:18:12,819 I'VE NEVER FELT THAT WAY MYSELF TOWARDS ANY WOMAN, 2987 01:18:12,819 --> 01:18:14,821 I'VE NEVER FELT THAT WAY MYSELF TOWARDS ANY WOMAN, 2988 01:18:14,821 --> 01:18:16,030 I'VE NEVER FELT THAT WAY MYSELF TOWARDS ANY WOMAN, 2989 01:18:16,072 --> 01:18:16,823 BUT I KNOW THAT SUCH A FEELING MUST BE LOVE. 2990 01:18:16,823 --> 01:18:18,825 BUT I KNOW THAT SUCH A FEELING MUST BE LOVE. 2991 01:18:18,825 --> 01:18:20,827 BUT I KNOW THAT SUCH A FEELING MUST BE LOVE. 2992 01:18:20,827 --> 01:18:21,911 BUT I KNOW THAT SUCH A FEELING MUST BE LOVE. 2993 01:18:21,953 --> 01:18:22,829 THINK OF ALL THOSE WHO EVER WERE. 2994 01:18:22,829 --> 01:18:24,831 THINK OF ALL THOSE WHO EVER WERE. 2995 01:18:24,831 --> 01:18:26,666 THINK OF ALL THOSE WHO EVER WERE. 2996 01:18:26,707 --> 01:18:26,833 BACK TO THE START OF TIME. 2997 01:18:26,833 --> 01:18:28,835 BACK TO THE START OF TIME. 2998 01:18:28,835 --> 01:18:29,877 BACK TO THE START OF TIME. 2999 01:18:30,336 --> 01:18:30,837 AND ME, TRANSIENT AS THEY, 3000 01:18:30,837 --> 01:18:32,630 AND ME, TRANSIENT AS THEY, 3001 01:18:32,672 --> 01:18:32,839 FLICKERING OUT AS WELL INTO THEIR GRAY WORLD. 3002 01:18:32,839 --> 01:18:34,841 FLICKERING OUT AS WELL INTO THEIR GRAY WORLD. 3003 01:18:34,841 --> 01:18:36,843 FLICKERING OUT AS WELL INTO THEIR GRAY WORLD. 3004 01:18:36,843 --> 01:18:37,385 FLICKERING OUT AS WELL INTO THEIR GRAY WORLD. 3005 01:18:37,426 --> 01:18:38,803 LIKE EVERYTHING AROUND ME, 3006 01:18:38,845 --> 01:18:40,847 THIS SOLID WORLD ITSELF WHICH LAY REARED AND LIVED IN. 3007 01:18:40,847 --> 01:18:42,849 THIS SOLID WORLD ITSELF WHICH LAY REARED AND LIVED IN. 3008 01:18:42,849 --> 01:18:44,308 THIS SOLID WORLD ITSELF WHICH LAY REARED AND LIVED IN. 3009 01:18:44,350 --> 01:18:44,851 IS DWINDLING AND DISSOLVING. 3010 01:18:44,851 --> 01:18:46,853 IS DWINDLING AND DISSOLVING. 3011 01:18:46,853 --> 01:18:48,855 IS DWINDLING AND DISSOLVING. 3012 01:18:48,855 --> 01:18:49,272 IS DWINDLING AND DISSOLVING. 3013 01:18:49,313 --> 01:18:50,857 SNOW IS FALLING. 3014 01:18:50,857 --> 01:18:51,858 SNOW IS FALLING. 3015 01:18:51,899 --> 01:18:52,859 FALLING IN THE LONELY CHURCHYARD 3016 01:18:52,859 --> 01:18:54,735 FALLING IN THE LONELY CHURCHYARD 3017 01:18:54,777 --> 01:18:54,861 WHERE MICHAEL FUREY LIES BURIED. 3018 01:18:54,861 --> 01:18:56,863 WHERE MICHAEL FUREY LIES BURIED. 3019 01:18:56,863 --> 01:18:58,322 WHERE MICHAEL FUREY LIES BURIED. 3020 01:18:58,364 --> 01:18:58,865 FALLING FAINTLY THROUGH THE UNIVERSE 3021 01:18:58,865 --> 01:19:00,867 FALLING FAINTLY THROUGH THE UNIVERSE 3022 01:19:00,867 --> 01:19:01,367 FALLING FAINTLY THROUGH THE UNIVERSE 3023 01:19:01,409 --> 01:19:02,869 AND FAINTLY FALLING, 3024 01:19:02,869 --> 01:19:03,244 AND FAINTLY FALLING, 3025 01:19:03,286 --> 01:19:04,871 LIKE THE DESCENT OF THEIR LAST END, 3026 01:19:04,871 --> 01:19:06,873 LIKE THE DESCENT OF THEIR LAST END, 3027 01:19:06,873 --> 01:19:07,415 LIKE THE DESCENT OF THEIR LAST END, 3028 01:19:07,456 --> 01:19:08,875 UPON ALL THE LIVING... 3029 01:19:08,875 --> 01:19:10,293 UPON ALL THE LIVING... 3030 01:19:10,334 --> 01:19:10,877 AND THE DEAD. 3031 01:19:10,877 --> 01:19:12,879 AND THE DEAD. 3032 01:19:12,879 --> 01:19:12,920 AND THE DEAD. 3033 01:19:37,153 --> 01:19:38,905 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME VIDEO 3034 01:19:38,905 --> 01:19:39,655 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME VIDEO 3035 01:19:39,697 --> 01:19:40,907 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 3036 01:19:40,907 --> 01:19:42,909 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 3037 01:19:42,909 --> 01:19:44,285 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--